Invisible Organization of Energy

“Science shows us that the

visible world is neither 

matter nor spirit;

the visible world is the invisible 

organization of energy.”

- Heinz Pagels

(1939 - 1988)

Forms, Space, and Distinctions

“A universe comes into being when

a space is severed or taken apart… 

by tracing the way we 

[make such distinctions] 

we begin to reconstruct …  

the basic forms underlying linguistic,

mathematical, physical, 

and biological science.”

- G. Spencer Brown (1923 - )

Laws of Form

Between Something and Nothing

“Now, I am going to tell you something.

I don’t know what heading it comes under, 

and whether or not it is relevant here,

but it must be relevant at some point. 

It is not anything new, but I would like to say it. 

There is a beginning. There is no beginning of that beginning. 

There is no beginning of that no beginning of beginning.

 There is something. There is nothing. 

There is something before the beginning of something and nothing, 

and something before that. Suddenly there is something and nothing. 

But between something and nothing, 

I still don’t really know which is something and which is nothing.  

Now, I’ve just said something, 

but I don’t really know whether I’ve said anything or not.” 

- Chuang-Tzu (4th century BC)

Chuang Tzu: Inner Chapters

Expressions of Deep Order

"If biologists have ignored self-organization, it is not because self-ordering is not pervasive and profound. It is because we biologists have yet to understand how to think about systems governed simultaneously by two sources of order, Yet who seeing the snowflake, who seeing simple lipid molecules cast adrift in water forming themselves into cell-like hollow lipid vesicles, who seeing the potential for the crystallization of life in swarms of reacting molecules, who seeing the stunning order for free in networks linking tens upon tens of thousands of variables, can fail to entertain a central thought: if ever we are to attain a final theory in biology, we will surely, surely have to understand the commingling of self-organization and selection. We will have to see that we are the natural expressions of a deeper order. Ultimately, we will discover in our creation myth that we are expected after all."

- Stuart Kauffman

(1939 - )

Limited in Time and Space

“A human being is part of the 

whole called by us a universe,

a part limited in time and space. 

He experiences himself, 

his thoughts and his feelings,

as something separate from the rest,

a kind of optical delusion 

of his consciousness.

This delusion is a kind of prison for us;

it restricts us to our personal decisions and our

affections to a few persons nearest to us. 

Our task must be to free 

ourselves from this prison by

widening our circle of 

compassion to embrace

all living creatures and the 

whole of nature of its beauty.” 

- Albert Einstein

(1879 - 1955)

Perception, Structure, Order

"When we observe something, then we reach for it; we move through space, touch things, feel their surfaces and contours. And our perception structures and orders the information given by things into determinable forms. We understand because this structuring and ordering is a part of our relationship with reality. Without order we couldn’t understand at all. Thus in my opinion the world is not raw material; it is already ordered merely by being observed.

Order is a necessary condition for anything the human mind is to understand. Arrangements such as the layout of a city or building, a set of tools, a display of merchandise, the verbal exposition of facts or ideas, or a painting or piece of music are called orderly when an observer or listener can grasp their overall structure and the ramification of the structure in some detail. Order makes it possible to focus on what is alike and what is different, what belongs together and what is segregated. When nothing superfluous is included and nothing indispensable left out, one can understand the interrelation of the whole and its parts, as well as the hierarchic scale of importance and power by which some structural features are dominant, others subordinate."

- Rudolf Arnheim

(1904 - 2007)

What is an Object?

“...Consider an object ...  what is an object? 

Philosophers are always saying, 

'Well, just take a chair for example.' 

The moment they say that, you know they 

do not know what they are talking about any more. 

What is a chair? 

Well, a chair is a certain thing over there ... 

Certain? How certain?

 The atoms are evaporating from it 

from time to time - not many atoms,

 but a few - dirt falls on it and 

gets dissolved in the paint; 

so to define a chair precisely, 

to say exactly which atoms are chair,

 and which atoms are air, or which atoms are dirt, 

or which atoms are paint that

 belongs to the chair is impossible. 

So the mass of a chair can be defined only approximately.

 In the same way, to define the mass of a single object is impossible,

 because there are not any single, left-alone objects in the world.”

- Richard Feynman

(1918 - 1988)

Arbitrary Slices

“They will say: ‘Well, it’s a hexagon,’ but it isn’t a hexagon, and a rectangle which isn’t a rectangle. By describing what it nearly is but isn’t quite, they get a sort of description out. The division into parts is of course purely arbitrary. They could have sliced it anyway they wanted.”

- Gregory Bateson (1904 - 1980)

An Ecology of Mind

That It Is

"The mystical is not

how the world is,

but that it is."

- Ludwig Wittgenstein

(1889 - 1951)

To Dream the World

"We (the indivisible divinity that works in us) have dreamed the world. We have dreamed it resistant, mysterious, visible, ubiquitous in space and firm in time, but we have allowed slight, and eternal, bits of the irrational to form part of its architecture so as to know that it is false."

- Jorge Luis Borges

(1899 - 1986)

Chasing Ideas

“The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas.

It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray. 

At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing. But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward.”

- Terence McKenna

(1946 - 2000)

A Sea Boundless and Measureless

“The hidden well-spring of your soul

must needs rise and run murmuring to the sea;

And the treasure of your infinite depths

would be revealed to your eyes.

But let there be no scales to

weigh your unknown treasure;

And seek not the depths of your

knowledge with staff or sounding line.

For self is a sea boundless and measureless.

Say not, 'I have found the truth,'

but rather, 'I have found a truth.'

Say not, 'I have found the path of the soul.'

Say rather, 'I have met the soul

walking upon my path.'

For the soul walks upon all paths.

The soul walks not upon a line,

neither does it grow like a reed.

The soul unfolds itself,

like a lotus of countless petals.” 

- Kahlil Gibran (1883 - 1931)

The Prophet

Stasis, Rhythm, and Aesthetics

"Beauty expressed by the artist cannot awaken in us an emotion which is kinetic or a sensation which is purely physical. It awakens, or ought to awaken, or induces, or ought to induce, an esthetic stasis, an ideal pity or an ideal terror, a stasis called forth, prolonged, and at last dissolved by what I call the rhythm of beauty." 

"What is that exactly?", asked Lynch.

"Rhythm," said Stephen, "is the first formal esthetic relation of part to part in any esthetic whole or of an aesthetic whole to its part or parts or of any part to the aesthetic whole of which it is a part."

- James Joyce, (1882 - 1941)

Portrait of the Artist as a Young Man

Bildung , Gestalten, and Metamorphosis

“If we look at all these Gestalten, especially the organic ones, we will discover that nothing in them is permanent, nothing at rest or defined—everything is in a flux of continual motion. This is why German frequently and fittingly makes use of the word Bildung [formation] to describe the end product and what is in process of production as well…. When something has acquired a form it metamorphoses immediately into a new one.

...We will see the entire plant world, for example, as a vast sea which is as necessary to the existence of individual insects as the oceans and river are to the existence of individual fish, and we will observe that an enormous number of living creatures are born and nourished in this ocean of plants. Ultimately we will see the whole world of animals as a great element in which one species is created or at least sustained, by and through another. We will no longer think of connections and relationships in terms of purpose and intention; we will progress in knowledge alone through seeing how formative nature expresses itself from all sides and in all directions.

...Among the objects we will find many different forms of existence and modes of change, a variety of relationships livingly interwoven; in ourselves, on the other hand, a potential for infinite growth through constant adaptation of our sensibilities and judgment to new ways of acquiring knowledge and responding with action."

- Johann Wolfgang von Goethe

(1749 - 1832)

Ordering and Things Ordered

"Reality is of the senses, brain and mind – that which is knowable.  Existence is cause, ultimate cause. It is unspeakable, unknowable.  Reality is effect, manifestation of existence…  Ordering and things ordered coexist yet have independent significance…  The deepest and most profound emotion we can experience is the belief that the unknown really exists."

- Wynn Bullock (1902 - 1975)

The Photography and Philosophy of Wynn Bullock

Quietly Seeking Images

"The not-so-silent conversations between things are always present. What is not so often present is my sensitivity to these voices. As it is said, for every push there is a pull, with every affirmation denial, but with only these there would be nothing but a frozen, rigid wasteland. There could be continuing movement with each new balance point experienced. There is great beauty in this ever-shifting dance. This is very alive and transcends all notions of a static experience. This is what brings life, for without it I would be locked in without possibilities; there would be no sense of creation. All would be frozen before the existence of time, without realization; there would not be a universe. Fortunately, all is conversation and movement - or transformation - that awaits my awareness. There are many entities all about us. I refer to those entities as images (photographs that aspire to say something); they are symbolic cameos, or icons. They have an unambiguous influence upon my life - they move and their movements are instruments of transformation."

- Nicholas C. Hlobeczy (1927 - 2007)

A Presence Behind the Lens

Interpenetrating Fragments and Divisions

"[There is an...] almost universal habit of taking the content of our thought for ‘a description of the world as it is’. Or we could say that, in this habit, our thought is regarded as in direct correspondence with objective reality. Since our thought is pervaded with differences and distinctions, it follows that such a habit leads us to look on these as real divisions, so that the world is then seen and experienced as actually broken up into fragments.

...the relationship of each moment in the whole to all the others is implied by its total content: the way in which it ‘holds’ all the others enfolded within it.

...both observer and observed are merging and interpenetrating aspects of one whole reality, which is indivisible and unanalysable."

- David Bohm (1917 - 1992)

Wholeness and the Implicate Order

Chain of Connection

"In considering the study of physical phenomena, not merely in its bearings on the material wants of life, but in its general influence on the intellectual advancement of mankind, we find its noblest and most important result to be a knowledge of the chain of connection, by which all natural forces are linked together, and made mutually dependent upon each other; and it is the perception of these relations that exalts our views and ennobles our enjoyments."

-  Alexander von Humboldt (1769 - 1859)

COSMOS: A Sketch of the Physical Description of the Universe, Vol. 1

Wave - Particle Duality

"Quantum theory thus reveals a basic oneness of the universe. It shows that we cannot decompose the world into independently existing smallest units. As we penetrate into matter, nature does not show us any isolated “building blocks,” but rather appears as a complicated web of relations between the various parts of the whole. These relations always include the observer in an essential way. The human observer constitute the final link in the chain of observational processes, and the properties of any atomic object can be understood only in terms of the object's interaction with the observer. "

-  Fritjof Capra (1939 - )

The Tao of Physics

Representations of the World

"Many people would accept that we do not really have knowledge of the world; we have knowledge only of our representations of the world. Yet we seem condemned by our consitution to treat these representations as if they were the world, for our everyday experience feels as if it were of a given and immediate world."

- Francisco Varela

(1946 - 2001)

Infinity's Impenetrable Secret

"For after all what is man in nature? A nothing in relation to infinity, all in relation to nothing, a central point between nothing and all and infinitely far from understanding either. The ends of things and their beginnings are impregnably concealed from him in an impenetrable secret. He is equally incapable of seeing the nothingness out of which he was drawn and the infinite in which he is engulfed."

- Blaise Pascal

(1623 - 1662)

2005-2015 Portfolio Selections

2005-2015 Portfolio Selection

In response to the gentle nudging and persistent reminders from friends and fellow photographers, I have finally gotten around to organizing and posting a selection of the portfolios I have worked on during the last decade. Interested viewers can peruse the 600+ images by clicking on the link above; the thumbnail view shows only 12 (of the 20 total available) portfolios that are available online. The images are actually a superset of the photographs included in the hardcopy version published a few months ago (which contains 'only' about 60% of the images in the online version). So, grab your favorite beverage, find a quiet place, settle back into a nice, comfortable recliner chair, and embark on your visual journey at leisure. I hope that at least a few images will resonate with you, kind reader of my blog.

Where the Sage Hides Himself

"It comes out from no source, it goes back in through no aperture. It has reality yet no place where it resides; it has duration yet no beginning or end. Something emerges, though through no aperture - this refers to the fact that it has reality. It has reality yet there is no place where it resides - this refers to the dimension of space. It has duration but no beginning or end - this refers to the dimension of time. There is life, there is death, there is a coming out, there is a going back in - yet in the coming out and going back its form is never seen. This is called the Heavenly Gate. The Heavenly Gate is nonbeing. The ten thousand things come forth from nonbeing. Being cannot create being out of being; inevitably it must come forth from nonbeing. Nonbeing is absolute nonbeing, and it is here that the sage hides himself."

- Chuang-Tzu

(4th Century BC)

Entities, Environments, and Patterns

"In an organic environment,

every place is unique,

and the different places also cooperate,

with no parts left over,

to create a global whole;

a whole which can be identified

by everyone who is part of it.

In short, no pattern is

an isolated entity.

Each pattern can exist

in the world only to the extent

that is supported by other patterns:

the larger patterns in which

it is embedded, the patterns of

the same size that surround it,

and the smaller patterns

which are embedded in it."

- Christopher Alexander

(1936 - )