Wednesday, April 22, 2020

Visual Imagination


"As to the ontological status of the unconscious. . . the 'words' that compose it are elements drawn from the realm of the imaginary - notably from visual imagination - but promoted to the dignity of signifiers. The term imago, somewhat fallen into disuse, corresponds fairly well, if taken in a broad sense, to these elementary terms of unconscious discourse. . . . The 'sentences' that are found in this discourse are short sequences, most often fragmentary, circular and repetitive. it is these that we discover as unconscious phantasies"

- Jean Laplanche (1924 - 2012)

Tuesday, April 21, 2020

Rocks as Pointers


"The path my feet took was lined with images, whole gardens of pictures. With exposures I picked bouquets, each more vivid than the previous...finally a gathering of gem-like flames in the low tide...I thought I had forgotten how to use my camera, so I counted each step of the process aloud...shutter speed, aperture, cock the shutter...Though I feared to lose the sense of beauty, no loss occurred; the sense of rapport was strong beyond belief.

While rocks were photographed, the subject of the sequence is not rocks; while symbols seem to appear, they are pointers to the significance. The meaning appears in the space between the images, in the mood they raise in the beholder. The flow of the sequence eddies in the river of his associations as he passes from picture to picture. The rocks and the photographs are only objects upon which significance is spread like sheets on the ground to dry."

- Minor White (1908 - 1976)

Monday, April 20, 2020

Unfathomable Depth


"Words, no matter whether they are vocalized and made into sounds or remain unspoken as thoughts, can cast an almost hypnotic spell upon you. You easily lose yourself in them, become hypnotized into implicitly believing that when you have attached a word to something, you know what it is. The fact is: You don’t know what it is. You have only covered up the mystery with a label. Everything, a bird, a tree, even a simple stone, and certainly a human being, is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg."

- Eckhart Tolle (1948 - )

Sunday, April 19, 2020

Other Worlds


"Our universe is what it is simply because we are here.

The situation can be likened to that of a group of intelligent fish who one day begin wondering why their world is completely filled with water.

Many of the fish, the theorists, hope to prove that the cosmos necessarily has to be filled with water. For years, they put their minds to the task but can never quite seem to prove their assertion.

Then a wizened group of fish postulates that maybe they are fooling themselves. Maybe, they suggest, there are many other worlds, some of them completely dry, some wet, and everything in between.”

Alan Lightman (1948 - )

Friday, April 17, 2020

Sovereignty of the Intellect


"The Greeks made Space the subject-matter of a science of supreme simplicity and certainty. Out of it grew, in the mind of classical antiquity, the idea of pure science. Geometry became one of the most powerful expressions of that sovereignty of the intellect that inspired the thought of those times. At a later epoch, when the intellectual despotism of the Church, which had been maintained through the Middle Ages, had crumbled, and a wave of skepticism threatened to sweep away all that had seemed most fixed, those who believed in Truth clung to Geometry as to a rock, and it was the highest ideal of every scientist to carry on his science 'more geometrico.'"

- Hermann Weyl (1885 - 1955)


Thursday, April 16, 2020

Timeless Life


"...in the case of trees and certain other forms of plant life, they already have a structure that expresses perfectly a timeless life in more than three dimensions. Being motionless, the only movement is that of their growth, which leaves a solid trail of wood behind in much the same way we ourselves are leaving a long stream of ghostly images. The tree's shape is its history, each bough the curve of a magnificent time statue which I can assure you that we folk Upstairs appreciate just as enthusiastically as do you humans."

- Alan Moore (1953 - )

Wednesday, April 15, 2020

Garden of Forking Paths


"The Garden of Forking Paths is an enormous guessing game, or parable, in which the subject is time. The rules of the game forbid the use of the word itself. To eliminate a word completely, to refer to it by means of inept phrases and obvious paraphrases, is perhaps the best way of drawing attention to it. This, then, is the tortuous method of approach preferred by the oblique Ts'ui Pen in every meandering of his interminable novel. I have gone over hundreds of manuscripts, I have corrected errors introduced by careless copyists, I have worked out the plan from this chaos, I have restored, or believe I have restored, the original. I have translated the whole work. I can state categorically that not once has the word time been used in the whole book. 

"The explanation is obvious. The Garden of Forking Paths is a picture, incomplete yet not false, of the universe such as Ts'ui Pen conceived it to be. Differing from Newton and Schopenhauer, your ancestor did not think of time as absolute and uniform. He believed in an infinite series of times, in a dizzily growing, ever spreading network of diverging, converging and parallel times. This web of time - the strands of which approach one another, bifurcate, intersect or ignore each other through the 
centuries - embraces every possibility. We do not exist in most of them. In some you exist and not I, while in others I do, and you do not, and in yet others both of us exist. In this one, in which chance has favored me, you have come to my gate. In another, you, crossing the garden, have found me dead. In yet another, I say these very same words, but am an error, a phantom.

Jorge Luis Borges (1899 - 1986)
"The Garden of Forking Paths" in Ficciones