The Simplest Thing

 "Even the simplest thing
is as important as the
things we consider important.
I consider a fallen leaf as
important as the Grand Canyon.
It's all important;

it's all connected.
One couldn't be
without the other."

- Ruth Bernhard (1905 - 2006)

Unclouded by Preconceived Ideas

"Watching as things arrange
themselves in the changing light,
the photographer with unobstructed
vision sees them as they are.
Appropriate images appear without
struggle, moving with the flow of light
like leaves in a stream,
to be immediately reflected in
a mind unclouded by
preconceived ideas."

- Benjamin Hoff (1946 - )

Chain of Connection

"In considering the study of physical phenomena, not merely in its bearings on the material wants of life, but in its general influence on the intellectual advancement of mankind, we find its noblest and most important result to be a knowledge of the chain of connection, by which all natural forces are linked together, and made mutually dependent upon each other; and it is the perception of these relations that exalts our views and ennobles our enjoyments."

- Alexander von Humboldt (1769 - 1859)
Cosmos: A Sketch of the Physical Description of the Universe

Admiring Light's Beauty

"Look at light and admire its beauty.
Close your eyes, and then look again:
what you saw is no longer there;
and what you will see later is not yet. "

- Leonardo da Vinci (1452 - 1519)

Improvisational Nature

"Perhaps the answers to these questions require fundamental advances at the interface of physics, the arts, and neuroscience. The deep links between musical form and physical form may be unveiled by understanding how both kinds of knowledge-music and physics-arise together in human brains and nowhere else. After all, brains, regardless of how mysterious they are, are the most complex structures in the universe.

...

It is amusing to speculate that the reason why music has the ability to move us so deeply is that it is an auditory allusion to our basic connection to the universe. If our cosmic origins are seated in sound patterns, is it too far-fetched to think that music viscerally enables us to tap into those origins?

...

What if there were a vibrational pattern
in the early universe capable of
generating the current complex
structure that we live in,
the complex structures that we are?
And what if these structures
had an improvisational nature."

- Stephon Alexander (1971 - )
The Jazz of Physics

Vibration of Spirit

"The vibration of Spirit is at such an infinite rate of intensity and rapidity that it is practically at rest — just as a rapidly moving wheel seems to be motionless. And at the other end of the scale, there are gross forms of matter whose vibrations are so low as to seem at rest. Between these poles, there are millions upon millions of varying degrees of vibration. From corpuscle and electron, atom and molecule, to worlds and universes, everything is in vibratory motion. This is also true on the planes of energy and force (which are but varying degrees of vibration); and also on the mental planes (whose states depend upon vibrations); and even on to the spiritual planes. An understanding of this Principle, with the appropriate formulas, enables Hermetic students to control their own mental vibrations as well as those of others. The Masters also apply this Principle to the conquering of Natural phenomena, in various ways. 'He who understands the Principle of Vibration, has grasped the sceptre of Power,' says one of the old writers.

...

...the differences between different
manifestations of Matter, Energy,
Mind, and even Spirit, result
largely from varying rates of Vibrations...
...the higher the vibration,
the higher the position in the scale."

- William Walker Atkinson (1862 - 1932)
Three Initiates, Kybalion: A Study of the Hermetic Philosophy of Ancient Egypt and Greece

Postscript. In February of this year, I wrote about how the morning walks my wife and I took together during the pandemic (which we could do since I did not have to commute to my regular office; something which, sadly, I've had to resume doing recently) gave me an opportunity to see and appreciate how much beauty our local neighborhood offers. Back then, I was mesmerized with the "hosta-leaf corpses" that littered the sidewalks near our house, and which appeared to glow with a preternatural inner light. To communicate a sense of what first drew me to them (i.e., their radiance), I rendered them using reversed black and white tones (a small portfolio is here). Almost a year later, as we approach late autumn, I find my eye/I drawn to the radiance - or, better, to the colorful afterglow - of decaying maple leaves. Just as the all-but-decayed hosta leaves stubbornly clung to life with a mysterious and inexhaustible energy, the just-starting-to-decay maple leaves are now doing the same, but are suffused in an ineffably iridescent brilliance! There is a palpable fire burning inside that refuses to let go! I've tried to capture this ethereal energy by placing the leaves on a light table (using one that is sufficiently bright to illuminate the veins of the leaves), and rendering the final image on a dark backdrop in Photoshop. Although, as with the hostas, my maple macros only partly convey the excitement I felt as I encountered individual leaves, much of my raw emotion remains (albeit only in "Stieglitzian Equivalent" form). The image above is an amalgam of the photographs in a new "maple autumn macros" portfolio. Enjoy 😊

Signatura Regrum

"All perceiving is also thinking,
all reasoning is also intuition,
all observation is also invention.

...

Man’s striving for order, of which art is but one manifestation, derives from a similar universal tendency throughout the organic world; it is also paralleled by, and perhaps derived from, the striving towards the state of simplest structure in physical systems.

...

Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways."

- Rudolf Arnheim (1904 - 2007)