Tuesday, January 19, 2016

That Invisible Soul That Pervades Reality


"To hear never-heard sounds, 
To see never-seen colors and shapes, 
To try to understand the imperceptible 
Power pervading the world; 
To fly and find pure ethereal substances 
That are not of matter 
But of that invisible soul pervading reality. 
To hear another soul and to whisper to another soul; 
To be a lantern in the darkness 
Or an umbrella in a stormy day; 
To feel much more than know. 
To be the eyes of an eagle, slope of a mountain; 
To be a wave understanding the influence of the moon; 
To be a tree and read the memory of the leaves; 
To be an insignificant pedestrian on the streets 
Of crazy cities watching, watching, and watching. 
To be a smile on the face of a woman 
And shine in her memory 
As a moment saved without planning."

Dejan Stojanović,  Serbian poet
(1959 - )

Monday, January 18, 2016

Symbols, Dreams, and Transformations


"The task of art is to transform what is continuously happening to us, to transform all these things into symbols, into music, into something which can last in man’s memory. That is our duty. If we don’t fulfill it, we feel unhappy. A writer or any artist has the sometimes joyful duty to transform all that into symbols. These symbols could be colors, forms or sounds. For a poet, the symbols are sounds and also words, fables, stories, poetry. The work of a poet never ends. It has nothing to do with working hours. You are continuously receiving things from the external world. These must be transformed, and eventually will be transformed. This revelation can appear anytime. A poet never rests. He’s always working, even when he dreams. Besides, the life of a writer, is a lonely one. You think you are alone, and as the years go by, if the stars are on your side, you may discover that you are at the center of a vast circle of invisible friends whom you will never get to know but who love you. And that is an immense reward."

(1899 – 1986) 

Sunday, January 17, 2016

Curliques, Droplets, and Energy


"It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually--if this is the way things started, if there was a big bang in the beginning-- you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as--Mr so-and- so, Ms so-and-so, Mrs so-and-so--I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it. "

(1915 - 1973)

Saturday, January 16, 2016

Forms, Shapes, and the Implicate Order


"There is a universal flux that cannot be defined explicitly but which can be known only implicitly, as indicated by the explicitly definable forms and shapes, some stable and some unstable, that can be abstracted from the universal flux. In this flow, mind and matter are not separate substances. Rather, they are different aspects of our whole and unbroken movement."

- David Bohm (1917 - 1992) 

Parts, Patterns, and Networks


"The patterns are simple, but followed together, they make for a whole that is wiser than the sum of its parts. Go for a walk; cultivate hunches; write everything down, but keep your folders messy; embrace serendipity; make generative mistakes; take on multiple hobbies; frequent coffee houses and other liquid networks; follow the links; let others build on your ideas; borrow, recycle; reinvent. Build a tangled bank."

Friday, January 15, 2016

Ripples, Waves, and Rhythms


"To Nature nothing can be added; from Nature nothing can be taken away; the sum of her energies is constant, and the utmost man can do in the pursuit of physical truth, or in the applications of physical knowledge, is to shift the constituents of the never-varying total. The law of conservation rigidly excludes both creation and annihilation. Waves may change to ripples, and ripples to waves; magnitude may be substituted for number, and number for magnitude; asteroids may aggregate to suns, suns may resolve themselves into florae and faunae, and floras and faunas melt in air: the flux of power is eternally the same. It rolls in music through the ages, and all terrestrial energy—the manifestations of life as well as the display of phenomena—are but the modulations of its rhythm."

(1820 - 1893)

Thursday, January 14, 2016

Simplicity & Beauty


"The research worker, in his efforts to express the fundamental laws of Nature in mathematical form, should strive mainly for mathematical beauty. He should take simplicity into consideration in a subordinate way to beauty ... It often happens that the requirements of simplicity and beauty are the same, but where they clash, the latter must take precedence."

(1902 - 1984)