Cosmogonic Philosophy

"Like some of the most ancient and some of the most recent speculations it would be a Cosmogonic Philosophy. It would suppose that in the beginning - infinitely remote - there was a chaos of impersonated feeling, which being without connection or regularity would properly be without existence. This feeling, sporting here and there in pure arbitrariness, would have started the germ of a generalizing tendency. Its other sportings would be evanescent, but this would have a growing virtue. Thus, the tendency to habit would be started; and from this with the other principles of evolution all the regularities of the universe would be evolved. At any time, however, an element of pure chance survives and will remain until the world becomes an absolutely perfect, rational, and symmetrical system, in which mind is at last crystallized in the infinitely-distant future."

- Charles Saunders Peirce (1839 - 1914)
The Architecture of Theories

Shadow Physics

"The external world of physics has thus become a world of shadows. In removing our illusions we have removed the substance, for indeed we have seen that substance is one of the greatest of our illusions. Later perhaps we may inquire whether in our zeal to cut out all that is unreal we may not have used the knife too ruthlessly. Perhaps, indeed, reality is a child which cannot survive without its nurse illusion.

But if so, that is of little concern to the scientist, who has good and sufficient reasons for pursuing his investigations in the world of shadows and is content to leave to the philosopher the determination of its exact status in regard to reality. In the world of physics we watch a shadowgraph performance of the drama of familiar life. The shadow of my elbow rests on the shadow table as the shadow ink flows over the shadow paper. It is all symbolic, and as a symbol the physicist leaves it.

Then comes the alchemist Mind who transmutes the symbols. The sparsely spread nuclei of electric force become a tangible solid; their restless agitation becomes the warmth of summer; the octave of aethereal vibrations becomes a gorgeous rainbow."

- Arthur Stanley Eddington (1882 - 1944)
The Nature of the Physical World

Unknown Shore

"Look about you, Clarke. You see the mountain, and hill following after hill, as wave on wave, you see the woods and orchard, the fields of ripe corn, and the meadows reaching to the reed-beds by the river. You see me standing here beside you, and hear my voice; but I tell you that all these things - yes, from that star that has just shone out in the sky to the solid ground beneath our feet - I say that all these are but dreams and shadows; the shadows that hide the real world from our eyes. There is a real world, but it is beyond this glamour and this vision, beyond these ‘chases in Arras, dreams in a career,’ beyond them all as beyond a veil. I do not know whether any human being has ever lifted that veil; but I do know, Clarke, that you and I shall see it lifted this very night from before another’s eyes. You may think this all strange nonsense; it may be strange, but it is true, and the ancients knew what lifting the veil means. They called it seeing the god Pan.

...

I stood here, and saw before me the unutterable, the unthinkable gulf that yawns profound between two worlds, the world of matter and the world of spirit; I saw the great empty deep stretch dim before me, and in that instant a bridge of light leapt from the earth to the unknown shore, and the abyss was spanned."

- Arthur Machen (1863 - 1947)
The Great God Pan

Harmonic Order

"For every mixture, if it is rightly made, as Socrates says, requires these three things, beauty, truth, and symmetry. For neither will any thing base, if it is introduced into the mixture, impart rectitude, since it will be the cause of error, and of inordinate prerogative, nor if truth is at any time separated, will it suffer the mixture to consist of things that are pure, and which are in reality subdued, but it will fill the whole with an image and with non-being. Nor without symmetry will there be a communion of the elements, and an elegant association. Symmetry, therefore, is necessary to the union of the things that are mingled, and to an appropriate communion. But truth is necessary to purity. And beauty to order; which also renders the whole lovely. For when each thing in the mixture has a place adapted to itself, it renders both the elements, and the arrangement resulting from them, beautiful. Here therefore, in the first mixture, these three things are apparent, symmetry, truth, and beauty. And symmetry indeed is the cause to the mixture, that being is one; truth is the cause of the reality of its existence; and beauty is the cause of its being intelligible. Hence it is intelligible and truly being."

- Proclus Lycius (412 – 485)

Note. This remarkable geometry is what meets the gaze of anyone who looks up at the Adolfo Suárez Madrid–Barajas Airport in Spain. We were racing through the airport to get to our flight from Madrid to Galicia last month (to watch the eclipse), my iPhone managed to catch a few vies of the beautiful overhead design in Madrid. Next to the Escher-like ceiling at the international terminal in Auckland, New Zealand, Madrid, this is among my all time favorites.

Woven Becoming

"When we seek definitely to express the relations of events which arise from their spatio-temporal structure, we approximate to simplicity by progressively diminishing the extent (both temporal and spatial) of the events considered. For example, the event which is the life of the chunk of nature which is the Needle during one minute has to the life of nature within a passing barge during the same minute a very complex spatio-temporal relation. But suppose we progressively diminish the time considered to a second, to a hundredth of a second, to a thousandth of a second, and so on. As we pass along such a series we approximate to an ideal simplicity of structural relations of the pairs of events successively considered, which ideal we call the spatial relations of the Needle to the barge at some instant. Even these relations are too complicated for us, and we consider smaller and smaller bits of the Needle and of the barge. Thus we finally reach the ideal of an event so restricted in its extension as to be without extension in space or extension in time. Such an event is a mere spatial point-flash of instantaneous duration. I call such an ideal event an ‘event-particle.’ You must not think of the world as ultimately built up of event-particles. That is to put the cart before the horse. The world we know is a continuous stream of occurrence which we can discriminate into finite events forming by their overlappings and containings of each other and  separations a spatio-temporal structure. We can express the properties of this structure in terms of the ideal limits to routes of approximation, which I have termed event-particles. Accordingly event-particles are abstractions in their relations to the more concrete events. But then by this time you will have comprehended that you cannot analyze concrete nature without abstracting. Also I repeat, the abstractions of science are entities which are truly in nature, though they have no meaning in isolation from nature."

- Alfred North Whitehead (1861 - 1947)
The Concept of Nature

Fluid Becoming

“The body pre-eminently—that which we are most justified in isolating within the continuity of matter, because it constitutes a relatively closed system—is the living body; it is, moreover, for it that we cut out the others within the whole. Now, life is an evolution. We concentrate a period of this evolution in a stable view which we call a form, and, when the change has become considerable enough to overcome the fortunate inertia of our perception, we say that the body has changed its form. But in reality the body is changing form at every moment; or rather, there is no form, since form is immobile and the reality is movement. What is real is the continual change of form: form is only a snapshot view of a transition. Therefore, here again, our perception manages to solidify into discontinuous images the fluid continuity of the real."

- Henri Bergson (1859 - 1941)
Creative Evolution

Psychedelic Visions

"The moment that I closed my eyes a vision of celestial glory burst upon me. I stood on the silver strand of a translucent, boundless lake, across whose bosom I seemed to have been just transported. A short way up the beach, a temple, modelled like the Parthenon, lifted its spotless and gleaming columns of alabaster sublimely into a rosy air--like the Parthenon, yet as much excelling it as the godlike ideal of architecture must transcend the ideal realized by man. Unblemished in its purity of whiteness, faultless in the unbroken symmetry of every line and angle, its pediment was draped in odorous clouds, whose tints outshone the rainbow. It was the work of an unearthly builder, and my soul stood before it in a trance of ecstasy. Its folded doors were resplendent with the glory of a multitude of eyes of glass, which were inlaid throughout the marble surfaces at the corners of diamond figures from the floor of the porch to the topmost moulding. One of these eyes was golden, like the midday sun, another emerald, another sapphire, and thus onward through the whole gamut of hues, all of them set in such collocations as to form most exquisite harmonies, and whirling upon their axes with the rapidity of thought. At the mere vestibule of the temple I could have sat and drunk in ecstasy forever; but lo! I am yet more blessed. On silent hinges the doors swing open, and I pass in.

...

It is this process of symbolization which, in certain hasheesh states, gives every tree and house, every pebble and leaf, every footprint, feature, and gesture, a significance beyond mere matter or form, which possesses an inconceivable force of tortures or of happiness.

...

Perhaps one of the most difficult things to convey to a mind not in the hashish delirium, by the symbols which there teach the manner of its process, or by any others, is the interchange of senses. The soul is sometimes plainly perceived to be but one in its own sensorium, while the body is understood to be all that so variously modifies impressions as to make them in the one instance smell, in another taste, another sight, and thus on, ad finem. Thus the hashish-eater knows what it is to be burned by salt fire, to smell colours, to see sounds, and, much more frequently, to see feelings."

- Fitz Hugh Ludlow (1836 - 1870)
The Hasheesh Eater

Overtones and Vibrations

"String theory is an attempt at a deeper description of nature by thinking of an elementary particle not as a little point but as a little loop of vibrating string. One of the basic things about a string is that it can vibrate in many different shapes or forms, which gives music its beauty. If we listen to a tuning fork, it sounds harsh to the human ear. And that’s because you hear a pure tone rather than the higher overtones that you get from a piano or violin that give music its richness and beauty.

So in the case of one of these strings it can oscillate in many different forms - analogously to the overtones of a piano string. And those different forms of vibration are interpreted as different elementary particles: quarks, electrons, photons. All are different forms of vibration of the same basic string. Unity of the different forces and particles is achieved because they all come from different kinds of vibrations of the same basic string."

- Edward Whitten (1951 - )

Universal Consciousness

"A spiritual evolution, an evolution of consciousness in Matter in a constant developing self-formation till the form can reveal the indwelling spirit, is then the keynote, the central significant motive of the terrestrial existence. This significance is concealed at the outset by the involution of the Spirit, the Divine Reality, in a dense material Inconscience; a veil of Inconscience, a veil of insensibility of Matter hides the universal Consciousness-Force which works within it, so that the Energy, which is the first form the Force of creation assumes in the physical universe, appears to be itself inconscient and yet does the works of a vast occult Intelligence.
...
They are the seven colours of the light of the divine consciousness, the seven rays of the Infinite, and by them the Spirit has filled in on the canvas of his self-existence conceptually extended, woven of the objective warp of Space and the subjective woof of Time, the myriad wonders of his selfcreation great, simple, symmetrical in its primal laws and vast framings, infinitely curious and intricate in its variety of forms and actions and the complexities of relation and mutual effect of all upon each and each upon all. These are the seven Words of the ancient sages; by them have been created and in the light of their meaning are worked out and have to be interpreted the developed and developing harmonies of the world we know and the worlds behind of which we have only an indirect knowledge. The Light, the Sound is one; their action is sevenfold."

- Sri Aurobindo (1872 - 1950)
The Life Divine

Mystery of the Infinite

"When the King conceived ordaining

He engraved engravings in the luster on high.
A spark of impenetrable darkness flashed
within the Concealed of the Concealed
from the mystery of the Infinite,
a cluster of vapor in formlessness
set in a ring, not white,
not black, not red, not green, no color at all.
As a cord surveyed, it yielded radiant colors.
Deep within the spark gushed a flow
imbuing colors below,
concealed within the concealed of the mystery of the Infinite.
The flow broke through and did not break through its aura.
It was not known at all until,
under the impact of breaking through,
one high and hidden point shone.
Beyond that point, nothing is known."

- "Creation of Elohim," Zohar

Cosmogenic Vision

"If you analyze cave art ... there are so many details that make it clear that this was an art of altered states of consciousness, of visions. And plants like the amanita muscaria mushroom and psilocybin mushrooms appear to have been directly connected with this sudden and radical change. So to investigate this possibility when I got interested in this mystery, I went down to the Amazon where there are still surviving shamanistic cultures today, and where they drink the powerful visionary brew: ayahuasca, of which the active ingredient is dimethyltryptamine (DMT) which is actually closely related at the molecular level to psilocybin. [...] And one of those effects has to do with creativity, and we can see the creative cosmogenic impulse of ayahuasca in the paintings of Ayahuasca Shamans from Peru, like the paintings of Pablo Amaringo ... those richly saturated colors, they’re amazing visions that they reproduce. [...] And as these paintings show, another universal experience of ayahuasca is the encounter with seemingly intelligent entities which communicate with us telepathically."

- Graham Hancock (1950 - )
The War on Consciousness

Supernatural Visions

"In the last few decades, a new kind of art has been striking natives and tourists of Peruvian Amazonia with great wonder and enchantment: ayahuasca‑inspired visionary art. This very original iconography emerges directly from the artists’ visionary experience under the effect of the ayahuasca brew. [...] With the use of figurative techniques, sometimes learned in art schools or developed autonomously, mestizo visionary artists manage to translate and share their colorful supernatural visions with a much wider public than that directly involved with ayahuasca shamanism. One of the most important effects of this translation, in my view, is to render visible the invisible dynamics of shamanic worlds, even to untrained eyes. [...] This art functions as a shining window to the spiritual worlds of ayahuasca shamanism, translating the multidimensional and extraordinary visions to our more familiar realm of everyday iconic images."

- Vinícius Dino, Visionary Art in Peruvian Amazonia:
The Power of Images and Translation Effects

Other Minds

"Our normal waking consciousness, rational consciousness as we call it, is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different. [...] We may go through life without suspecting their existence; but apply the requisite stimulus, and at a touch they are there in all their completeness, definite types of mentality which probably somewhere have their field of application and adaptation. No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. How to regard them is the question - for they are so discontinuous with ordinary consciousness. Yet they may determine attitudes though they cannot furnish formulas, and open a region though they fail to give a map. At any rate, they forbid a premature closing of our accounts with reality."

- William James (1842 - 1910)
The Varieties of Religious Experience

In the Heart of the Spirit

 "In our hearts there burns a fire...
That burns all veils to their root and foundation
When those veils have been burned away
Then the heart will understand completely.
Ancient love will unfold ever-fresh forms
In the heart of the Spirit,
In the core of the heart."

- Rumi (1207 - 1273)

Illusory Categories

"The further we penetrate into the submicroscopic world, the more we shall realize how the modern physicist, like the Eastern mystic, has come to see the world as a system of inseparable, interacting and ever‑moving components with man being an integral part of this system.

...

Quantum theory thus reveals a basic oneness of the universe. It shows that we cannot decompose the world into independently existing smallest units. As we penetrate into matter, nature does not show us any isolated ‘basic building blocks,’ but rather appears as a complicated web of relations between the various parts of the whole. These relations always include the observer in an essential way.

...

Our tendency to divide the perceived world into individual and separate things and to experience ourselves as isolated egos in this world is seen as an illusion which comes from our measuring and categorizing mentality. [...] all things and events perceived by the senses are interrelated, connected, and are but different aspects or manifestations of the same ultimate reality."

- Fritjof Capra (1939 - )
The Tao of Physics

Temples of the Sun

"The loftiest object of their worship was Light, represented by the Sun. Hence they built pyramidal Temples of the Sun. [...]

...

The Great Pyramid! Both, built in Atlantean times, stand as distinctive marks of the mysterious continent, and remain as mute legacies from a race of people who have departed as mysteriously as their own land. Both remind the successors of the Atlanteans of the glories of that lost civilization.

...

Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kinds of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp."

- Paul Brunton (1898 - 1981)
A Search in Secret Egypt

Simple Light

"Know that before the emanations were emanated and the created was created, a supreme simple light filled all reality, so that there was no free place at all in the sense of an empty, hollow space, but everything was filled with that simple light of the En Sof. [...] And when it ascended in its simple will to create the worlds and emanate the emanations, thereby making the perfection of its works, its names and its attributes knowable, which was the reason for the creation of the worlds [...], the En Sof contracted at the middle point, truly in the middle of its light. It contracted the light and moved away on all sides around the center point. This left a free space around the center point, an empty, hollow space..."

- Isaac Luria (1534 - 1572)
Etz Chaim (Tree of Life)

Sorcery's Mirror

"Such would be the successive phases of the image: it is the reflection of a profound reality; it masks and denatures a profound reality; it masks the absence of a profound reality; it has no relation to any reality whatsoever: it is its own pure simulacrum. In the first case, the image is a good appearance - representation is of the sacramental order. In the second, it is an evil appearance - it is of the order of maleficence. In the third, it plays at being an appearance - it is of the order of sorcery. In the fourth, it is no longer of the order of appearances, but of simulation. [...] It is the fantasy of seizing reality live that continues—ever since Narcissus bent over his spring. Surprising the real in order to immobilize it, suspending the real in the expiration of its double. [...] Nothing is wholly obvious without becoming enigmatic. Reality itself is too obvious to be true."

- Jean Baudrillard (1929 - 2007)

Crumpled Manifolds

"The whole process of applying this complex geometric transformation to the input data can be visualized in 3D by imagining a person trying to uncrumple a paper ball: the crumpled paper ball is the manifold of the input data that the model starts with. Each movement operated by the person on the paper ball is similar to a simple geometric transformation operated by one layer. The full uncrumpling gesture sequence is the complex transformation of the entire model. Deep learning models are mathematical machines for uncrumpling complicated manifolds of high-dimensional data. [...] Our own understanding of images, sounds, and language, is grounded in our sensorimotor experience as humans -as embodied earthly creatures. Machine learning models have no access to such experiences and thus cannot 'understand' their inputs in any human-relatable way [...] this mapping is just a simplistic sketch of the original model in our minds, the one developed from our experience as embodied agents—it is like a dim image in a mirror."

- François Chollet (1989 - )

Quetzal Serpent

 " And then the earth arose because of them, it was simply their word that brought it forth. For the forming of the earth they said "Earth." It arose suddenly, just like a cloud, like a mist, now forming, unfolding.

...

This is the account of when all is still silent and placid. All is silent and calm. Hushed and empty is the womb of the sky. These, then, are the first words, the first speech. There is not yet one person, one animal, bird, fish, crab, tree, rock, hollow, canyon, meadow, or forest. All alone the sky exists. The face of the earth has not yet appeared. Alone lies the expanse of the sea, along with the womb of all the sky. There is not yet anything gathered together. All is at rest. Nothing stirs. All is languid, at rest in the sky. There is not yet anything standing erect. Only the expanse of the water, only the tranquil sea lies alone. There is not yet anything that might exist. All lies placid and silent in the darkness, in the night. All alone are the Framer and the Shaper, Sovereign and Quetzal Serpent, They Who Have Borne Children and They Who Have Begotten Sons. Luminous they are in the water, wrapped in quetzal feathers and cotinga feathers. Thus they are called Quetzal Serpent. In their essence, they are great sages, great possessors of knowledge."

- Popol Vuh