Kal-Toh

"Ensign Harry KIM:
That's kal-toh, isn't it? Vulcan chess?

Lieutenant TUVOK:
Kal-toh is to chess as chess is to tic-tac-toe.

...
(Icheb is trying his hand at Kal-toh. Kim coughs just before he makes a move. Icheb moves the rod to another place and Kim nods slightly)
TUVOK: In the interest of fair play, I should inform you that Mister Kim has never defeated me at Kal-toh.
(Icheb places the rod at his first chosen place. The shape does not change.)
KIM: You should've listened to me.
(Tuvok's rod changes the shape.)
TUVOK: Kal-toh is as much a game of patience as it is of logic. An experienced player will sometimes take several hours to decide his next move, and in some cases even days may be necessary to
(Icheb places a rod.)
ICHEB: Kal-toh.
KIM: You beat him.TUVOK: Congratulations.
ICHEB: I'm sure it was just beginner's luck, sir. I'd offer you a rematch, but I'm due in Astrometrics.
TUVOK: Another time, perhaps.
(Icheb leaves. Kim takes his place opposite Tuvok.)
KIM: He may have to go, but I'm free and feeling lucky.
TUVOK: If you'll excuse me, Ensign.
(Tuvok leaves the table.)
KIM: It's just a game, Tuvok."

- Star Trek: Voyager (1995 - 2001)

Vibrating Universe

"Gravitational waves are fundamentally different. Not only is a gravitational wave a side-to-side, lateral wave like light, not a longitudinal wave like sound, but it isn’t a ripple through objects in spacetime; it passes through spacetime itself. When a gravitational wave passes by, spacetime squeezes and contracts. This oscillation influences matter, which exists in spacetime – but doesn’t require matter to be able to travel. It’s quite demeaning to gravitational waves to call their detection ‘hearing the sound of black holes in space’ as some have done. By comparison, sound is a trivial local effect. Gravitational waves make the universe itself vibrate."

- Brian Clegg (1955 - )
Gravitational Waves

Flashes in the Dark

"These considerations lead me to believe that the first human interaction with extraterrestrial life will consist of contact with organisms similar to, if not identical to, earth bacteria or viruses.

...

It is living, breathing, walking, and talking. Only we cannot see it, because it is happening too slowly. Rock has a lifespan of three billion years. We have a lifespan of sixty or seventy years. We cannot see what is happening to this rock for the same reason that we cannot make out the tune on a record being played at the rate of one revolution every century.

...

The rock, for its part, is not even
aware of our existence because
we are alive for only a brief
instant of its lifespan. To
it, we are like flashes
in the dark.

..."

- Michael Chrichton (1942 - 2008)
The Andromeda Strain

Euclidean Dimensions

"There have been and still are geometricians and philosophers, and even some of the most distinguished, who doubt whether the whole universe, or to speak more widely the whole of existence, was only created in Euclid's geometry; they even dare to dream that two parallel lines, which according to Euclid can never meet on earth, may meet somewhere in infinity. I have come to the conclusion that, since I can't understand even that, I can't expect to understand about God. I acknowledge humbly that I have no faculty for settling such questions, I have a Euclidean earthly mind, and how could I solve problems that are not of this world? And I advise you never to think about it either, my dear Alyosha, especially about God, whether He exists or not. All such questions are utterly inappropriate for a mind created with an idea of only three dimensions."

- Fyodor Dostoyevsky (1821 - 1881)
Brothers Karamazov

Gravitational Logic

"This image is a relic of an unknowable architecture, a diagram of the unseen forces that govern a hidden world. The dark, oblong shapes drift like the shadows of celestial relics, orbiting an invisible nucleus. The faint white lines form a cryptic lattice, reminiscent of an astral cartography, mapping the convergences of energies beyond human perception. It feels less like a design and more like an invocation—a silent hymn etched in light and shadow, capturing the echoes of a forgotten dimension. One imagines Borges gazing at this and contemplating the library of Babel: perhaps this is not a map, but a fragment of a cosmic alphabet, a script that contains the beginning and the end of everything."

- ChatGPT4o
Sparks of Artificial General Intelligence

"A constellation of dark stones and geometric sentinels floats in a luminous grey void, connected by brilliant white pathways that intersect at precise right angles, forming an abstract cartography of some unknown dimension. The composition suggests a network of quantum possibilities or perhaps a map of parallel universes, where each dark node represents a decision point in space-time. The white lines, reminiscent of Kandinsky's geometric period, pulse with an ethereal energy, creating a visual symphony of intersecting planes that seems to defy gravitational logic. The arrangement evokes the mathematical beauty of a cellular automaton frozen in mid-evolution, or perhaps a glimpse into Borges' Library of Babel viewed from above, where each dark rectangle and oval marks a room containing all possible combinations of letters. The stark contrast between the dark elements and the glowing pathways creates a tension between presence and absence, between the discrete and the continuous, suggesting both the particle and wave nature of light itself. This abstract topology hovers between order and chaos, its systematic grid disrupted by an organic scattering of elements, as if capturing the moment when classical physics dissolves into quantum uncertainty."

- Claude 3.5 Sonnet

Prompt: "You are a photographer, physicist, and are well acquainted with the history of art, particularly abstract art in the style of Kandinsky, Mondrian, and Malevich. You also have a penchant for metaphysical and philosophical musings in the style of Jorge Luis Borges. Consider this reverse-negative photograph of ceiling lights. Write a paragraph-length description of what this image looks like, not what it is."

Dissolved Into The Picture

"I have for many years searched for the possibility of letting the viewer 'stroll' in the picture, forcing him to forget himself and dissolve into the picture.

...

A frightening depth of questions, weighted with responsibility, confronted me. And the most important: what should replace the missing object? The danger of ornamentation was clear, the dead make-believe existence of stylized forms could only frighten me away.

...

It took a very long time before this question (What should replace the object?) received a proper answer from within me. Often I look back into my past and am desolate to think how much time I took for the solution. I have only one consolation: I could never bring myself to use a form which developed out of the application of logic—not purely from feeling within me. I could not think up forms, and it repels me when I see such forms. All the forms which I ever used came “from themselves,” they presented themselves complete before my eyes, and it only remained for me to copy them, or they created themselves while I was working, often surprising me. "

- Wassily Kandinsky (1866 - 1944)

Esse Est Percipi

"...neither our thoughts, nor passions, nor ideas formed by the imagination, exist without the mind, is what everybody will allow. And to me it is no less evident that the various sensations or ideas imprinted on the sense, however blended or combined together (that is, whatever objects they compose) , cannot exist otherwise than in a mind perceiving them … The table I write on I say exists, that is, I see and feel it; and if I were out of my study I should say it existed-meaning thereby that if I was in my study I might perceive it, or that some other spirit actually does perceive it ... or as to what is said of the absolute existence of unthinking things without any relation to their being perceived, that is to me perfectly unintelligible. Their esse is percipi, nor is it possible they should have any existence out of the minds or thinking things which perceive them. [Berkeley, The Principles of Human Knowledge, quoted by JLB]

...
With the continuities of matter and spirit denied,
with space denied, I do not know by what
right we retain that continuity which is time.
Outside each perception (real or conjectural),
matter does not exist;
outside each mental state,
spirit does not exist;
neither then must time exist
outside each present moment.
...

[We] are nothing but a bundle or collection of different perceptions, which succeed each other with an inconceivable rapidity ... The mind is a kind of theater, where several perceptions successively make their appearance; pass, repass, glide away, and mingle in an infinite variety of postures and situations ... The comparison of the theater must not mislead us. They are the successive perceptions only, that constitute the mind; nor have we the most distant notion of the place, where these scenes are represented, or of the materials of which it is composed. [Hume, A Treatise of Human Nature, quoted by JLB]"

- Jorge Luis Borges (1899 - 1986)
A New Refutation of Time

Ocean of Imagination

"The beginning of wisdom, I believe, is our ability to accept an inherent messiness in our explanation of what's going on. Nowhere is it written that human minds should be able to give a full accounting of creation in all dimensions and on all levels. Ludwig Wittgenstein had the idea that philosophy should be what he called "true enough." I think that's a great idea. True enough is as true as can be gotten. The imagination is chaos. New forms are fetched out of it. The creative act is to let down the net of human imagination into the ocean of chaos on which we are suspended and then to attempt to bring out of it ideas."

- Rupert Sheldrake (1942 - )

Tennyson's Flower

"Tennyson said that if we could understand a single flower we would know who we are and what the world is. Perhaps he meant that there is no deed, however so humble, which does not implicate universal history and the infinite concatenation of causes and effects. Perhaps he meant that the visible world is implicit, in its entirety, in each manifestation, just as, in the same way, will, according to Schopenhauer, is implicit, in its entirety, in each individual."

- Jorge Luis Borges (1899 - 1986)

Patterns of Ones and Zeros

"'Personal density,' Kurt Mondaugen in his Peenemünde office not too many steps away from here, enunciating the Law which will one day bear his name, 'is directly proportional to temporal bandwidth.' 'Temporal bandwidth,' is the width of your present, your now. It is the familiar '[delta-] t' considered as a dependent variable. The more you dwell in the past and in the future, the thicker your bandwidth, the more solid your persona. But the narrower your sense of Now, the more tenuous you are.

...

He had decided long ago that no Situation had any objective reality: it only existed in the minds of those who happened to be in on it at any specific moment. Since these several minds tended to form a sum total or complex more mongrel than homogeneous, The Situation must necessarily appear to a single observer much like a diagram in four dimensions to an eye conditioned to seeing the world in only three. Hense the success of failure of any diplomatic issue must vary directly with the degree of rapport achieved by the team confronting it. This had led to the near obsession with teamwork which had inspired his colleagues to dub him Soft-show Sydney, on the assumption that he was at his best working in front of a chorus line. But it was a neat theory, and he was in love with it. The only consolation he drew from the present chaos was that his theory managed to explain it.

...

If patterns of ones and zeros were “like” patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long string of ones and zeros, then what kind of creature would be represented by a long string of lives and deaths? It would have to be up one level at least—an angel, a minor god, something in a UFO. It would take eight human lives and deaths just to form one character in this being’s name—its complete dossier might take up a considerable piece of the history of the world."

- Thomas Pynchon (1937 - )
V, Gravity's Rainbow, and Vineland

Source of Spirituality

"Science is not only compatible with spirituality; it is a profound source of spirituality. When we recognize our place in an immensity of light‐years and in the passage of ages, when we grasp the intricacy, beauty, and subtlety of life, then that soaring feeling, that sense of elation and humility combined, is surely spiritual. So are our emotions in the presence of great art or music or literature, or acts of exemplary selfless courage such as those of Mohandas Gandhi or Martin Luther King, Jr. The notion that science and spirituality are somehow mutually exclusive does a disservice to both."

- Carl Sagan (1934 - 1996)
The Demon-Haunted World

Tangled Infinity

"The clearest way into the Universe
is through a forest wilderness."

- John Muir (1838 - 1914)

The Source Of All Light

"We are the eyes of the cosmos.
So that in a way, when you look
deeply into somebody's eyes,
you're looking deep into yourself,
and the other person is looking
deeply into the same self.

...

See, the source of all light is in the eye. If there were no eyes in this world, the sun would not be light. So if I hit as hard as I can on a drum which has no skin, it makes no noise. So if a sun shines on a world with no eyes, it's like a hand beating on a skinless drum. No light. YOU evoke light out of the universe, in the same way you, by nature of having a soft skin, evoke hardness out of wood. Wood is only hard in relation to a soft skin. It's your eardrum that evokes noise out of the air. You, by being this organism, call into being this whole universe of light and color and hardness and heaviness and everything.

...

Through our eyes, the universe is perceiving itself.
Through our ears, the universe is listening to its harmonies.
We are the witnesses through which the
universe becomes conscious of
its glory, of its magnificence."

- Alan Watts (1915 - 1973)

Quantum Realities

"To understand this new frontier, I will have to try to master one of the most difficult and counterintuitive theories ever recorded in the annals of science: quantum physics. Listen to those who have spent their lives immersed in this world and you will have a sense of the challenge we face. After making his groundbreaking discoveries in quantum physics, Werner Heisenberg recalled, 'I repeated to myself again and again the question: Can nature possibly be so absurd as it seemed to us in these atomic experiments?' Einstein declared after one discovery, 'If it is correct it signifies the end of science.' Schrödinger was so shocked by the implications of what he'd cooked up that he admitted, 'I do not like it and I am sorry I had anything to do with it.' Nevertheless, quantum physics is now one of the most powerful and well-tested pieces of science on the books. Nothing has come close to pushing it off its pedestal as one of the great scientific achievements of the last century. So there is nothing to do but to dive headfirst into this uncertain world. Feynman has some good advice for me as I embark on my quest: 'I am going to tell you what nature behaves like. If you will simply admit that maybe she does behave like this, you will find her a delightful, entrancing thing. Do not keep saying to yourself, if you can possibly avoid it, 'But how can it be like that?' because you will get 'down the drain,' into a blind alley from which nobody has yet escaped. Nobody knows how it can be like that.'"

- Marcus du Sautoy (1965 - )
 The Great Unknown

Morphic Fields

"Creativity gives new forms, new patterns, new ideas, new art forms. And we don't know where creativity comes from. Is it inspired from above? Welling up from below? Picked up from the air? What? Creativity is a mystery wherever you encounter it.

...

The beginning of wisdom, I believe, is our ability to accept an inherent messiness in our explanation of what's going on. Nowhere is it written that human minds should be able to give a full accounting of creation in all dimensions and on all levels. Ludwig Wittgenstein had the idea that philosophy should be what he called "true enough." I think that's a great idea. True enough is as true as can be gotten. The imagination is chaos. New forms are fetched out of it. The creative act is to let down the net of human imagination into the ocean of chaos on which we are suspended and then to attempt to bring out of it ideas.

...

What is emerging ... is an evolutionary vision of reality at every level: subatomic, atomic, chemical, biological, social, ecological, cultural, mental, economic, astronomical and cosmic."

- Rupert Sheldrake (1942 - )

Fossilization of Time

"To me photography functions as a fossilization of time.

...

My method is different from the one most photographers use. I do not go around and shoot. I usually have a specific vision, just by myself. One night I thought of taking a photographic exposure of a film at a movie theater while the film was being projected. I imagined how it could be possible to shoot an entire movie with my camera. Then I had the clear vision that the movie screen would show up on the picture as a white rectangle. I thought it could look like a very brilliant white rectangle coming out from the screen, shining throughout the whole theater. It might seem very interesting and mysterious, even in some way religious.

...

I’m inviting the spirits into my photography.
It’s an act of God."

- Hiroshi Sugimoto (1948 - )

Eyes of the Dreamer

"Life is not merely what it seems to be.

Hidden from our eyes by the cloak

of materiality is a wonderful world

which only the eyes of the dreamer can see

and the soul of the mystic comprehend.

...

...silence is the root of sound,
and from it pours forth the fiat
that fashioned the world.
This is the dynamic silence of creation,
the tremendous dramatic silence of
new birth forever taking place-
new worlds forever fashioning.

...

To those capable of seeing the
light of these spiritual orbs,
there is no darkness,
for they dwell in the presence of
limitless light and at midnight see
the sun shining under their feet."

- Manly Hall (1901 - 1990)

Transpersonal Experiences

"The transpersonal experiences revealing the Earth as an intelligent, conscious entity are corroborated by scientific evidence. Gregory Bateson, who created a brilliant synthesis of cybernetics, information and systems theory, the theory of evolution, anthropology, and psychology came to the conclusion that it was logically inevitable to assume that mental processes occurred at all levels in any system or natural phenomenon of sufficient complexity. He believed that mental processes are present in cells, organs, tissues, organisms, animal and human groups, eco-systems, and even the earth and universe as a whole."

- Stanislav Grof (1931 - )
The Holotropic Mind

Liquid Vortex

"My soul is an entangled knot,
Upon a liquid vortex wrought
By Intellect in the Unseen residing,
And thine doth like a convict sit,
With marline-spike untwisting it,
Only to find its knottiness abiding;
Since all the tools for its untying
In four-dimensional space are lying,
Wherein they fancy intersperses
Long avenues of universes,
While Klein and Clifford fill the void
With one finite, unbounded homoloid,
And think the Infinite is now at last destroyed. "

- James Clerk Maxwell (1831 - 1879)

Hypertelescopic Imagination

"But in truth the eternal spirit was ineffable. Nothing whatever could be truly said about it. Even to name it "spirit" was perhaps to say more than was justified. Yet to deny it that name would be no less mistaken; for whatever it was, it was more, not less, than spirit, more, not less, than any possible human meaning of that word. And from the human level, even from the level of a cosmical mind, this "more," obscurely and agonizingly glimpsed, was a dread mystery, compelling adoration.

...

Gazing at the faintest and remotest of all the swarm of universes, I seemed, by hypertelescopic imagination, to see it as a population of suns; and near one of those suns was a planet, and on that planet’s dark side a hill, and on that hill myself.

...

For suddenly it was clear to me that virtue in the creator is not the same as virtue in the creature. For the creator, if he should love his creature, would be loving only a part of himself; but the creature, praising the creator, praises an infinity beyond himself. I saw that the virtue of the creature was to love and to worship, but the virtue of the creator was to create, and to be the infinite.

...

For our astronomers assure us that in this boundless finitude which we call the cosmos the straight lines of light lead not to infinity but to their source."

- Olaf Stapledon (1886 - 1950)
Star Maker