Woven Becoming

"When we seek definitely to express the relations of events which arise from their spatio-temporal structure, we approximate to simplicity by progressively diminishing the extent (both temporal and spatial) of the events considered. For example, the event which is the life of the chunk of nature which is the Needle during one minute has to the life of nature within a passing barge during the same minute a very complex spatio-temporal relation. But suppose we progressively diminish the time considered to a second, to a hundredth of a second, to a thousandth of a second, and so on. As we pass along such a series we approximate to an ideal simplicity of structural relations of the pairs of events successively considered, which ideal we call the spatial relations of the Needle to the barge at some instant. Even these relations are too complicated for us, and we consider smaller and smaller bits of the Needle and of the barge. Thus we finally reach the ideal of an event so restricted in its extension as to be without extension in space or extension in time. Such an event is a mere spatial point-flash of instantaneous duration. I call such an ideal event an ‘event-particle.’ You must not think of the world as ultimately built up of event-particles. That is to put the cart before the horse. The world we know is a continuous stream of occurrence which we can discriminate into finite events forming by their overlappings and containings of each other and  separations a spatio-temporal structure. We can express the properties of this structure in terms of the ideal limits to routes of approximation, which I have termed event-particles. Accordingly event-particles are abstractions in their relations to the more concrete events. But then by this time you will have comprehended that you cannot analyze concrete nature without abstracting. Also I repeat, the abstractions of science are entities which are truly in nature, though they have no meaning in isolation from nature."

- Alfred North Whitehead (1861 - 1947)
The Concept of Nature

Sameness and Novelty

"A rhythm involves a pattern and to that extent is always self-identical. But no rhythm can be a mere pattern; for the rhythmic quality depends equally upon the differences involved in each exhibition of the pattern. The order of rhythm is therefore a structure of deviating repetitions... The essence of rhythm is the fusion of sameness and novelty; so that the whole never loses the essential unity of the pattern, while the parts exhibit the contrast arising from the novelty of their detail."

- Alfred North Whitehead (1861 - 1947) 

Creative Consciousness

"I believe that we need to learn from natural process about how to be appropriately creative ourselves, meaning that our activities should be appropriate to whatever is the context within which we are acting. This of course applies to everything we do, not just to art or architecture. The process of bringing something into being is what we and the rest of nature are engaged in all the time, but we have a tendency to assume that what emerges from our looking or feeling or doing was there to begin with and we just became aware of it. However just as quarks and mesons, organisms and galaxies are dynamically generated continuously, from we know not what, to become the natural kinds that we call in the generic language of dynamics, attractors, so we and the world we inhabit are generated continuously. The individual properties of these natural kinds reflect the context in which they arise by their particularities. It is this type of process that I believe we need to understand by participating in it, not just by looking at it.

...

The latest problem to appear clearly on the scientific agenda is how consciousness (and feeling) could emerge in a cosmos that is made up of totally inert, insentient components. Complexity theory always requires that there be some precursor of whatever property is observed to emerge in a system, such as superconductivity or the properties of water or the cooperative behavior of bees in a hive. The dilemma now is to account for the evolutionary emergence of feeling from a system that has no qualitative precursor of such a property. This would be a scientific miracle, and scientists don’t like miracles. So some other solution needs to be found. My own preference, to save the unity of scientific understanding, is to adopt some position like that of Whitehead or Bergson, so that consciousness and feelings are grounded in reality and not some ghostly epiphenomena that are not quite real. However, this will be very firmly resisted by the majority of scientists, and for perfectly good reasons. You do not lightly abandon a position that has been so phenomenally successful at explaining so much of nature. I don’t intend to abandon it either, but I believe that science has to be extended in some way to accommodate the reality of qualities."

- Brian Goodwin (1931 - 2009)

Independent Existence

"The misconception which has haunted philosophic literature throughout the centuries is the notion of 'independent existence.' There is no such mode of existence; every entity is to be understood in terms of the way it is interwoven with the rest of the universe.

...Connectedness is of the essence of all things of all types. It is of the essence of types, that they be connected. Abstraction from connectedness involves the omission of an essential factor in the fact considered. No fact is merely itself. 

...'Change’ is the description of the adventures of eternal objects in the evolving universe of actual things."

- Alfred North Whitehead

(1861 - 1947)

Incomplete, Random, and Infinite

"Nothing in Nature is random. ... A thing appears random only through the incompleteness of our knowledge." -Benedict Spinoza (1632-1677) "Our minds are finite, and yet even in these circumstances of finitude we are surrounded by possibilities that are infinite, and the purpose of human life is to grasp as much as we can out of the infinitude.'' - Alfred North Whitehead (1861-1947)