Worlds Born

"Each friend represents a world in us, a
world possibly not born until they arrive,
and it is only by this meeting
that a new world is born."

- Anais Nin (1903 - 1977)
The Diary of Anaïs Nin

Vibrating Universe

"Gravitational waves are fundamentally different. Not only is a gravitational wave a side-to-side, lateral wave like light, not a longitudinal wave like sound, but it isn’t a ripple through objects in spacetime; it passes through spacetime itself. When a gravitational wave passes by, spacetime squeezes and contracts. This oscillation influences matter, which exists in spacetime – but doesn’t require matter to be able to travel. It’s quite demeaning to gravitational waves to call their detection ‘hearing the sound of black holes in space’ as some have done. By comparison, sound is a trivial local effect. Gravitational waves make the universe itself vibrate."

- Brian Clegg (1955 - )
Gravitational Waves

Ancient Rhythms

"The earth is our origin and destination. The ancient rhythms of the earth have insinuated themselves into the rhythms of the human heart. The earth is not outside us; it is within: the clay from where the tree of the body grows. When we emerge from our offices, rooms and houses, we enter our natural element. We are children of the earth: people to whom the outdoors is home. Nothing can separate us from the vigor and vibrancy of this inheritance. In contrast to our frenetic, saturated lives, the earth offers a calming stillness. Movement and growth in nature takes time. The patience of nature enjoys the ease of trust and hope. There is something in our clay nature that needs to continually experience this ancient, outer ease of the world. It helps us remember who we are and why we are here."

- John O'Donohue (1956 - 2008)
Beauty: The Invisible Embrace

Paradoxes and Contradictions

"We can pull atoms apart, peer back at the first light and predict the end of the universe with just a handful of equations, squiggly lines and arcane symbols that normal people cannot fathom, even though they hold sway over their lives. But it's not just regular folks; even scientists no longer comprehend the world. Take quantum mechanics, the crown jewel of our species, the most accurate, far-ranging and beautiful of all our physical theories. It lies behind the supremacy of our smartphones, behind the Internet, behind the coming promise of godlike computing power. It has completely reshaped our world. We know how to use it, it works as if by some strange miracle, and yet there is not a human soul, alive or dead, who actually gets it. The mind cannot come to grips with its paradoxes and contradictions. It's as if the theory had fallen to earth from another planet, and we simply scamper around it like apes, toying and playing with it, but with no true understanding."

- Benjamín Labatut (1980 - )
When We Cease to Understand the World

Dissolved Into The Picture

"I have for many years searched for the possibility of letting the viewer 'stroll' in the picture, forcing him to forget himself and dissolve into the picture.

...

A frightening depth of questions, weighted with responsibility, confronted me. And the most important: what should replace the missing object? The danger of ornamentation was clear, the dead make-believe existence of stylized forms could only frighten me away.

...

It took a very long time before this question (What should replace the object?) received a proper answer from within me. Often I look back into my past and am desolate to think how much time I took for the solution. I have only one consolation: I could never bring myself to use a form which developed out of the application of logic—not purely from feeling within me. I could not think up forms, and it repels me when I see such forms. All the forms which I ever used came “from themselves,” they presented themselves complete before my eyes, and it only remained for me to copy them, or they created themselves while I was working, often surprising me. "

- Wassily Kandinsky (1866 - 1944)

Esse Est Percipi

"...neither our thoughts, nor passions, nor ideas formed by the imagination, exist without the mind, is what everybody will allow. And to me it is no less evident that the various sensations or ideas imprinted on the sense, however blended or combined together (that is, whatever objects they compose) , cannot exist otherwise than in a mind perceiving them … The table I write on I say exists, that is, I see and feel it; and if I were out of my study I should say it existed-meaning thereby that if I was in my study I might perceive it, or that some other spirit actually does perceive it ... or as to what is said of the absolute existence of unthinking things without any relation to their being perceived, that is to me perfectly unintelligible. Their esse is percipi, nor is it possible they should have any existence out of the minds or thinking things which perceive them. [Berkeley, The Principles of Human Knowledge, quoted by JLB]

...
With the continuities of matter and spirit denied,
with space denied, I do not know by what
right we retain that continuity which is time.
Outside each perception (real or conjectural),
matter does not exist;
outside each mental state,
spirit does not exist;
neither then must time exist
outside each present moment.
...

[We] are nothing but a bundle or collection of different perceptions, which succeed each other with an inconceivable rapidity ... The mind is a kind of theater, where several perceptions successively make their appearance; pass, repass, glide away, and mingle in an infinite variety of postures and situations ... The comparison of the theater must not mislead us. They are the successive perceptions only, that constitute the mind; nor have we the most distant notion of the place, where these scenes are represented, or of the materials of which it is composed. [Hume, A Treatise of Human Nature, quoted by JLB]"

- Jorge Luis Borges (1899 - 1986)
A New Refutation of Time

Aphanipoiesis

"Aphanipoiesis (n.) combines two words from ancient Greek to describe this way in which life coalesces toward vitality in unseen ways. Aphanis comes from a Greek root meaning “obscured, unseen, unnoticed;” poiesis is from one meaning “to bring forth, to make.” Other words which also carry the root aphanis include “phantom,” “diaphanous,” and “phenomenon,” while the root poiesis is familiar from the word “poetry,” along with Maturana and Varela’s autopoiesis.

According to Peirce, abduction is the process of forming an explanatory hypothesis and is the only logical operation that introduces any new idea. Central to the abductive process is the notion of hypothesis. But what does a hypothesis say about the anticipatory systems of perception of any given observer? In noticing aphanipoiesis, exploring the realm of unseen contributors coalescing to produce the foundations of the hypothesis itself becomes relevant. The hypothesis is limited by pre-existing anticipatory patterns. If one listens only for what one knows to listen for, that is what will be heard. In the study of aphanipoiesis, the hypothesis is an indicator of those pre-habituated perceptions through which new information will be filtered. Familiarity with something in one context enables a kind of description of another context to become a basis for experiencing any kind of newness. A new flavor is explored through the experience of known flavors; a new form of music is explored by understanding other forms. Ultimately, the abductive process becomes a zone of untamed, unnamed, unseen, and essential contributors to what may later be called emergence. "

- Nora Bateson (1968 - )
Aphanipoiesis

Constructs of Imagination

 

"Perception is not a
window on objective reality.
It is an interface that hides objective
reality behind a veil of helpful icons.
...

Conscious realism makes a bold claim: consciousness, not spacetime and its objects, is fundamental reality and is properly described as a network of conscious agents. To earn its keep, conscious realism must do serious work ahead. It must ground a theory of quantum gravity, explain the emergence of our spacetime interface and its objects, explain the appearance of Darwinian evolution within that interface, and explain the evolutionary emergence of human psychology.

...

...
What we call ‘reality,’ consists of
an elaborate papier-mâché construction of
imagination and theory filled in between
a few iron posts of observation."

- Donald Hoffman (1955 - )

The Case Against Reality

Awareness

"Most of us spend our time preoccupied. We are constantly carrying on an internal dialogue. While we are involved in talking to ourselves, we miss the moment-to-moment awareness of our life. We look, but we don’t see. We listen, but we don’t hear. We eat, but we don’t taste. We love, but we don’t feel. The senses are receiving all the information, but because of our preoccupations, cognition is not taking place. Zazen brings us back to each moment. The moment is where our life takes place. If we miss the moment, we miss our life."

- John Daido Loori (1931 - 2009)
Finding the Still Point

Rocky Headland

"Be like the rocky headland on
which the waves constantly break.
It stands firm, and round it
the seething waters
are laid to rest."

- Marcus Aurelius (121 - 180)
Meditations

Great Whaleback of Granite

"On Cadillac you can feel all of mount desert underfoot. You seem to be riding a graceful surfacing of mountains headed, like a pod of whales, out to sea through other, smaller islands equally well wrought, unique expressions of rock foaming at their margins, leaning a little seaward or a little landward, depending on which way the tide is moving. From here, to the south and west, one island leads to another, all the way to Frenchboro and Swans Island and Isle au Haut, as this landscape toys with the idea of islands until the sea says enough and there is only water.

...

What else is there to do here- or anywhere in nature- but to indulge the awareness of your senses, observe, the instructive otherness that lies just beyond- or is it within - the beauty of nature, and improve your understanding of the world around you and of yourself as an observing being?

...

On  clear mornings, standing on this great whaleback of granite, with this wide coastal world in your mind's eye and sense keenly the orderliness of the solar system, the way the sun and the moon pull on the oceans to the advantage of life on earth. To the east beyond Schoodic and Petit Manan, you can see a day coming toward you as a blush of light - the "rosy-fingered dawn' of Homeric poetry."

- Christopher Camuto
Time and Tide in Acadia

Form and Content

"All art is relationships, all art. Design is relationships. Design in a relationship between form and content... Your glasses are round. Your collar is diagonal. These are relationships. Your mouth is an oval. Your nose is a triangle - this is what design is.

...

Design is the method of putting form and content together. Design, just as art, has multiple definitions, there is no single definition. Design can be art. Design can be aesthetics. Design is so simple, that’s why it is so complicated.

...

Visual communication of any kind, whether persuasive or informative, from billboards to birth announcements, should be seen as the embodiment of form and function: the integration of the beautiful and useful. Copy, art, and typography should be seen as a living entity; each element integrally related, in harmony with the whole, and essential to the execution of an idea."

- Paul Rand (1914 - 1996)
Paul Rand: A Designer's Art

Heavenly Lantern

"Before humans beings possessed fire or tools or language, the moon had been their ally. It would calm people's fears now and then by illuminating the dark world like a heavenly lantern. Its waxing and waning gave people an understanding of the concept of time. Even now, when darkness had been banished from most parts of the world, there remained a sense of human gratitude toward the moon and its unconditional compassion. It was imprinted upon human genes like a warm collective memory."

- Haruki Murakami (1949 - )
1Q84

Niagara Concealed

"With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else."

- Italo Calvino (1923 - 1985)

Invisible Cities

Sea of the Unreal

"Reality is, you know,
the tip of an iceberg of
irrationality that we've managed
to drag ourselves up onto for
a few panting moments before
we slip back into the sea
of the unreal."

- Terence McKenna (1946 - 2000)

Self-Conscious Flow

"Great art and great science involve a leap of imagination into a world that is different from the present.

...

Many of the peculiarities attributed to creative persons are really just ways to protect the focus of concentration so that they may lose themselves in the creative process. Distractions interrupt flow, and it may take hours to recover the peace of mind one needs to get on with the work. The more ambitious the task, the longer it takes to lose oneself in it, and the easier it is to get distracted.

...

I mean, we’re only here for a short while. And I think it’s such a lucky accident, having been born, that we’re almost obliged to pay attention. In some ways, this is getting far afield. I mean, we are—as far as we know—the only part of the universe that’s self-conscious. We could even be the universe’s form of consciousness."

- Mihaly Csikszentmihalyi (1934 - 2021)
Flow: The Psychology of Optimal Experience
(See "Unlocking Creative Flow: How the Brain Enters the Zone")

Terra Mobilis

"Through the spectacles of geology, terra firms becomes terra mobilis, and we are forced to reconsider our beliefs of what is solid and what is not. Although we attribute to stone great power to hold back time, to refuse its claims (cairns, stone tablets, monuments, statuary), this is true only in relation to our own mutability. Looked at in the context of the bigger geological picture, rock is as vulnerable to change as any other substance.

Above all, geology makes explicit challenges to our understanding of time. It giddies the sense of here-and-now. The imaginative experience of what the writer John McPhee memorably called 'deep time' - the sense of time whose units are not days, hours, minutes or seconds but millions of years or tens of millions of years - crushes the human instant; flattens it to a wafer. Contemplating the immensities of deep time, you face, in a way that is both exquisite and horrifying, the total collapse of your present, compacted to nothingness by the pressures of pasts and futures too extensive to envisage. And it is a physical as well as a cerebral horror, for to acknowledge that the hard rock of a mountain is vulnerable to the attrition of time is of necessity to reflect on the appalling transience of the human body."

- Robert Macfarlane (1976 - )

Mountains of the Mind: A History of a Fascination

Time and Space

"Because of the hazy, nondefinite character of quantum physics (called the Heisenberg uncertainty principle), at the dimensions of the Planck length, space and time churn and seethe, with the distance between any two points wildly fluctuating from moment to moment, and time randomly speeding and slowing, perhaps even going backward and forward. In such a situation, time and space no longer exist in a way that has meaning to us."

- Alan Lightman (1948 - )
Probable Impossibilities

 

Be Still With Yourself

"When you approach something to photograph it,
first be still with yourself until the object
of your attention affirms your presence.
Then don't leave until you have
captured its essence."

- Minor White (1908 - 1976)

Orderly Action Within the Whole

"One must then go on to
a consideration of time as a
projection of multidimensional
reality into a sequence of moments.

...

Thought divides itself from feeling and from the body. Thought is said to be the mind; we have the notion that it is something abstract or spiritual or immaterial. Then there is the body, which is very physical. And we have emotions, which are perhaps somewhere in between. The idea is that they are all different. That is, we think of them as different. And we experience them as different because we think of them as different.

...

Man’s general way of thinking of the totality, i.e. his general world view, is crucial for overall order of the human mind itself. If he thinks of the totality as constituted of independent fragments, then that is how his mind will tend to operate, but if he can include everything coherently and harmoniously in an overall whole that is undivided, unbroken, and without a border (for every border is a division or break) then his mind will tend to move in a similar way, and from this will flow an orderly action within the whole."

 - David Bohm (1917 - 1992)