Showing posts with label Autumn. Show all posts
Showing posts with label Autumn. Show all posts

Wednesday, December 11, 2024

Mitote Maya


"He realized that everyone was dreaming, but without awareness, without knowing what they really are. They couldn’t see him as themselves because there was a wall of fog or smoke between the mirrors. And that wall of fog was made by the interpretation of images of light — the Dream of humans.
...
Your whole mind is a fog which the Toltec called a mitote (pronounced MIH-TOE´-TAY). Your mind is a dream where a thousand people talk at the same time, and nobody understands each other. This is the condition of the human mind — a big mitote, and with that big mitote you cannot see what you really are. In India they call the mitote maya, which means illusion. It is the personality’s notion of 'I am.' Everything you believe about yourself and the world, all the concepts and programming you have in your mind, are all the mitote. We cannot see who we truly are; we cannot see that we are not free."

- Miguel Ruiz (1952 - )
The Four Agreements

Wednesday, November 20, 2024

Symbiogenesis


"The tendency of 'independent' life
is to bind together and reemerge
in a new wholeness at a higher,
larger level of organization.
...
Living beings defy neat definition. They fight, they feed, they dance, they mate, they die. At the base of the creativity of all large familiar forms of life, symbiosis generates novelty. It brings together different life-forms, always for a reason. Often, hunger unites the predator with the prey or the mouth with the photosynthetic bacterium or algal victim. Symbiogenesis brings together unlike individuals to make large, more complex entities. Symbiogenetic life-forms are even more unlike than their unlikely 'parents.' 'Individuals' permanently merge and regulate their reproduction. They generate new populations that become multiunit symbiotic new individuals. These become 'new individuals' at larger, more inclusive levels of integration. Symbiosis is not a marginal or rare phenomenon. It is natural and common. We abide in a symbiotic world."

- Lynn Margulis (1938 - 2011)
Symbiotic Planet

Tuesday, November 19, 2024

Amorphous Morphology


"I claim that many patterns of Nature are so irregular and fragmented, that, compared with Euclid - a term used in this work to denote all of standard geometry - Nature exhibits not simply a higher degree but an altogether different level of complexity ... The existence of these patterns challenges us to study these forms that Euclid leaves aside as being 'formless,' to investigate the morphology of the 'amorphous.' Mathematicians have disdained this challenge, however, and have increasingly chosen to flee from nature by devising theories unrelated to anything we can see or feel."

- Benoit Mandelbrot (1924 - 2010)
The Fractal Geometry of Nature

Sunday, November 17, 2024

Reflecting Surrealities


"I believe in the future resolution of these two states, dream, and reality, which are seemingly so contradictory, into a kind of absolute reality, surreality, so to speak.
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up
position
down
↓ bottom
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Everything leads us to believe that there exists a spot in the mind from which life and death, the real and the imaginary, the past and the future, the high and the low, the communicable and the incommunicable will cease to appear contradictory."

- André Breton (1896 - 1966)
Manifestoes of Surrealism

Thursday, November 14, 2024

Spiritualistic Painting


"All Chinese painting, which is not a matter of naturalistic but of spiritualistic painting, is to be contemplated as the soul's landscape. It is as subject to subject, and from the perspective of intimate confidence, that man connects with nature there. This nature is no longer an inert, passive entity. If we regard it, it regards us as well; if we speak to it, it speaks to us as well. Evoking Jingting Mountain, the poet Li Bai affirms: 'We regard one another tirelessly,' which echoes the painter Shitao who, with regard to Mount Huang, says 'Our tête-a-tête is endless.' At all times in China, poets and painters are in this relationship of collaboration and mutual revelation with nature. The beauty of the world is an appeal, in the most concrete sense of the word, and humans, those beings of language, respond to it with all their soul. Everything occurs as if the universe, thinking to itself, were awaiting man to speak."

- Francois Cheng (1929 - )
The Way of Beauty: Five Meditations for Spiritual Transformation

Tuesday, November 12, 2024

Myo


D.T. Suzuki describes the Japanese word myo (for which there is no single-word equivalent in English) as a "certain artistic quality perceivable not only in works of art but in anything in Nature or life. The sword in the hands of the swordsman attains this quality when it is not a mere display of technical skill patiently learned under the tutorship of a good master...The hands may move according to the technique given out to every student, but there is a certain spontaneity and personal creativity when the technique, conceptualized, and universalized, is handled by the master hand. Myo may also be applied to the intelligence and the instinctive activities of various animals, for example the beaver building its nest, the spider spinning its web, the wasp or ant constructing its castles under the eaves or beneath the ground. They are the wonders of Nature. In fact, the whole universe is a miraculous exhibition of a master mind, and we humans who are one of its wonderful achievements have been straining our intellectual efforts ever since the awakening of consciousness and are daily being overwhelmed by Nature's demonstrations of its unfathomable and inexhaustible myo. The awakening of consciousness has been the greatest cosmological event in the course of evolution. We have been able by its practical application to probe into the secrets of nature and make use of them to serve our way of living, but at the same time we seem to be losing the many things we have otherwise been enjoying which Nature has been liberal enough to grant us. The function of human consciousness, as I see it, is to dive deeper and deeper into its source, the unconscious."

D.T. Suzuki (1870 - 1966) 
Zen and Japanese Culture

Monday, November 11, 2024

Curious Stillness of Autumn


"The wind swept down the rows, next morning,
swaying the branches of the trees,
and the windfalls dropped to
the ground with soft thuds.
Frost was in the wind,
and between gusts the curious
stillness of autumn."

John Steinbeck (1902 - 1968)

"Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man’s beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.'"

Richard Adams (1920 - 2016)
Watership Down

Thursday, November 07, 2024

Unfelt Motion


"Suddenly the wind ceased. The air seemed motionless around us. We were off, going at the speed of the air-current in which we now lived and moved. Indeed, for us there was no more wind; and this is the first great fact of spherical ballooning. Infinitely gentle is this unfelt motion forward and upward. The illusion is complete: it seems not to be the balloon that moves, but the earth that sinks down and away.
Villages and woods, meadows and chateaux, pass across the moving scene, out of which the whistling of locomotives throws sharp notes. These faint, piercing sounds, together with the yelping and barking of dogs, are the only noises that reach one through the depths of the upper air. The human voice cannot mount up into these boundless solitudes. Human beings look like ants along the white lines that are highways; and the rows of houses look like children's playthings. "

- Alberto Santos-Dumont (1873 - 1932)
My Air-Ships

Saturday, November 02, 2024

Stones and Trees


"Believe me, for I know,
you will find something far
greater in the woods than in books.
Stones and trees will teach you
that which you cannot learn
from the masters."

- Bernard of Clairvaux (c.1090 - 1153)
The Letters of St. Bernard of Clairvaux

Thursday, October 31, 2024

A Vast and Mysterious Organism


"I have a theory that the moment one gives close attention to anything, even a blade of grass, it becomes a mysterious, awesome, indescribably magnificent world in itself. I have tried this experiment a thousand times and I have never been disappointed. The more I look at a thing, the more I see in it, and the more I see in it, the more I want to see. It is like peeling an onion. There is always another layer, and another, and another. And each layer is more beautiful than the last.

This is the way I look at the world. I don't see it as a collection of objects, but as a vast and mysterious organism. I see the beauty in the smallest things, and I find wonder in the most ordinary events. I am always looking for the hidden meaning, the secret message. I am always trying to understand the mystery of life.

I know that I will never understand everything, but that doesn't stop me from trying. I am content to live in the mystery, to be surrounded by the unknown. I am content to be a seeker, a pilgrim, a traveler on the road to nowhere."

- Henry Miller (1891 - 1980)
Black Spring

Monday, October 28, 2024

Great Whaleback of Granite


"On Cadillac you can feel all of mount desert underfoot. You seem to be riding a graceful surfacing of mountains headed, like a pod of whales, out to sea through other, smaller islands equally well wrought, unique expressions of rock foaming at their margins, leaning a little seaward or a little landward, depending on which way the tide is moving. From here, to the south and west, one island leads to another, all the way to Frenchboro and Swans Island and Isle au Haut, as this landscape toys with the idea of islands until the sea says enough and there is only water.
...
What else is there to do here- or anywhere in nature- but to indulge the awareness of your senses, observe, the instructive otherness that lies just beyond- or is it within - the beauty of nature, and improve your understanding of the world around you and of yourself as an observing being?
...
On  clear mornings, standing on this great whaleback of granite, with this wide coastal world in your mind's eye and sense keenly the orderliness of the solar system, the way the sun and the moon pull on the oceans to the advantage of life on earth. To the east beyond Schoodic and Petit Manan, you can see a day coming toward you as a blush of light - the "rosy-fingered dawn' of Homeric poetry."

- Christopher Camuto
Time and Tide in Acadia

Saturday, October 26, 2024

Form and Content


"All art is relationships, all art. Design is relationships. Design in a relationship between form and content... Your glasses are round. Your collar is diagonal. These are relationships. Your mouth is an oval. Your nose is a triangle - this is what design is.
...
Design is the method of putting form and content together. Design, just as art, has multiple definitions, there is no single definition. Design can be art. Design can be aesthetics. Design is so simple, that’s why it is so complicated.
...
Visual communication of any kind, whether persuasive or informative, from billboards to birth announcements, should be seen as the embodiment of form and function: the integration of the beautiful and useful. Copy, art, and typography should be seen as a living entity; each element integrally related, in harmony with the whole, and essential to the execution of an idea."

Paul Rand (1914 - 1996)
Paul Rand: A Designer's Art

Thursday, October 24, 2024

Ocean of Imagination


"The beginning of wisdom, I believe, is our ability to accept an inherent messiness in our explanation of what's going on. Nowhere is it written that human minds should be able to give a full accounting of creation in all dimensions and on all levels. Ludwig Wittgenstein had the idea that philosophy should be what he called "true enough." I think that's a great idea. True enough is as true as can be gotten. The imagination is chaos. New forms are fetched out of it. The creative act is to let down the net of human imagination into the ocean of chaos on which we are suspended and then to attempt to bring out of it ideas."

Rupert Sheldrake (1942 - )

Saturday, February 17, 2024

Secret Order


"In all chaos there is a cosmos,
in all disorder a secret order."

C. G. Jung (1875-1961)

Sunday, December 03, 2023

Morning Fog


"Space and silence are two
aspects of the same thing.
The same no-thing. They
are externalization of inner
space and inner silence,
which is stillness: the
the infinitely creative womb
 of all existence.
"

Eckhart Tolle (1948 - )

Yesterday was one of those special mornings that makes photography ... heck, life! 😊 ... so wondrously special.  Anticipating a long weekend "work" day (a long technical paper I need to start writing but that I've been putting off for days), I had wanted to get a bit of extra sleep before I got started. My wife, who is well attuned to my photographer's soul - and predilections - all-too-well, woke me up early saying, "Hon, there is "heavy fog" outside, maybe you'd...?" .... I was out the door before she finished her sentence. I was so entranced by what I found at the nearby lake I raced to - a dense fog that was gently caressing the water and surrounding woods, a preternatural stillness in the air, and not another person in sight - that, initially at least, all I could do was just stand by the lakeshore, not doing - or thinking about - anything, cradling my camera with a smile on my face, soaking in the precious Zen moment. The photographs I captured in the hour or so that followed (some are shown here) are perhaps nothing special. But, "My, Oh My!" what perfect Alfred-Stieglitzian "equivalents" they all are of what I felt during my early morning sojourn around the lake that morning!


Friday, November 17, 2023

Movement of Colors


"Light in Nature creates the movement of colors."

- Robert Delaunay (1885 - 1941)

"In nature, light creates the color.
In the picture, color creates the light."

Hans Hofmann (1880 - 1966)

Sunday, November 12, 2023

The Color Nearest the Light


"[Yellow] is the color nearest the light. It appears on the slightest mitigation of light, whether by semi-transparent mediums or faint reflection from white surfaces. In prismatic experiments it extends itself alone and widely in the light space, and while the two poles remain separated from each other, before it mixes with blue to produce green it is to be seen in its utmost purity and beauty.
...
As no color can be considered as stationary, so we can very easily augment yellow into reddish by condensing or darkening it. The color increases in energy, and appears in red-yellow more powerful and splendid. All that we have said of yellow is applicable here, in a higher degree. The red-yellow gives an impression of warmth and gladness, since it represents the hue of the intenser glow of fire.
...
As pure yellow passes very easily to red-yellow, so the deepening of this last to yellow-red is not to be arrested. The agreeable, cheerful sensation which red-yellow excites increases to an intolerably powerful impression in bright yellow-red. In looking steadfastly at a perfectly yellow-red surface, the color seems actually to penetrate the organ. It produces an extreme excitement, and still acts thus when somewhat darkened."

Johann Wolfgang von Goethe (1749 - 1832)
Theory of Colours

Saturday, November 11, 2023

Leaves, Color, Wholeness

"When we understand what order is,  I believe we shall better understand what matter is and then what the universe itself is ... Learning to see … wholeness … not muddled or contaminated by words and concepts, is extremely difficult, but it is possible to learn …When we see wholeness as it is, we recognize that [its] seeming parts … are merely arbitrary fragments which our minds have been directed to, because we happen to have words for them. If we open our eyes wide, and look at the scene without cognitive prejudice, we see something quite different ... geometric wholeness is not merely beautiful in itself as an accompaniment to the beautiful color. It is essential, necessary, for the release of light. Color, far from being an incidental attribute of things, is fundamental to the living structure of wholeness. Inner light is not merely a phenomenon, but the character of wholeness when it ‘melts.’"

Christopher Alexander (1936 - 2022)

Friday, November 10, 2023

Manifest Form


"The harmony of the world is
made manifest in Form and Number,
and the heart and soul and all the
poetry of Natural Philosophy are embodied
in the concept of mathematical beauty.
...
Cell and tissue, shell and bone, leaf and flower, are so many portions of matter, and it is in obedience to the laws of physics that their particles have been moved, moulded and confirmed... Their problems of form are in the first instance mathematical problems, their problems of growth are essentially physical problems, and the morphologist is, ipso facto, a student of physical science."

D’Arcy Wentworth Thompson (1860 - 1948)
On Growth and Form

Thursday, November 09, 2023

Observer-Centric Virtualities


"Your Universe is in consciousness. And it’s a teleological process of unfolding patterns...The totality of your digital reality is what your conscious mind implicitly or explicitly chooses to experience out of the infinite.
...
Self-causation of reality becomes apparent when a phenomenal mind, which is a web of patterns, conceives a novel pattern and perceives it. All mass-energy, space-time itself emerge from consciousness. Those are epiphenomena of consciousness.
...
Mind instantiates oneself into matter. In a mathematical sense, matter is an “in-formed” pattern of mind. Time is emergent, and so is space. If space-time is emergent, so is mass-energy. All interactions in our physical world is computed by the larger consciousness system. In short, mind is more fundamental than matter. All realities are observer-centric virtualities."

- Alex M. VikoulovTheology of Digital Physics