Cosmogenic Vision

"If you analyze cave art ... there are so many details that make it clear that this was an art of altered states of consciousness, of visions. And plants like the amanita muscaria mushroom and psilocybin mushrooms appear to have been directly connected with this sudden and radical change. So to investigate this possibility when I got interested in this mystery, I went down to the Amazon where there are still surviving shamanistic cultures today, and where they drink the powerful visionary brew: ayahuasca, of which the active ingredient is dimethyltryptamine (DMT) which is actually closely related at the molecular level to psilocybin. [...] And one of those effects has to do with creativity, and we can see the creative cosmogenic impulse of ayahuasca in the paintings of Ayahuasca Shamans from Peru, like the paintings of Pablo Amaringo ... those richly saturated colors, they’re amazing visions that they reproduce. [...] And as these paintings show, another universal experience of ayahuasca is the encounter with seemingly intelligent entities which communicate with us telepathically."

- Graham Hancock (1950 - )
The War on Consciousness

Supernatural Visions

"In the last few decades, a new kind of art has been striking natives and tourists of Peruvian Amazonia with great wonder and enchantment: ayahuasca‑inspired visionary art. This very original iconography emerges directly from the artists’ visionary experience under the effect of the ayahuasca brew. [...] With the use of figurative techniques, sometimes learned in art schools or developed autonomously, mestizo visionary artists manage to translate and share their colorful supernatural visions with a much wider public than that directly involved with ayahuasca shamanism. One of the most important effects of this translation, in my view, is to render visible the invisible dynamics of shamanic worlds, even to untrained eyes. [...] This art functions as a shining window to the spiritual worlds of ayahuasca shamanism, translating the multidimensional and extraordinary visions to our more familiar realm of everyday iconic images."

- Vinícius Dino, Visionary Art in Peruvian Amazonia:
The Power of Images and Translation Effects

Dancing Dream

"All great truths are only myths that exist momentarily 
in the evolving greater consciousness.
Like individuals, they die, to be
reborn fresh and glorious in
the minds of each new age.
They may bear a resemblance to their forebears,
but each brings with it new features of its own
and seeks to find its place and meaning in
the dancing dream that is the cosmos. "

- David Chethlahe Paladin (1926-1984)
Painting the Dream

Below Above

"Healer and psychopomp, the shaman is these because he commands the techniques of ecstasy - that is, because his soul can safely abandon his body and roam at vast distances, can penetrate the underworld and rise to the sky. Through his own ecstatic experience he knows the roads of the extraterrestrial regions. He can go below and above because he has already been there."

- Mircea Eliade (1907 - 1986)
Shamanism: Archaic Techniques of Ecstasy

Shamanic Dance

"Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering its a feather bed."

-  Terence McKenna (1946 - 2000)

Postscript. This is an "old" (almost two year old) image that I had inexplicably not processed from its raw state until having recently "discovered" it on my hard drive while looking for another (completely unrelated) picture. It's not that I did not think of it as a “keeper" worth processing soon after I captured it; rather, I simply overlooked it before I moved on to other things. It's existence is a reminder that our hard drives are likely full of "old and forgotten" (perhaps never properly "seen" and/or processed) photographs, behooving us to set aside time every once in a while to retrace old steps. The image depicts a tiny waterfall my wife and I passed while walking from the parking lot we left our car in on the Canadian side of Niagara falls in October 2023 (specifically, at Dufferin Islands Nature Area) to the falls themselves. Intriguingly, it is this shot (or something very close to it) - and, saliently, not an image of Niagara Falls themselves - that my brain conjures as a mental image whenever I hear "Niagara Falls" mentioned; and that (for me) depicts the "soul" of Niagara so much more directly (certainly, more poetically) than the iPhone panorama that appears below. 

Little did I realize that my mental image is a memory of an experience I had forgotten I'd photographed. Perhaps, with a nod to shamanic truths, I do not realize that my life is a but memory of an experience I had forgotten I'm always living!

Altered State of Consciousness

"Let us review three cases from widely separated locations in the world. A Tungus shaman in Siberia agrees to the request of tribal hunters to locate game during a poor hunting season. Using a drumming technique, he enters an [altered state of consciousness] ASC and provides information to help his hunters. The Western interpretation—if it accepts at all the validity of this kind of information—would be that the shaman calculates the behavior of the game according to weather and well-known environmental conditions. In other words, his is information based on cognitive processing of sensory data. 

The explanation of the shaman himself is different: Guidance has been provided by forest spirits. On another continent, hunters of the Kalahari !Kung tribe leave the settlement to hunt for a period that may last anywhere from two days to two weeks. The tribe’s timely preparation for the return of successful hunters is necessary for processing the game. The people left behind make the appropriate steps long before the hunters’ reappearance. Their foreknowledge of the hunters’ return could be explained rationally by attributing it to a messenger sent ahead or the use of tam-tam drums or smoke signals. The tribesmen report, however, that it is the spirit of ancestors who informs them when the hunters will return. 

Next, we move to the Amazon basin. The Shuar shaman is facing a new disease in the community. An herbal remedy is sought by adding leaves of a candidate plant into the hallucinogenic beverage ayahuasca, a sacrament indigenous to the Upper Amazon region. The shaman drinks it and, upon return to ordinary consciousness, decides the usefulness of the plant in question. Is his decision based on accumulation of ethnobotanical knowledge of several generations in combination with trial and error? The headhunter Shuar are not likely to be merciful to an ineffective medicine man, and his techniques must be working. 

As Luis Eduardo Luna explained to me, according to ayahuasqueros, the spirit of a new plant reveals itself with the help of the spirits associated with the ayahuasca. Sometimes, they also tell which plant to use next. We can point to the following contradiction: Healers from different cultures are unequivocal in their interpretation of the source of knowledge, whereas rational thinkers use diverging, unsystematic explanations. Which side should be slashed with Occam’s razor? Also called the 'principle of parsimony,' Occam’s razor is usually interpreted to mean something like 'Do not multiply hypotheses unnecessarily' or 'Do not posit pluralities unnecessarily when generating explanatory models.' The principle of parsimony is used frequently by philosophers of science in an effort to establish criteria for choosing from theories with equal explanatory power. At first glance it is the 'primitives' who multiply causes unnecessarily by referring to the supernatural. Yet Occam’s razor may be applied easily to the rational view, if those arguments are less parsimonious."

- Rick Strassman (1952 - )
 Inner Paths to Outer Space

Silent Knowledge

"Silent knowledge is the deep, innate wisdom that is in all things. It comes from the interconnectedness of all beings and creatures. It is the wisdom of the universe. For instance, if you've ever simply known the answer to a question without any logical way that your brain could have discovered it—like when a mother can feel that her child is in danger or when you know the moment a relative transitions into death—this is all silent knowledge. It is the universal wisdom that has always been at our fingertips, but that we often neglect to tap into, either because we don't know or have forgotten how."

- Don Jose Ruiz
Wisdom of the Shamans

Cosmic Serpent

"All the peoples in the world who talk of a cosmic serpent have been saying as much for millennia. He had not seen it because the rational gaze is forever focalized and can examine only one thing at a time. It separates things to understand them, including the truly complementary. It is the gaze of the specialist, who sees the fine grain of a necessarily restricted field of vision."

- Jeremy Narby (1959 - )
The Cosmic Serpent, DNA and the Origins of Knowledge

A Personal Universe

"Poetry remakes and prolongs language;
every poetic language begins
by being a secret language, that is,
the creation of a personal universe,
 of a completely closed world.
The purest poetic act seems to
re-create language from an
inner experience that …
reveals the essence of things."

- Mircea Eliade (1907 - 1986)
Shamanism: Archaic Techniques of Ecstasy

Another World

[There is a...] "...long shamanic tradition wherein the shaman-storyteller himself is transformed, no longer storyteller but a character, an animal, a god, a goddess, or a natural force that is not his everyday identity. And these moments, when the characters come alive and the author disappears, take us into another world."

- Hal Zina Bennett (1936 - )
Spirit Circle: A Story of Adventure & Shamanic Revelation

Transcendent Other

"...the shaman is the remote ancestor of the poet and artist. Our need to feel part of the world seems to demand that we express ourselves through creative activity. The ultimate wellsprings of this creativity are hidden in the mystery of language. Shamanic ecstasy is an act of surrender that authenticates both the individual self and that which is surrendered to, the mystery of being. Because our maps of reality are determined by our present circumstances, we tend to lose awareness of the larger patterns of time and space. Only by gaining access to the Transcendent Other can those patterns of time and space and our role in them be glimpsed."

-  Terence McKenna (1946 - 2000)
Food of the Gods

Interpenetrating Worlds

"Instead of negating the conflicting aspects of a paradox, you advance your understanding when you can hold both sides of a dichotomy in your mind at the same time, reconciling rather than negating. One could embrace paradox as an operating, operative principle, rather than seeking to deny or dissolve or dilute it. Rather than seeking to resolve dualisms and institute some grand ‘theory of everything’, the science of the imagination would embrace and explore paradox, going deeper into conundrums, relinquishing delusory attempts to achieve certainty. We may find that thought and language are creative aspects of being, tools for transforming reality. If the universe is actually a projection of subtler levels of the psyche- a loom of maya- then we may discover that the vibratory lattices of interpenetrating worlds elaborated by current physics are descriptions of the psyche itself, in its fully ensouled unfolding."

- Daniel Pinchbeck (1966 - )

Breaking Open the Head:

A Psychedelic Journey into the Heart of Contemporary Shamanism