The Nature of Things Illuminated

"For even the light of the sun which it has in itself would perhaps escape our sense of sight if a more solid mass did not lie under it. But if someone said that the sun was all light, one might take this as contributing to the explanation of what we are trying to say; for the sun will then be light which is in no form belonging to other visible things … This, then, is what the seeing of Intellect is like; this also sees by another light the things illuminated by that first nature, and sees the light in them; when it turns its attention to the nature of the things illuminated, it sees the light less; but if it abandons the things its sees and looks at the medium by which it sees them, it looks at light and the source of light.

...

What is above life is cause of life; for the activity of life, which is all things, is not first, but itself flows out, so to speak, as if from a spring. For think of a spring that has no other origin, but gives the whole of itself to rivers, and is not used up by the rivers but remains itself at rest, ... or of the life of a huge plant, which goes through the whole of it while its origin remains and is not dispersed over the whole, since it is, as it were, firmly settled in the root.

...

The One is all things and not a single one of them: it is the principle of all things, not all things, but all things have that other kind of transcendent existence; for in a way they do occur in the One; or rather they are not there yet, but they will be. How then do all things come from the One, which is simple and has in it no diverse variety, or any sort of doubleness? It is because there is nothing in it that all things come from it. ... For something like what is in Intellect, in many ways greater, is in that One, it is like a light dispersed far and wide from some one thing translucent in itself; what is dispersed is image, but that from which it comes is truth; though certainly the dispersed image, Intellect is not of alien form."

- Plotinus (c. 204/5 – 270 CE)

One Eye

"The eye through which I see God is the
same eye through which God sees me;
my eye and God's eye are one eye,
one seeing, one knowing, one love.
...
Nothing in all creation is
so like God as stillness.
...
When the Soul wants to experience something
she throws out an image in front of her
and then steps into it."

- Meister Eckhart (1260 - 1328)

What Are Things?

"As kingfishers catch fire, dragonflies draw flame;

As tumbled over rim in roundy wells Stones ring;

like each tucked string tells, each hung bell’s

Bow swung finds tongue to fling out broad its name;

Each mortal thing does one thing and the same:

Deals out that being indoors each one dwells;

Selves—goes itself; myself it speaks and spells,

Crying, What I do is me: for that I came."

- Gerard Manley Hopkins (1844 - 1889)
Quoted in Realist Magic: Objects, Ontology, Causality,
by Timothy Morton (1968 - )

Original Realization

"Because earth, grass, trees, walls, tiles, and pebbles in the world of phenomena in the ten directions all engage in buddha activity, those who receive the benefits of the wind and water are inconceivably helped by the buddha's transformation, splendid and unthinkable, and intimately manifest enlightenment. Those who receive these benefits of water and fire widely engage in circulating the buddha's transformation based on original realization."

- Dogen (1200 - 1253)
 Treasury of the True Dharma Eye

Returning to the Source

"Empty yourself of everything.

Let the mind become still.
The ten thousand things rise and fall while the Self watches their return.
They grow and flourish and then return to the source.
Returning to the source is stillness, which is the way of nature.
The way of nature is unchanging.
Knowing constancy is insight.
Not knowing constancy leads to disaster.
Knowing constancy, the mind is open.
With an open mind, you will be openhearted.
Being openhearted, you will act royally.
Being royal, you will attain the divine.
Being divine, you will be at one with the Tao.
Being at one with the Tao is eternal.
And though the body dies, the Tao will never pass away."

 - Tao Te Ching, Chapter 16

Poetry and Grace

"Things are either devolving toward,
or evolving from, nothingness.

...

Beauty can be coaxed out of ugliness. Wabi-sabi is ambivalent about separating beauty from non-beauty or ugliness. The beauty of wabi-sabi is in one respect, the condition of coming to terms with what you consider ugly. Wabi-sabi suggests that beauty is a dynamic event that occurs between you and something else. Beauty can spontaneously occur at any moment given the proper circumstances, context, or point of view. Beauty is thus an altered state of consciousness, an extraordinary moment of poetry and grace.

...

The closer things get to nonexistence,
the more exquisite and evocative they become.
Consequently to experience wabi-wabi means
you have to slow way down,
be patient, and look
very closely."

- Leonard Koren (1948 - )
Wabi-Sabi: for Artists, Designers, Poets & Philosophers

Nature Gazing Upon Itself

"Thus, when we look out at the world,
we are nature gazing upon itself."

- Philip Toshio Sudo (1959 - 2002)
Zen 24/7: All Zen, All the Time

Glorious Light

 "Light! Oh, how lovely, how sublime art thou!
The purest creature of the Almighty's hand,
Which human eyes behold! ...
Through unexplored immensity stretch'd out,
Perchance outspread to infinite extent
From this dark ball up to the throne of God?
O glorious Light ! how welcome to the eye !
How cheering to the earth! without thy smile,
All nature's face one pallid hue would wear,
All living things would droop, despair, and die
And this fair frame of being back return
To that chaotic state in which it lay,
Ere shone the sun, or with creative voice,
God said 'Let there be light!' - And light there was.
...
Form, though a palpable presence of—is still
A creature of the element of light;
A thing that offers converse to the eye,
And definition of all actual bulk.
By shape alone, whatever we regard
As beauty's line, through every mazy change,
With infinite delight the mind proceeds.
Nor merely man to perfect stature wrought
Nor beasts, birds, streams, mountains, fields, or trees
Nor sculptor's art, nor limner's, only please
But simplest lines and curves, transposed and join'd,
Attract, and fix the mind with wondrous charms,
As, if in the solution of their laws,
Or midst their combinations manifold,
The secret of man's happiness lay hid."

- John Holland (1794 - 1872)
Pleasures of Sight

Apparition

 "Let us interrogate the great apparition,
that shines so peacefully around us."

- Ralph Waldo Emerson (1803 - 1882)

Light and Darkness

"The universe will never be extinguished
because just when the darkness
seems to have smothered all, to
to be truly transcendent, the new
seeds of light are reborn
in the very depths."

- Philip K. Dick (1928 - 1982)

Bodhisattva of Compassion

"The winds have died, but flowers go on falling;
birds call, but silence penetrates each song.
The Mystery! Unknowable, unlearnable.
The virtue of Kannon."

- Ryōkan (1758 - 1831)

The World of Distinctions

"The ten thousand things are in reality neither sentient nor insentient; the self is neither sentient nor insentient. Because of this fact, the teachings of the insentient cannot be perceived by the senses. Our minds are conditioned to divide and compartmentalize reality. We have come to know and define the universe dualistically. As a result, everything we have created with our minds is dualistic. Our philosophy, psychology, medicine, politics, sociology and education are based on a dualistic understanding of the nature of the universe. What kind of world would this be if our appreciation and activity were based on non-duality? Could we function out of such realization? Of course we could. Thousands of people have navigated the world of distinctions from the perspective of the unity of all things, a perspective that presents all things as interdependent entities, mutually arising, and with mutual causality. This kind of vision requires us to see the aspect of existence that is neither being nor non-being, neither self nor other."

- John Daido Loori (1931 - 2009)
Making Love With Light

Naked and Entwined

"A human being is never what he is but the self he seeks.

...

...because two bodies, naked and entwined,
leap over time, they are invulnerable,
nothing can touch them, they return to the source,
there is no you, no I, no tomorrow,
no yesterday, no names,
the truth of two in a single body,
a single soul, oh total being...

...

Art is the opposite of dissipation,
in the physical and spiritual sense of the word:
it is concentration, desire that seeks incarnation.

...

To love is to undress our names."

- Octavio Paz (1914 - 1998)

The Essence of Everything

"He saw all these forms and faces in a thousand relationships become newly born. Each one was mortal, a passionate, painful example of all that is transitory. Yet none of them died, they only changed, were always reborn, continually had a new face: only time stood between one face and another.

...

The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas.

...

There is, so I believe, in the essence of everything, something that we cannot call learning. There is, my friend, only a knowledge - that is everywhere, that is Atman, that is in me and you and in every creature, and I am beginning to believe that this knowledge has no worse enemy than the man of knowledge, than learning.

...

We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something last longer than we do.

...

One thing, however, did become clear to him - why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing - mystery. That was what dreams and truly great works of art had in common: mystery ... You, too, have mysteries of your own. I know that you must have dreams that you don’t tell me. I don’t want to know them. But I can tell you: live those dreams, play with them, build altars to them ... Whether you and I and a few others will renew the world someday remains to be seen. But within ourselves we must renew it each day."

- Hermann Hesse (1877 - 1962)

Poetic Imagination

"It is through the intentionality of poetic imagination that the poet's soul discovers the opening of consciousness common to all true poetry.

...

Every corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room or a house... Consciousness of being at peace in one’s corner produces a sense of immobility, and this, in turn, radiates immobility. An imaginary room rises up around our bodies, and we think we are well hidden when we take refuge in a corner."

- Gaston Bachelard (1884 - 1962)
The Poetics of Space

Musical Arabesque

"Maybe it was because of his ignorance of music that he had been capable of receiving so confused an impression, the kind of impression that is, however, perhaps the only one which is purely musical, immaterial, entirely original, irreducible to any other order of impression. An impression of this kind is, for an instant, so to speak, sine materia. No doubt the notes we hear then tend already, depending on their loudness and their quantity, to spread out before our eyes over surfaces of varying dimensions, to trace arabesques, to give us sensations of breadth, tenuousness, stability, whimsy.

...

I wondered whether music might not be
the unique example of what might have been
 - if the invention of language,
the formation of words,
the analysis of ideas had not intervened
- the means of communication between souls.

...

He knew that the very memory of the piano falsified still further the perspective in which he saw the elements of music, that the field open to the musician is not a miserable stave of seven notes, but an immeasurable keyboard (still almost entirely unknown) on which, here and there only, separated by the thick darkness of its unexplored tracts, some few among the millions of keys of tenderness, of passion, of courage, of serenity, which compose it, each one differing from all the rest as one universe differs from another, have been discovered by a few great artists who do us the service, when they awaken in us the emotion corresponding to the theme they have discovered, of showing us what richness, what variety lies hidden, unknown to us, in that vast, unfathomed and forbidding night of our soul which we take to be an impenetrable void."

- Marcel Proust (1987 - 1922)
In Search of Lost Time

Ethereal Substances

"To hear never-heard sounds,
To see never-seen colors and shapes,
To try to understand the imperceptible
Power pervading the world;
To fly and find pure ethereal substances
That are not of matter
But of that invisible soul pervading reality.
To hear another soul and to whisper to another soul."

- Dejan Stojanović (1959 - )

Interpenetration

"Deep interlock and ambiguity are other strong ways of connecting. Forms interpenetrate to link together. An analogy comes from fractals, where crinkled lines tend to fill portions of space, and surfaces grow with accretions. Two regions can interpenetrate at a semi-permeable interface, which enables a transition from one region to another. There is ambiguity as to which side of the interface one belongs while inside the transition region, and this is a good feature. Abrupt transitions such as a clean straight line, however, do not bind objects coming up to each other."

- Nikos Salingaros (1952 - )
Unified Architectural Theory: Form, Language, Complexity 

Autumn Tree

"Every leaf speaks bliss to me,
fluttering from the autumn tree."

- Emily Brontë (1818 - 1848)

Perfect Imperfection

 "Wabi sabi is a state of the heart.
It is a deep in-breath and a slow exhale.
It is felt in a moment of real appreciation
—a perfect moment in an imperfect world."

- Beth Kempton (1977 - )
Wabi Sabi