Spirit-Matter

"Matter is spirit moving slowly enough to be seen.

...

In a concrete sense there is not matter and spirit. All that exists is matter becoming spirit. There is neither spirit nor matter in the world; the stuff of the universe is spirit-matter. No other substance but this could produce the human molecule. I know very well that this idea of spirit-matter is regarded as a hybrid monster, a verbal exorcism of a duality which remains unresolved in its terms. But I remain convinced that the objections made to it arise from the mere fact that few people can make up their minds to abandon an old point of view and take the risk of a new idea. [...] Life represents the goal of a transformation of great breadth, in the course of which what we call ‘matter’ turns about, furls in on itself, interiorizes the operation covering, so far as we are concerned, the whole history of the earth. The phenomenon of spirit is not therefore a sort of brief flash in the night; it reveals a gradual and systematic passage from the unconscious to the conscious, and from the conscious to the self‑conscious. It is a cosmic change of state."

- Teilhard De Chardin (1881- 1955)

Underlying Manifestations

"Mathematicians are beginning to view order and chaos as two distinct manifestations of an underlying determinism. And neither state exists in isolation. The typical system can exist in a variety of states, some ordered, some chaotic. Instead of two opposed polarities, there is a continuous spectrum. As harmony and discord combine in musical beauty, so order and chaos combine in mathematical (and physical) beauty."

- Ian Stewart (1945 - )

Broken Symmetry

"The state of a really big system does not at all have to have the symmetry of the laws which govern it; in fact, it usually has less symmetry. [...] In my own field of many-body physics, we are, perhaps, closer to our fundamental, intensive underpinnings than in any other science in which non-trivial complexities occur, and as a result we have begun to formulate a general theory of just how this shift from quantitative to qualitative differentiation takes place. This formulation called the theory of 'broken symmetry' may be of help in making more generally clear the breakdown of the constructive converse of reductionism."

- Philip W. Anderson (1923 - 2020)

Principial Unity

"All that exists, in whatever mode this may be, necessarily participates in universal principles, and nothing exists except by participation in these principles, which are the eternal and immutable essences contained in the permanent actuality of the Divine Intellect. Consequently, it can be said that all things, however contingent they may be in themselves, express or represent these principles in their own way and according to their order of existence, for otherwise they would be purely and simply nothingness. Thus, from one order to another, all things are linked together and correspond, to come together in total and universal harmony, for harmony is nothing other than the reflection of principial unity in the manifested world."

- René Guénon (1886 - 1951)

Enchanted Spirits

"Emerson said that a library is a magic chamber in which there are many enchanted spirits. They wake when we call them. When the book lies unopened, it is literally, geometrically, a volume, a thing among things. When we open it, when the book surrenders itself to its reader, the aesthetic event occurs. And even for the same reader the same book changes, for the change; we are the river of Heraclitus, who said that the man of yesterday is not the man of today, who will not be the man of tomorrow. We change incessantly, and each reading of a book, each rereading, each memory of that rereading, reinvents the text. The text too is the changing river of Heraclitus."

- Jorge Luis Borges (1899 - 1986)
Seven Nights

Pointillist Flecks

"...the notion of depth is toyed with and finally subverted, until Klimt reduced the volumes of terrain to a series of flattened pieces comprised of a multitude of pointillist flecks. The sky disappears almost entirely from his compositions, as do, with a few exceptions, traditional methods of illusionism like linear and atmospheric perspective. [...] The paintings of the mid-aughts are gorgeous tapestries of narrow value range and scintillating color. They bear a superficial resemblance to French Post-Impressionism, but the offbeat elegance and nervous energy are unique to Klimt."

- LINEA, review of Klimt: Landscapes
at Neue Galerie New York (2024)

Spiritual Facts

"Particular natural facts are symbols of particular spiritual facts. [...] Nature is the symbol of spirit. [...] Every natural fact is a symbol of some spiritual fact. Every appearance in nature corresponds to some state of the mind, and that state of the mind can only be described by presenting that natural appearance as its picture. [...] By degrees we may come to know the primitive sense of the permanent objects of nature, so that the world shall be to us an open book, and every form significant of its hidden life and final cause."

- Ralph Waldo Emerson (1803 - 1882)
Nature

Rhythmic Measures

"The same stream of life that runs
through my veins night and day runs through
the world and dances in rhythmic measures.
It is the same life that shoots in joy
through the dust of the earth in numberless blades of grass
and breaks into tumultuous waves of leaves and flowers.
It is the same life that is rocked in the ocean-cradle
of birth and of death, in ebb and in flow.
I feel my limbs are made glorious by the touch of this world
of life. And my pride is from the life-throb of ages
dancing in my blood this moment."

- Rabindranath Tagore (1861 - 1941)

Possible Worlds

 "As there are an infinity of possible worlds,
there are also an infinity of laws,
certain ones appropriate to one; others,
to another, and each possible individual
of any world involves in its concept
the laws of its world."

- G.W. Leibniz (1646 - 1716)

More is Diferent

"At each level of complexity entirely new properties appear, and the understanding of the new behaviors requires research which I think is as fundamental in its nature as any other. That is, it seems to me that one may array the sciences roughly linearly in a hierarchy, according to the idea: The elementary entities of science X obey the laws of science Y. But this does not at all imply that science X is 'just' science Y. At each stage entirely new laws, concepts, and generalizations are necessary, requiring inspiration and creativity to just as great a degree as in the previous one."

- Philip W. Anderson (1923 - 2020)
More is Different

Unfolding Forms

"The essential order of movement is not that of an object translating itself from one place to another, but rather, it is a folding and unfolding, in which the object is continually being created again, in a form generally similar to what it was, though different in detail. The explicate order of movement of the object is thus not independent, substantial, and self-existent. We suggest instead that it is an appearance, abstracted from the implicate order, on which it depends and from which it derives its whole form and set of characteristic relationships.

...

What all this means is that the flux of the holomovement is the implicate source of all forms, both physical and mental. That is to say, the whole of existence, including inanimate matter, living organisms, and ‘mind,’ arises in a single ground, in which these are all enfolded, or contained implicitly. 

...

It is clear that, in this view, living organisms are to be regarded as particular manifestations of what is ultimately enfolded in the inward depths of the holomovement. We are suggesting here that a living organism has a more direct contact with what is thus enfolded in the holomovement than does inanimate matter. [...] One can appropriately call the holomovement the life energy, which is the ground that ultimately creates and sustains all matter and all mind, as two relatively autonomous and independent streams that may move in parallel."

 - David Bohm (1917 - 1992)
The Implicate or Enfolded Order
Quoted from Chapter 1 in Mind in Nature: the Interface of Science and Philosophy

Forces Eternal

 "Here doth Nature close the ring of her forces eternal;
Yet doth a new one, at once, cling to the one gone before,
So that the chain be prolonged for ever through all generations,

And that the whole may have life, e'en as enjoyed by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands
Which, confusing no more, gladden the mind as they wave.
Every plant unto thee proclaimeth the laws everlasting.
Every floweret speaks louder and louder to thee."

- Johann Wolfgang von Goethe (1749 - 1832)
 The Metamorphosis of Plants

Thoughtful Imbibing

"Before all the wondrous shows of the widespread space around him, what living, sentient thing loves not the all-joyous light -- with its colors, its rays and undulations, its gentle omnipresence in the form of the wakening Day? The giant-world of the unresting constellations inhales it as the innermost soul of life, and floats dancing in its blue flood -- the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the wild, burning multiform beast inhales it -- but more than all, the lordly stranger with the sense-filled eyes, the swaying walk, and the sweetly closed, melodious lips. Like a king over earthly nature, it rouses every force to countless transformations, binds and unbinds innumerable alliances, hangs its heavenly form around every earthly substance. -- Its presence alone reveals the marvelous splendor of the kingdoms of the world.

...

Aside I turn to the holy,
unspeakable, mysterious Night.

...

In other regions the light has pitched its joyous tents."

- Friedrich von Hardenberg (1772 - 1801)
Hymns to the Night 

Scenery of Spring

 "In the scenery of spring,
nothing is better, nothing worse;
The flowering branches are

of themselves, some short,
some long."

- Ryōkan (1758 - 1831)

Movements of Mind

"The life of forms is not the result of chance. Nor is it a great cyclorama neatly fitted into the theater of history and called into being by historical necessities. No. Forms obey their own rules - rules that are inherent in the forms themselves, or better, in the regions of the mind where they are located and centered - and there is no reason why we should not undertake an investigation of how these great ensembles, united by close reasoning and by coherent experiment, behave throughout the phases that we call their life. The successive states through which they pass are more or less lengthy, more or less intense, according to the style itself. [...] We must never think of forms, in their different states, as simply suspended in some remote, abstract zone, above the earth and above man. They mingle with life, whence they come; they translate into space certain movements of the mind. [...] We must, in the truest sense of the word, follow closely at its heels; we must take careful note of how it lives its life."

- Henri Focillon (1881 - 1943)
The Life of Forms in Art

Unknown Worlds

"Without a living subject,
there can be neither space nor time.

...

[This is] "...what one might call the description of a walk into unknown worlds. These worlds are not only unknown; they are also invisible. Furthermore, the justification for their existence is denied by many zoologists and physiologists. [...] While this assertion will sound odd to anyone familiar with those worlds, it can be explained by the fact that not everyone has access to those worlds. Certain convictions are able to bar the entrance to those worlds so securely that not even one ray of all the splendor that spreads over them can penetrate it. Whoever wants to hold on to the conviction that all living things are only machines should abandon all hope of glimpsing their environments. [...] Every subject spins out, like the spider's threads, its relations to certain qualities of things and weaves them into a solid web, which carries its existence.

...

Each subject lives in a world where there is
only of subjective realities and where the
same environments represent
only subjective realities."

- Jakob von Uexküll (1864 - 1944)
 A Foray Into the Worlds of Animals and Humans:
With a Theory of Meaning

Consciousness and Memory

"We seize, in the act of perception, something which outruns perception itself. [...] The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory. [...] But, then, I cannot escape the objection that there is no state of mind, however simple, which does not change every moment, since there is no consciousness without memory, and no continuation of a state without the addition, to the present feeling, of the memory of past moments. It is this which constitutes duration. Inner duration is the continuous life of a memory which prolongs the past into the present, the present either containing within it in a distinct form the ceaselessly growing image of the past, or, more profoundly, showing by its continual change of quality the heavier and still heavier load we drag behind us as we grow older. Without this survival of the past into the present there would be no duration, but only instantaneity."

- Henri Bergson (1859 - 1941)

Repetition of Sensations

"Everything which we observe in nature imprints itself uncomprehended and unanalyzed in our percepts and ideas which then, in their turn, mimic the processes of nature in their most general and most striking features.

...

It is a well-known fact that some objects please us, while others do not. Generally speaking, anything that is constructed according to fixed and logically followed rules, is a product of tolerable beauty. We see thus nature herself, who always acts according to fixed rules, constantly producing such pretty things.

...

A rule always presupposes a repetition. Repetitions, therefore, will probably be found to play some important part in the production of agreeable effects. Of course, the nature of agreeable effects is not exhausted by this. Furthermore, the repetition of a physical event becomes the source of agreeable effects only when it is connected with a repetition of sensations."

- Ernst Mach (1838 - 1916)
Popular Scientific Lectures

Maya's Veil

"Space-time-causation, or name-and-form, is what is called Maya. [...] Maya is neither existence nor non-existence. Both the Niagara Falls and the rainbow are eternally changeable. [...] Nature is Maya. Maya means name and form, into which everything is cast. Maya is not real. We could not destroy it or change it if it were real. The substance is the noumenon, Maya is phenomena. There is the real “me” which nothing can destroy, and there is the phenomenal “me” which is continually changing and disappearing.

...

Maya is not illusion as it is popularly interpreted. Maya is real, yet it is not real. It is real in that the Real is behind it and gives it its appearance of reality. That which is real in Maya is the Reality in and through Maya. Yet the Reality is never seen; and hence that which is seen is unreal, and it has no real independent existence of itself, but is dependent upon the Real for its existence. Maya then is a paradox - real, yet not real, an illusion, yet not an illusion. He who knows the Real sees in Maya not illusion, but reality. He who knows not the Real sees in Maya illusion and thinks it real."

- Swami Vivekananda (1863 - 1902)

Gentle Pulsing

"Over this great expanse there is no disturbance but it is thus at once gently smoothed away and assuaged, as, when a vase of water is jarred, the trembling circles seek the shore and all is smooth again. Not a fish can leap or an insect fall on the pond but it is thus reported in circling dimples, in lines of beauty, as it were the constant welling up of its fountain, the gentle pulsing of its life, the heaving of its breast. The thrills of joy and thrills of pain are undistinguishable. How peaceful the phenomena of the lake! Again the works of man shine as in the spring. Ay, every leaf and twig and stone and cobweb sparkles now at mid-afternoon as when covered with dew in a spring morning."

- Henry David Thoreau (1817 - 1862)
Walden