"Seeing is perception
with the original,
unconditioned eye.
It is a state of consciousness
in which separation of
photographer/subject,
audience/image dissolves;
in which a reality beyond words
and concepts opens up,
whose "point" or "meaning" is
the direct experience itself."
with the original,
unconditioned eye.
It is a state of consciousness
in which separation of
photographer/subject,
audience/image dissolves;
in which a reality beyond words
and concepts opens up,
whose "point" or "meaning" is
the direct experience itself."
- JOHN DAIDO LOORI
Zen Buddhist Rōshi (1931 - 2009)
Zen Buddhist Rōshi (1931 - 2009)
For those of you who follow my blog, you may recall that I led an online photography workshop last year, sponsored by Shanti Arts. Unfortunately, due to last year's enrollment limit (which was set at 8), not everyone who wanted to participate in last year's workshop could do so. Well, for those of you who may have wanted to join last year's creative dialectic but were unable to do so, and/or for those newly intrigued and interested, I'm happy to announce that the editor of Shanti Arts, Christine Cote, has asked me to lead another "Cultivating the Art of Simplicity in Photography" online workshop this coming fall, scheduled for Sep 10 through Oct 22. You can sign up here. (Note that participation in this year's workshop is again limited to 8 - though there is the possibility of increasing the total to 10 - so, please make sure to sign up sooner than later.)
I thoroughly enjoyed the inaugural workshop (held roughly during the same time frame last year), and am looking forward to engaging with another fun group, as we share our work and experiences, develop skills - and ways of seeing - that help infuse simplicity into our photography, and simply muse on art and the creative process. If you are interested in participating and want to find out more about what the workshop consists of and what to expect, please feel free to email me directly (my contact info is on my main website).
I thoroughly enjoyed the inaugural workshop (held roughly during the same time frame last year), and am looking forward to engaging with another fun group, as we share our work and experiences, develop skills - and ways of seeing - that help infuse simplicity into our photography, and simply muse on art and the creative process. If you are interested in participating and want to find out more about what the workshop consists of and what to expect, please feel free to email me directly (my contact info is on my main website).
As an overview, there will be six sessions in all (one per week), where by "session" I mean a main topic-of-discussion that will be further elaborated upon, mused-about, and generally used as a basis for follow-up interactive engagement with other workshop participants on the ("secret") Facebook I've set up. Here's the complete list of sessions:
Session 1 (Sep 10 - 16): Introduction and Preliminary Musings. An overview of what “cultivating simplicity in photography” really means, a discussion of various aspects of photography on which “simplicity” depends, and a few easy exercises to get us started. Introduces key themes of this workshop, before taking a deeper dive in later sessions.
Session 2 (Sep 17 - 23): The “Eye” – Seeking Simplicity in the Environment. This session will explore the idea that cultivating simplicity is synonymous with achieving an expanded awareness of place and time. We will explore how our state of mind determines what is visible to us and profoundly influences what we most strongly resonate with in our surroundings, and provide examples and exercises to heighten our powers of observation and perception.
Session 3 (Sep 24 - Sep 30): The “I” – Seeking Simplicity Within Oneself. Session 3 expands on a theme introduced during the last session, namely that all of our outwardly directed efforts to find simplicity and beauty “out there” in the world will come to naught if we cannot find the calm center in our own deepest selves, and from which all creative works naturally spring forth.
Session 4 (Oct 1 - 7): The Medium, Part I – Toward a Visual Grammar. Sessions 4 and 5 focus on the practical side of image making by introducing some of the key tools that a photographer can use to direct and sculpt a viewer’s interpretation of an image; i.e., the essential elements of a visual grammar. We will discuss the basic elements of composition (e.g., the frame, light, contrast, tone, form, texture, etc.) and how they can be combined for a specific purpose, inclusing “seeing” the world in color vs. black-and-white.
Session 5 (Oct 8 - 14): The Medium, Part II – Abstraction as simplification. Session 5 will expand will expand on the practical lessons introduced in Session 4, and focus on the art of abstraction as, somewhat paradoxically, a concrete method of "simplifying" photographs.
Session 6 (Oct 15 - 21): Photography as a Path Toward Self-discovery. The workshop concludes by exploring how (in the purest spiritual sense) the “cultivation of simplicity” while doing our photography - indeed, how art and the creative process, in general - may all be be viewed as paths toward self-discovery.
While the workshop is ostensibly a photography workshop (after all, photography is the core theme, and both the stand-alone essays and embedded exercises all stress image "seeing" and image "creating"), my hope is that the interactive part includes an equal part philosophical dialectic about the meaning of photography. If there is anything my 45+ years of "seeing" the world with a camera has taught me it is that the most meaningful images appear only when the "I" behind the "eye" ceases making distinctions between what is felt and what is seen; when inner and outer landscapes become one. It is a theme I eagerly look forward to exploring - through images and discussion - with workshop participants. I hope to see you all online soon :-)
While the workshop is ostensibly a photography workshop (after all, photography is the core theme, and both the stand-alone essays and embedded exercises all stress image "seeing" and image "creating"), my hope is that the interactive part includes an equal part philosophical dialectic about the meaning of photography. If there is anything my 45+ years of "seeing" the world with a camera has taught me it is that the most meaningful images appear only when the "I" behind the "eye" ceases making distinctions between what is felt and what is seen; when inner and outer landscapes become one. It is a theme I eagerly look forward to exploring - through images and discussion - with workshop participants. I hope to see you all online soon :-)
