Rediscovered Melodies

"...above all, I perceive in me with joy, a new tone, sounded by a violin within my innermost being. Its strings are tensed or relaxed through simple differences of temperature and illumination from without. Yet from deep with our being (an instrument that the conformity of habit has condemned to silence), there appears a song - out of those derivations, out of those vibrations -  from which all music arises. The weather, on specific days, leads us perchance from one sound to another. We rediscover the lost melody, which - as we might have guessed - appears with mathematical necessity, and which we, without knowing it, sang from the first moment on. Only these inner modifications - inner, despite the fact that they came from the outside - renew the outer world for me."

- Marcel Proust (1871 - 1922)
Remembrance of Things Past

Dreaming with Open Eyes

"...you go into a state almost like an aware kind of sleep, which means you’re all free, just let it be, let it become, and with tremendous compassion towards everything—maybe human beings, or nature, or objects—you incorporate. It’s almost like a... in Buddhism, you would say incarnation. You become things, you become an atmosphere. And if you become it, which means you incorporate it within you, you can also give it back. You can put this feeling into a picture. A painter can do it. And a musician can do it, and I think a photographer can do that too. And that I would call that dreaming with open eyes."

- Ernst Haas (1921 - 1986)

What is Unknowable

"Science of nature has one goal:

To find both manyness and whole.

Nothing 'inside' or 'Out There,'

The 'outer' world is all 'In Here.'

This mystery grasp without delay,

This secret always on display.

The true illusion celebrate,

Be joyful in the serious game!

No living thing lives separate:

One and Many are the same."

...

We can never directly see

what is true, that is, identical with

what is divine: we look at it

only in reflection, in example,

in the symbol, in individual

and related phenomena.

We perceive it as a life

beyond our grasp,

yet we cannot deny

our need to grasp it.

...

The highest achievement

of the human being

as a thinking being is to

have probed what is

knowable and quietly to

revere what is unknowable."

- Johann Wolgang von Goethe (1749 - 1832)

Goethe on Science

See Yourself Seeing Yourself

"You will never stop seeing yourself. You can do nothing, you cannot escape yourself, you cannot escape your own gaze, you never will be able to: even if you were to fall into a sleep so deep that no shock, no shout, no burning pain could rouse you, there would still be this eye, your eye, that will never close, that will never sleep.

You see yourself, you see yourself seeing yourself, you watch yourself watching yourself. Even if you were to wake up, your vision would remain the same, immutable. Even if you managed to grow thousands, billions of extra eyelids, there would still be this eye, behind, which would see you. You are not asleep but sleep will never come again. You are not awake and you will never wake up. You are not dead and even death could never set you free."

- Georges Perec (1936 - 1982)

By Means of the Senses

"Wherefore a man can know nothing by himself, save after a natural manner, which is only that which he attains by means of the senses. For this cause he must have the phantasms and the forms of objects present in themselves and in their likenesses; otherwise it cannot be, for, as philosophers say: Ab objecto et potentia paritur notitia. That is: From the object that is present and from the faculty, knowledge is born in the soul. Wherefore, if one should speak to a man of things which he has never been able to understand, and whose likeness he has never seen, he would have no more illumination from them whatever than if naught had been said of them to him."

- John of the Cross (1542 - 1591)

The Source of it All

"Coastal people never really know what the ocean symbolizes to landlocked inland people—what a great distant dream it is, present but unseen in the deepest levels of subconsciousness, and when they arrive at the ocean and the conscious images are compared with the subconscious dream there is a sense of defeat at having come so far to be so stopped by the mystery that can never be fathomed. The source of it all."

- Robert M. Pirsig (1928 - )

Zen and the Art of Motorcycle Maintenance

Living Light

"There is the motion, the actual wave and radiation of the darted beam: not the dull universal daylight, which falls on the landscape without life, or direction, or speculation, equal on all things and dead on all things; but the breathing, animated, exulting light, which feels, and receives, and rejoices, and acts — which chooses one thing, and rejects another — which seeks, and finds, and loses again — leaping from rock to rock, from leaf to leaf, from wave to wave — glowing, or flashing, or scintillating, according to what it strikes; or, in its holier moods, absorbing and enfolding all things in the deep fullness of its repose, and then again losing itself in bewilderment, and doubt, and dimness ... It is the living light, which breathes in its deepest, most entranced rest, which sleeps, but never dies."

- John Ruskin (1819 - 1900)

Postscript: Ruskin's quote was inspired by his devotion to J. M. W. Turner's art (as is my Synesthetic Landscape that appears above it). I have been thinking of Turner lately because I've started reading what is turning out to be a magnificent new biography: The Extraordinary Life and Momentous Times of J.M.W. Turner, by Franny Moyle (Penguin Press, Oct 2016).

Speaking of Greater Forces

"Mountains seem to answer an increasing imaginative need in the West. More and more people are discovering a desire for them, and a powerful solace in them. At bottom, mountains, like all wildernesses, challenge our complacent conviction - so easy to lapse into - that the world has been made for humans by humans. Most of us exist for most of the time in worlds which are humanly arranged, themed and controlled. One forgets that there are environments which do not respond to the flick of a switch or the twist of a dial, and which have their own rhythms and orders of existence. Mountains correct this amnesia. By speaking of greater forces than we can possibly invoke, and by confronting us with greater spans of time than we can possibly envisage, mountains refute our excessive trust in the man-made. They pose profound questions about our durability and the importance of our schemes. They induce, I suppose, a modesty in us."

-  Robert Macfarlane (1976 - )

Mountains of the Mind: Adventures in Reaching the Summit

Mystery

"There is nothing in the world

that is not mysterious,

but the mystery is more evident

in certain things than in others:

in the sea,

in the eyes of the elders,

in the color yellow,

and in music."

- Jorge Luis Borges (1896 - 1986)

Hearing Through the Eyes

“At the root of creativity is an impulse to understand, to make sense of random and often unrelated details. For me, photography provides an intersection of time, space, light, and emotional stance. One needs to be still enough, observant enough, and aware enough to recognize the life of the materials, to be able to ‘hear through the eyes’.” 

- Paul Caponigro (1932 - )

Light and Peace

"Thus Gotama [Buddha] walked toward

the town to gather alms,

and the two samanas recognized him

solely by the perfection of his repose,

by the calmness of his figure,

in which there was no trace of seeking,

desiring, imitating, or striving,

only light and peace."

- Hermann Hesse (1877 - 1962)

Siddhartha

Constituent Parts

"The entire range of living matter on Earth from whales to viruses and from oaks to algae could be regarded as constituting a single living entity capable of maintaining the Earth's atmosphere to suit its overall needs and endowed with faculties and powers far beyond those of its constituent parts."

- James Lovelock (1919 - )

Parts of the Universe

"A poet once said, 'The whole universe is in a glass of wine.' We will probably never know in what sense he meant it, for poets do not write to be understood. But it is true that if we look at a glass of wine closely enough we see the entire universe. There are the things of physics: the twisting liquid which evaporates depending on the wind and weather, the reflection in the glass; and our imagination adds atoms. The glass is a distillation of the earth's rocks, and in its composition we see the secrets of the universe's age, and the evolution of stars. What strange array of chemicals are in the wine? How did they come to be? There are the ferments, the enzymes, the substrates, and the products. There in wine is found the great generalization; all life is fermentation. Nobody can discover the chemistry of wine without discovering, as did Louis Pasteur, the cause of much disease. How vivid is the claret, pressing its existence into the consciousness that watches it! If our small minds, for some convenience, divide this glass of wine, this universe, into parts -- physics, biology, geology, astronomy, psychology, and so on -- remember that nature does not know it! So let us put it all back together, not forgetting ultimately what it is for. Let it give us one more final pleasure; drink it and forget it all!"

- Richard Feynman

(1918 - 1988)

Wandering through Outer Worlds

"The time that my journey takes is long and the way of it long. 

I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet. 

It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune. 

The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end. 

My eyes strayed far and wide before I shut them and said `Here art thou!'

The question and the cry `Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance `I am!'"

- Rabindranath Tagore (1861 - 1941)

Gitanjali: Song Offerings

A Parable, whose Subject is Time

"'In a riddle whose answer is chess, what is the only word that must not be used?' I thought for a moment. 'The word chess,' I replied. 'Exactly,' Albert said. 'The Garden of Forking Paths' is a huge riddle, or parable, whose subject is time; that secret purpose forbids Ts'ui Pen the merest mention of its name. To always omit one word, to employ awkward metaphors and obvious circumlocutions, is perhaps the most emphatic way of calling attention to that word. It is. at any rate, the tortuous path chosen by the solutions—all devious Ts'ui Pen at each and every one of the turnings of his inexhaustible novel. I have compared hundreds of manuscripts, I have corrected the errors introduced through the negligence of copyists, I have reached a hypothesis for the plan of that chaos, I have reestablished, or believe I've reestablished, its fundamental order—I have translated the entire work; and I know that not once does the word 'time' appear. The explanation is obvious: 'The Garden of Forking Paths' is an incomplete, but not false, image of the universe as conceived by Ts'ui Pen. Unlike Newton and Schopenhauer, your ancestor did not believe in a uniform and absolute time; he believed in an infinite series of times, a growing, dizzying web of divergent, convergent, and parallel times. That fabric of times that approach one another, fork, are snipped off, or are simply unknown for centuries, contains all possibilities. In most of those times, we do not exist; in some, you exist but I do not; in others, I do and you do not; in others still, we both do. In this one, which the favouring hand of chance has dealt me, you have come to my home; in another, when you come through my garden you find me dead; in another, I say these same words, but I am an error, a ghost."

- Jorge Luis Borges (1899 - 1986)

"The Garden of Forking Paths" in Ficciones 

Force of Creation

"The basic recurring theme in Hindu mythology is the creation of the world by the self-sacrifice of God—"sacrifice" in the original sense of "making sacred"—whereby God becomes the world which, in the end, becomes again God. This creative activity of the Divine is called lila, the play of God, and the world is seen as the stage of the divine play. Like most of Hindu mythology, the myth of lila has a strong magical flavour. Brahman is the great magician who transforms himself into the world and then performs this feat with his "magic creative power", which is the original meaning of maya in the Rig Veda. The word maya—one of the most important terms in Indian philosophy—has changed its meaning over the centuries. From the might, or power, of the divine actor and magician, it came to signify the psychological state of anybody under the spell of the magic play. As long as we confuse the myriad forms of the divine lila with reality, without perceiving the unity of Brahman underlying all these forms, we are under the spell of maya. (...) In the Hindu view of nature, then, all forms are relative, fluid and ever-changing maya, conjured up by the great magician of the divine play. The world of maya changes continuously, because the divine lila is a rhythmic, dynamic play. The dynamic force of the play is karma, important concept of Indian thought. Karma means "action". It is the active principle of the play, the total universe in action, where everything is dynamically connected with everything else. In the words of the Gita Karma is the force of creation, wherefrom all things have their life."

- Fritjof Capra (1939 - )

The Tao of Physics

Mechanism of Thought

"(A) The words or the language, as they are written or spoken, do not seem to play any role in my mechanism of thought. The psychical entities which seem to serve as elements in thought are certain signs and more or less clear images which can be “voluntarily” reproduced and combined.

There is, of course, a certain connection between those elements and relevant logical concepts. It is also clear that the desire to arrive finally at logically connected concepts is the emotional basis of this rather vague play with the above-mentioned elements. But taken from a psychological viewpoint, this combinatory play seems to be the essential feature in productive thought — before there is any connection with logical construction in words or other kinds of signs which can be communicated to others.

(B) The above-mentioned elements are, in my case, of visual and some of muscular type. Conventional words or other signs have to be sought for laboriously only in a secondary stage, when the mentioned associative play is sufficiently established and can be reproduced at will.

(C) According to what has been said, the play with the mentioned elements is aimed to be analogous to certain logical connections one is searching for.

(D) Visual and motor. In a stage when words intervene at all, they are, in my case, purely auditive, but they interfere only in a secondary stage, as already mentioned.

(E) It seems to me that what you call full consciousness is a limit case which can never be fully accomplished. This seems to me connected with the fact called the narrowness of consciousness (Enge des Bewusstseins)."

- Albert Einstein (1879 - 1955)

Ideas and Opinions

Symbolic Images

"To us ... the only acceptable point of view appears to be the one that recognizes both sides of reality-the quantitative and the qualitative, the physical and the psychical-as compatible with each other, and can embrace them simultaneously... It would be most satisfactory of all if physis and psyche (i.e., matter and mind) could be seen as complementary aspects of the same reality...

...When one analyzes the pre-conscious step to concepts, one always finds ideas which consist of 'symbolic images.' The first step to thinking is a painted vision of these inner pictures whose origin cannot be reduced only and firstly to the sensual perception but which are produced by an 'instinct to imagining' and which are re-produced by different individuals independently, i.e. collectively... But the archaic image is also the necessary predisposition and the source of a scientific attitude. To a total recognition belong also those images out of which have grown the rational concepts."

- Wolfgang Pauli

(1900 - 1958)

Entangled with Karma

“Can there be a completely different set of laws of physics in a different universe, or do the laws of physics as we understand them hold true in all possible universes? If the answer is that a different set of laws can operate in a different universe system, this would suggest (from a Buddhist perspective) that even the laws of physics are entangled with the karma of the sentient beings that will arise in that universe.”

- Dalai Lama XIV, (1935 - )

The Universe in a Single Atom

Time, Process, and Eternity

"Happy is the man who can recognize in the work of to-day a connected portion of the work of life and an embodiment of the work of Eternity. The foundations of his confidence are unchangeable, for he has been made a partaker of Infinity. He strenuously works out his daily enterprises because the present is given him for a possession.

Thus ought man to be an impersonation of the divine process of nature, and to show forth the union of the infinite with the finite, not slighting his temporal existence, remembering that in it only is individual action possible, nor yet shutting out from his view that which is eternal, knowing that Time is a mystery which man cannot endure to contemplate until eternal Truth enlighten it."

- James Clerk Maxwell

(1831 - 1879)