Spiritual Awareness

“To the vast majority of people 

a photograph is an

image of something within 

their direct experience:

a more-or-less factual reality.

It is difficult for them 

to realize that the

photograph can be the source 

of experience, as well as the

reflection of spiritual awareness 

of the world and of self.”  

- Ansel Adams

(1902 - 1984)

Invisible Organization of Energy

“Science shows us that the

visible world is neither 

matter nor spirit;

the visible world is the invisible 

organization of energy.”

- Heinz Pagels

(1939 - 1988)

Forms, Space, and Distinctions

“A universe comes into being when

a space is severed or taken apart… 

by tracing the way we 

[make such distinctions] 

we begin to reconstruct …  

the basic forms underlying linguistic,

mathematical, physical, 

and biological science.”

- G. Spencer Brown (1923 - )

Laws of Form

Between Something and Nothing

“Now, I am going to tell you something.

I don’t know what heading it comes under, 

and whether or not it is relevant here,

but it must be relevant at some point. 

It is not anything new, but I would like to say it. 

There is a beginning. There is no beginning of that beginning. 

There is no beginning of that no beginning of beginning.

 There is something. There is nothing. 

There is something before the beginning of something and nothing, 

and something before that. Suddenly there is something and nothing. 

But between something and nothing, 

I still don’t really know which is something and which is nothing.  

Now, I’ve just said something, 

but I don’t really know whether I’ve said anything or not.” 

- Chuang-Tzu (4th century BC)

Chuang Tzu: Inner Chapters

Expressions of Deep Order

"If biologists have ignored self-organization, it is not because self-ordering is not pervasive and profound. It is because we biologists have yet to understand how to think about systems governed simultaneously by two sources of order, Yet who seeing the snowflake, who seeing simple lipid molecules cast adrift in water forming themselves into cell-like hollow lipid vesicles, who seeing the potential for the crystallization of life in swarms of reacting molecules, who seeing the stunning order for free in networks linking tens upon tens of thousands of variables, can fail to entertain a central thought: if ever we are to attain a final theory in biology, we will surely, surely have to understand the commingling of self-organization and selection. We will have to see that we are the natural expressions of a deeper order. Ultimately, we will discover in our creation myth that we are expected after all."

- Stuart Kauffman

(1939 - )

Limited in Time and Space

“A human being is part of the 

whole called by us a universe,

a part limited in time and space. 

He experiences himself, 

his thoughts and his feelings,

as something separate from the rest,

a kind of optical delusion 

of his consciousness.

This delusion is a kind of prison for us;

it restricts us to our personal decisions and our

affections to a few persons nearest to us. 

Our task must be to free 

ourselves from this prison by

widening our circle of 

compassion to embrace

all living creatures and the 

whole of nature of its beauty.” 

- Albert Einstein

(1879 - 1955)

Perception, Structure, Order

"When we observe something, then we reach for it; we move through space, touch things, feel their surfaces and contours. And our perception structures and orders the information given by things into determinable forms. We understand because this structuring and ordering is a part of our relationship with reality. Without order we couldn’t understand at all. Thus in my opinion the world is not raw material; it is already ordered merely by being observed.

Order is a necessary condition for anything the human mind is to understand. Arrangements such as the layout of a city or building, a set of tools, a display of merchandise, the verbal exposition of facts or ideas, or a painting or piece of music are called orderly when an observer or listener can grasp their overall structure and the ramification of the structure in some detail. Order makes it possible to focus on what is alike and what is different, what belongs together and what is segregated. When nothing superfluous is included and nothing indispensable left out, one can understand the interrelation of the whole and its parts, as well as the hierarchic scale of importance and power by which some structural features are dominant, others subordinate."

- Rudolf Arnheim

(1904 - 2007)

What is an Object?

“...Consider an object ...  what is an object? 

Philosophers are always saying, 

'Well, just take a chair for example.' 

The moment they say that, you know they 

do not know what they are talking about any more. 

What is a chair? 

Well, a chair is a certain thing over there ... 

Certain? How certain?

 The atoms are evaporating from it 

from time to time - not many atoms,

 but a few - dirt falls on it and 

gets dissolved in the paint; 

so to define a chair precisely, 

to say exactly which atoms are chair,

 and which atoms are air, or which atoms are dirt, 

or which atoms are paint that

 belongs to the chair is impossible. 

So the mass of a chair can be defined only approximately.

 In the same way, to define the mass of a single object is impossible,

 because there are not any single, left-alone objects in the world.”

- Richard Feynman

(1918 - 1988)

Arbitrary Slices

“They will say: ‘Well, it’s a hexagon,’ but it isn’t a hexagon, and a rectangle which isn’t a rectangle. By describing what it nearly is but isn’t quite, they get a sort of description out. The division into parts is of course purely arbitrary. They could have sliced it anyway they wanted.”

- Gregory Bateson (1904 - 1980)

An Ecology of Mind

That It Is

"The mystical is not

how the world is,

but that it is."

- Ludwig Wittgenstein

(1889 - 1951)

To Dream the World

"We (the indivisible divinity that works in us) have dreamed the world. We have dreamed it resistant, mysterious, visible, ubiquitous in space and firm in time, but we have allowed slight, and eternal, bits of the irrational to form part of its architecture so as to know that it is false."

- Jorge Luis Borges

(1899 - 1986)

Chasing Ideas

“The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas.

It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray. 

At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing. But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward.”

- Terence McKenna

(1946 - 2000)

A Sea Boundless and Measureless

“The hidden well-spring of your soul

must needs rise and run murmuring to the sea;

And the treasure of your infinite depths

would be revealed to your eyes.

But let there be no scales to

weigh your unknown treasure;

And seek not the depths of your

knowledge with staff or sounding line.

For self is a sea boundless and measureless.

Say not, 'I have found the truth,'

but rather, 'I have found a truth.'

Say not, 'I have found the path of the soul.'

Say rather, 'I have met the soul

walking upon my path.'

For the soul walks upon all paths.

The soul walks not upon a line,

neither does it grow like a reed.

The soul unfolds itself,

like a lotus of countless petals.” 

- Kahlil Gibran (1883 - 1931)

The Prophet

Stasis, Rhythm, and Aesthetics

"Beauty expressed by the artist cannot awaken in us an emotion which is kinetic or a sensation which is purely physical. It awakens, or ought to awaken, or induces, or ought to induce, an esthetic stasis, an ideal pity or an ideal terror, a stasis called forth, prolonged, and at last dissolved by what I call the rhythm of beauty." 

"What is that exactly?", asked Lynch.

"Rhythm," said Stephen, "is the first formal esthetic relation of part to part in any esthetic whole or of an aesthetic whole to its part or parts or of any part to the aesthetic whole of which it is a part."

- James Joyce, (1882 - 1941)

Portrait of the Artist as a Young Man

Bildung , Gestalten, and Metamorphosis

“If we look at all these Gestalten, especially the organic ones, we will discover that nothing in them is permanent, nothing at rest or defined—everything is in a flux of continual motion. This is why German frequently and fittingly makes use of the word Bildung [formation] to describe the end product and what is in process of production as well…. When something has acquired a form it metamorphoses immediately into a new one.

...We will see the entire plant world, for example, as a vast sea which is as necessary to the existence of individual insects as the oceans and river are to the existence of individual fish, and we will observe that an enormous number of living creatures are born and nourished in this ocean of plants. Ultimately we will see the whole world of animals as a great element in which one species is created or at least sustained, by and through another. We will no longer think of connections and relationships in terms of purpose and intention; we will progress in knowledge alone through seeing how formative nature expresses itself from all sides and in all directions.

...Among the objects we will find many different forms of existence and modes of change, a variety of relationships livingly interwoven; in ourselves, on the other hand, a potential for infinite growth through constant adaptation of our sensibilities and judgment to new ways of acquiring knowledge and responding with action."

- Johann Wolfgang von Goethe

(1749 - 1832)

Ordering and Things Ordered

"Reality is of the senses, brain and mind – that which is knowable.  Existence is cause, ultimate cause. It is unspeakable, unknowable.  Reality is effect, manifestation of existence…  Ordering and things ordered coexist yet have independent significance…  The deepest and most profound emotion we can experience is the belief that the unknown really exists."

- Wynn Bullock (1902 - 1975)

The Photography and Philosophy of Wynn Bullock

Quietly Seeking Images

"The not-so-silent conversations between things are always present. What is not so often present is my sensitivity to these voices. As it is said, for every push there is a pull, with every affirmation denial, but with only these there would be nothing but a frozen, rigid wasteland. There could be continuing movement with each new balance point experienced. There is great beauty in this ever-shifting dance. This is very alive and transcends all notions of a static experience. This is what brings life, for without it I would be locked in without possibilities; there would be no sense of creation. All would be frozen before the existence of time, without realization; there would not be a universe. Fortunately, all is conversation and movement - or transformation - that awaits my awareness. There are many entities all about us. I refer to those entities as images (photographs that aspire to say something); they are symbolic cameos, or icons. They have an unambiguous influence upon my life - they move and their movements are instruments of transformation."

- Nicholas C. Hlobeczy (1927 - 2007)

A Presence Behind the Lens

Interpenetrating Fragments and Divisions

"[There is an...] almost universal habit of taking the content of our thought for ‘a description of the world as it is’. Or we could say that, in this habit, our thought is regarded as in direct correspondence with objective reality. Since our thought is pervaded with differences and distinctions, it follows that such a habit leads us to look on these as real divisions, so that the world is then seen and experienced as actually broken up into fragments.

...the relationship of each moment in the whole to all the others is implied by its total content: the way in which it ‘holds’ all the others enfolded within it.

...both observer and observed are merging and interpenetrating aspects of one whole reality, which is indivisible and unanalysable."

- David Bohm (1917 - 1992)

Wholeness and the Implicate Order

Chain of Connection

"In considering the study of physical phenomena, not merely in its bearings on the material wants of life, but in its general influence on the intellectual advancement of mankind, we find its noblest and most important result to be a knowledge of the chain of connection, by which all natural forces are linked together, and made mutually dependent upon each other; and it is the perception of these relations that exalts our views and ennobles our enjoyments."

-  Alexander von Humboldt (1769 - 1859)

COSMOS: A Sketch of the Physical Description of the Universe, Vol. 1

Wave - Particle Duality

"Quantum theory thus reveals a basic oneness of the universe. It shows that we cannot decompose the world into independently existing smallest units. As we penetrate into matter, nature does not show us any isolated “building blocks,” but rather appears as a complicated web of relations between the various parts of the whole. These relations always include the observer in an essential way. The human observer constitute the final link in the chain of observational processes, and the properties of any atomic object can be understood only in terms of the object's interaction with the observer. "

-  Fritjof Capra (1939 - )

The Tao of Physics

Representations of the World

"Many people would accept that we do not really have knowledge of the world; we have knowledge only of our representations of the world. Yet we seem condemned by our consitution to treat these representations as if they were the world, for our everyday experience feels as if it were of a given and immediate world."

- Francisco Varela

(1946 - 2001)

Infinity's Impenetrable Secret

"For after all what is man in nature? A nothing in relation to infinity, all in relation to nothing, a central point between nothing and all and infinitely far from understanding either. The ends of things and their beginnings are impregnably concealed from him in an impenetrable secret. He is equally incapable of seeing the nothingness out of which he was drawn and the infinite in which he is engulfed."

- Blaise Pascal

(1623 - 1662)

2005-2015 Portfolio Selections

2005-2015 Portfolio Selection

In response to the gentle nudging and persistent reminders from friends and fellow photographers, I have finally gotten around to organizing and posting a selection of the portfolios I have worked on during the last decade. Interested viewers can peruse the 600+ images by clicking on the link above; the thumbnail view shows only 12 (of the 20 total available) portfolios that are available online. The images are actually a superset of the photographs included in the hardcopy version published a few months ago (which contains 'only' about 60% of the images in the online version). So, grab your favorite beverage, find a quiet place, settle back into a nice, comfortable recliner chair, and embark on your visual journey at leisure. I hope that at least a few images will resonate with you, kind reader of my blog.

Where the Sage Hides Himself

"It comes out from no source, it goes back in through no aperture. It has reality yet no place where it resides; it has duration yet no beginning or end. Something emerges, though through no aperture - this refers to the fact that it has reality. It has reality yet there is no place where it resides - this refers to the dimension of space. It has duration but no beginning or end - this refers to the dimension of time. There is life, there is death, there is a coming out, there is a going back in - yet in the coming out and going back its form is never seen. This is called the Heavenly Gate. The Heavenly Gate is nonbeing. The ten thousand things come forth from nonbeing. Being cannot create being out of being; inevitably it must come forth from nonbeing. Nonbeing is absolute nonbeing, and it is here that the sage hides himself."

- Chuang-Tzu

(4th Century BC)

Entities, Environments, and Patterns

"In an organic environment,

every place is unique,

and the different places also cooperate,

with no parts left over,

to create a global whole;

a whole which can be identified

by everyone who is part of it.

In short, no pattern is

an isolated entity.

Each pattern can exist

in the world only to the extent

that is supported by other patterns:

the larger patterns in which

it is embedded, the patterns of

the same size that surround it,

and the smaller patterns

which are embedded in it."

- Christopher Alexander

(1936 - )

Interpenetrating Worlds

"Instead of negating the conflicting aspects of a paradox, you advance your understanding when you can hold both sides of a dichotomy in your mind at the same time, reconciling rather than negating. One could embrace paradox as an operating, operative principle, rather than seeking to deny or dissolve or dilute it. Rather than seeking to resolve dualisms and institute some grand ‘theory of everything’, the science of the imagination would embrace and explore paradox, going deeper into conundrums, relinquishing delusory attempts to achieve certainty. We may find that thought and language are creative aspects of being, tools for transforming reality. If the universe is actually a projection of subtler levels of the psyche- a loom of maya- then we may discover that the vibratory lattices of interpenetrating worlds elaborated by current physics are descriptions of the psyche itself, in its fully ensouled unfolding."

- Daniel Pinchbeck (1966 - )

Breaking Open the Head:

A Psychedelic Journey into the Heart of Contemporary Shamanism

True Quiet

"Ask the world to reveal its quietude —

not the silence of machines when they are still,

but the true quiet by which birdsongs,

trees, bellworts, snails, clouds, storms

become what they are, and are nothing else."

- Wendell Berry

(1934 - )

Parts, Wholes, and the Principle of Sufficient Reason

“Nothing takes place without sufficient reason, that is… nothing happens without it being possible for someone who knows enough things to give a reason sufficient to determine why it is so and not otherwise. Assuming this principle, the first question we have the right to ask will be, why is there something rather than nothing? For nothing is simpler and easier than something. Furthermore, assuming that things must exist, we must be able to give a reason for why they must exist in this way, and not otherwise.”

- G. W. Leibniz

(1646 - 1716)

"The division of the perceived universe

into parts and wholes is convenient

and may be necessary, 

but no necessity determines

how it shall be done."

- Gregory Bateson

(1904 - 1980)

Dormant Microcosm

"This microcosm was pregnant with the germ of a proper time and space, and all the kinds of cosmical beings. Within this punctual cosmos the myriad but not unnumbered physical centers of power, which men conceive vaguely as electrons, protons, and the rest, were at first coincident with one another. And they were dormant. The matter of ten million galaxies lay dormant in a point."

- Olaf Stapledon (1886 - 1950)
Star Maker

Hallucination, Ego, and Nature

"We suffer from a hallucination, from a false and distorted sensation of our own existence as living organisms. Most of us have the sensation that “I myself” is a separate center of feeling and action, living inside and bounded by the physical body — a center which “confronts” an “external” world of people and things, making contact through the senses with a universe both alien and strange. Everyday figures of speech reflect this illusion. “I came into this world.” “You must face reality.” “The conquest of nature.”

This feeling of being lonely and very temporary visitors in the universe is in flat contradiction to everything known about man (and all other living organisms) in the sciences. We do not “come into” this world; we come out of it, as leaves from a tree. As the ocean “waves,” the universe “peoples.” Every individual is an expression of the whole realm of nature, a unique action of the total universe. This fact is rarely, if ever, experienced by most individuals. Even those who know it to be true in theory do not sense or feel it, but continue to be aware of themselves as isolated “egos” inside bags of skin."

- Alan Watts (1915 - 1973)

The Book: On the TabooAgainst Knowing Who You Are

Nothing to Add, Nothing to Take Away

"In anything at all,

perfection is finally attained

not when there is no longer

anything to add,

but when there is no longer

anything to take away."

- Antoine de Saint-Exupery

(1900 - 1944)

Process, Emergence, and Autopoiesis

"I guess I've had only one question all my life. Why do emergent selves, virtual identities, pop up all over the place creating worlds, whether at the mind/body level, the cellular level, or the transorganism level? This phenomenon is something so productive that it doesn't cease creating entirely new realms: life, mind, and societies. Yet these emergent selves are based on processes so shifty, so ungrounded, that we have an apparent paradox between the solidity of what appears to show up and its groundlessness. That, to me, is a key and eternal question."

- Francisco Varela

(1946 - 2001)

That Invisible Soul That Pervades Reality

"To hear never-heard sounds, 

To see never-seen colors and shapes, 

To try to understand the imperceptible 

Power pervading the world; 

To fly and find pure ethereal substances 

That are not of matter 

But of that invisible soul pervading reality. 

To hear another soul and to whisper to another soul; 

To be a lantern in the darkness 

Or an umbrella in a stormy day; 

To feel much more than know. 

To be the eyes of an eagle, slope of a mountain; 

To be a wave understanding the influence of the moon; 

To be a tree and read the memory of the leaves; 

To be an insignificant pedestrian on the streets 

Of crazy cities watching, watching, and watching. 

To be a smile on the face of a woman 

And shine in her memory 

As a moment saved without planning."

- Dejan Stojanović,  Serbian poet

(1959 - )

Symbols, Dreams, and Transformations

"The task of art is to transform what is continuously happening to us, to transform all these things into symbols, into music, into something which can last in man’s memory. That is our duty. If we don’t fulfill it, we feel unhappy. A writer or any artist has the sometimes joyful duty to transform all that into symbols. These symbols could be colors, forms or sounds. For a poet, the symbols are sounds and also words, fables, stories, poetry. The work of a poet never ends. It has nothing to do with working hours. You are continuously receiving things from the external world. These must be transformed, and eventually will be transformed. This revelation can appear anytime. A poet never rests. He’s always working, even when he dreams. Besides, the life of a writer, is a lonely one. You think you are alone, and as the years go by, if the stars are on your side, you may discover that you are at the center of a vast circle of invisible friends whom you will never get to know but who love you. And that is an immense reward."

-  Jorge Luis Borges

(1899 – 1986) 

Curliques, Droplets, and Energy

"It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually--if this is the way things started, if there was a big bang in the beginning-- you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as--Mr so-and- so, Ms so-and-so, Mrs so-and-so--I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it. "

- Alan Watts

(1915 - 1973)

Forms, Shapes, and the Implicate Order

"There is a universal flux that cannot be defined explicitly but which can be known only implicitly, as indicated by the explicitly definable forms and shapes, some stable and some unstable, that can be abstracted from the universal flux. In this flow, mind and matter are not separate substances. Rather, they are different aspects of our whole and unbroken movement."

- David Bohm (1917 - 1992) 

Wholeness and the Implicate Order

Parts, Patterns, and Networks

"The patterns are simple, but followed together, they make for a whole that is wiser than the sum of its parts. Go for a walk; cultivate hunches; write everything down, but keep your folders messy; embrace serendipity; make generative mistakes; take on multiple hobbies; frequent coffee houses and other liquid networks; follow the links; let others build on your ideas; borrow, recycle; reinvent. Build a tangled bank."

- Steven Johnson

Emergence

Ripples, Waves, and Rhythms

"To Nature nothing can be added; from Nature nothing can be taken away; the sum of her energies is constant, and the utmost man can do in the pursuit of physical truth, or in the applications of physical knowledge, is to shift the constituents of the never-varying total. The law of conservation rigidly excludes both creation and annihilation. Waves may change to ripples, and ripples to waves; magnitude may be substituted for number, and number for magnitude; asteroids may aggregate to suns, suns may resolve themselves into florae and faunae, and floras and faunas melt in air: the flux of power is eternally the same. It rolls in music through the ages, and all terrestrial energy—the manifestations of life as well as the display of phenomena—are but the modulations of its rhythm."

- John Tyndall

(1820 - 1893)

Simplicity & Beauty

"The research worker, in his efforts to express the fundamental laws of Nature in mathematical form, should strive mainly for mathematical beauty. He should take simplicity into consideration in a subordinate way to beauty ... It often happens that the requirements of simplicity and beauty are the same, but where they clash, the latter must take precedence."

- Paul A. M. Dirac

(1902 - 1984)

Duality and Forgetting

"Where there is a duality, as it were, there one sees another; there one smells another; there one tastes another; there one speaks to another. . . But where everything has become just one's own self, then whereby and whom would one see? Then whereby and whom would one smell? then whereby and whom would one speak? then whereby and whom would one hear? then whereby and whom would one think? then whereby and whom would one touch? then whereby and whom would one understand?"

- Brihadaranyaka Upanishad (2.4.14)

"My connection with the body and its parts is dissolved. My perceptive organs are discarded. Thus leaving my material form and bidding farewell to my knowledge, I become one with the Great Pervader. This I call sitting and forgetting all things."

- Chuang Tzu

(~ 4th century BC)

Sacred Tree

"The sacred tree,

the sacred stone

are not adored

as stone or tree;

they are worshipped

precisely because

they are hierophanies,

because they show

something that is

no longer stone

or tree but sacred,

the ganz andere

or 'wholly other.'"

- Mircea Eliade (1907 - 1986)
Myths, Dreams and Mysteries

Emancipation of the Mind

"Abstraction allows man to see with his mind what he cannot physically see with his eyes… Abstract art enables the artist to perceive beyond the tangible, to extract the infinite out of the finite. It is the emancipation of the mind. It is an explosion into unknown areas."

- Arshile Gorky

(1904 - 1948)

Resonance, Spirit, and Proisvedenie

" …the long Russian word for creation proisvedenie, so different from its shorter counterparts in English, French and German, express for me the whole history and process of creation, lengthy, mysterious, infinitely complex and foreshadowed by divine predestination.

...in many ways art is similar to religion. Its development consists not in new discoveries which invalidate the old truths (as is obviously the case in science). Its development consists in sudden illuminations, similar to lightning, in explosions, which burst in the sky like fireworks… …this illumination shows with blinding light new perspectives, new truths, which are basically nothing but the organic development, the further organic growth of the earlier wisdom.

...the world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit."

- Wassily Kandinsky

(1866 - 1944)

Self, non-Self, and Interconnectedness

"True self is non-self, the awareness that the self is made only of non-self elements. There's no separation between self and other, and everything is interconnected. Once you are aware of that you are no longer caught in the idea that you are a separate entity."

- Thich Nhat Hanh

(1926 - )

Ebb & Flow

"The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow. I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment."

- Rabindranath Tagore

(1861 - 1941)

Symbols, Signs, and Conceptions

"We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infintesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality. We confuse the world as talked about, described, and measured with the world which actually is. We are sick with a fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas."

- Alan Watts
(1915 - 1973)

Brambles, Entanglements, and Music

"If you know the music

the moment the violin string

begins to vibrate,

then you know how

to navigate through the forest

of brambles and entanglements

with freedom and ease.

If, on the other hand,

you think that with practice

the forest of brambles and entanglements

will altogether disappear,

then right from the beginning

you are hopelessly entangled

and won't find your way."

- John Daido Loori

(1931 - 2009)

Masterful Meditation on Art, Photography, and Life

"It is easy to take a photograph,

but it is harder to make a masterpiece

in photography than in any other art medium."

- Ansel Adams

To Ansel's sage words I can add my own corollary that it is easy to write a book about photography, but it is harder - much harder - to create a masterpiece in this genre than in any other "here are my musings about..." creativity-centric medium. That Guy Tal has not only done so - that is, created a masterpiece of a "book about photography" - but has also seamlessly and additionally woven in a commensurate degree of timeless wisdom on art, creativity, and life, is nothing short of breathtaking.  To paraphrase Martin Gardner's often quoted (essentially one-line) 1979 review of Godel, Escher, Bach ("Every few decades, an unknown author brings out a book of such depth, clarity, range, wit, beauty and originality that it is recognized at once as a major literary event"): every decade or so, a book of such stunningly original beauty and elegance appears that it self-evidently redefines how the essence of a creative life may be communicated with 'mere' words. Tal's book is, arguably, this decade's book, and is one to which I happily give my highest and unqualified recommendation.

With the publication of More Than a Rock, Tal joins a small pantheon of preternaturally gifted guides to the core truths that underlie all aesthetic yearning and creative expression. My personal list includes: Doug Beasley, Nicloas Hlobeczy, Brooks Jensen, George DeWolfe, Freeman Patterson, John Daido Loori, Deborah Dewit Marchant, and (of course) Minor White. Yet, even among even these elites, Tal is unique in his ability to use the simplest intuitive language to express ineffable truths; his graceful style gently leads the reader, never pushes. Even those who have rarely if ever pondered "deep" questions while putting their eye behind a camera's viewfinder will inevitably find themselves eagerly and effortlessly tagging along on an amazing journey of ever-widening discoveries; including ways of finding art (in everything around us), of making art (alongside discovering ways of communicating what we have found and wish to share), and of discovering oneself by losing the ego to the creative process. This is not just hard to do; I had thought it impossible to do, before "eagerly tagging along" Tal's unpretentious, sage-like insights.

A dry recitation of the book's layout and content hardly does justice to what it really contains, but for those interested: it is broken into 4 sections (on art, craft, experiences, and meditations), and each section consists of short essays (most between 2 to 5 pages long) on specific topics, accompanied by a selection of photographs. What you will not find, unlike what typically makes up the vast majority of photography books (including those that purport to "reveal hidden truths") is any discussion about f-stops, lenses, or why Canon is so much better or worse than Nikon. These concerns, for Tal, are (and ought to be) as unimportant to serious photographers as discussions of the proverbial pots and pans are for chefs (and for those who aspire to become chefs). Each essay begins with a short quote - sometimes attributed to a well known artist or photographer, but just as often to a poet or philosopher - which sets the stage for brilliantly concise meditations that simultaneously leave the reader both in wonderment about how much has been said in so short a space, and a compulsion to just keep reading, looking, absorbing. 

My advice is to take Tal's book in slowly, contemplatively; take time to digest and assimilate what it has to offer. Though your mind will initially digest its contents, the book's real message speaks directly to your soul. Of course, the book can also be perused simply for Tal's imagery, which is masterful.

It is no coincidence that Lenswork magazine (perhaps the preeminent fine-art photography publication available today) has commissioned Tal to contribute an essay for each of its bi-monthly issues. He is a unique talent, and this book - and his essay/column in Lenswork - are precous gifts for this, and future, generations of photographers. It is available via Amazon and Barnes & Noble (in both print and eBook forms; though my review is based on the print version); and from Tal's own website, which rewards the customer who takes this last option by shipping a copy of the book that includes the author's signature.

Full disclosure: I have never met Guy Tal in person, though I have (on the heels of purchasing his book from a local Barnes & Noble) "friended" him on facebook. As readers of my blog know, I am also a fellow alumnus of Lenswork, but my mention of Lenswork has to do only with the fact that - as ought to be clear from my review - I am simply delighted as a reader of the magazine that I can look forward to Tal's column each issue.

Portfolios: 2005 - 2015

A while back, I self-published a mini portfolio on Blurb to use as a self-promotion tool for galleries and prospective clients. The idea, of course, was to keep it small, simple, and enticing. It consists of two-page portfolio samplers, with each spread providing one full-page image and 3 or 4 thumb-sized images on the adjoining page. While my mini-portfolio continues to serve its originally intended purpose, I have been asked increasingly frequently if (when?) I would ever publish a "real" edition that contains a full (or least, a meaningfully more complete) selection of the images I've captured over the last decade. To those of you who have asked for or wondered about such an edition, and for all those who may simply be interested in perusing a wider range of images than appear in the "mini," I am happy to announce the publication of SuddenStillness: Visual Echoes of Timeless Rhythms.

The new book is 440 pages long, includes over 325 images from 19 portfolios (all created between 2005 - 2015, and most of which are introduced by a short essay), and concludes with updated versions of the 10 most popular essays that I have published on this blog on the creative process in photography. Among the images that appear are those that have been published by Lenswork (issues #71, #76, #95, and #105), Black & White magazine (issues #41, #56, #80, #87, and #95), Black and White Spider Awards (2007, 2008, 2009, and 2010), and the winter/2013 edition of Stone Voices (as well as many other on-line publications). Both print and eBook (iPad/iPhone and Adobe pdf) versions are available. 

Here is a 43 page preview:

SuddenStillness by Andy Ilachinski | Make Your Own Book