Intertwined and Intermingling Vibrations

"I have the joy of being able to tell you that, though deaf and blind, I spent a glorious hour last night listening over the radio to Beethoven’s 'Ninth Symphony.' I do not mean to say that I 'heard' the music in the sense that other people heard it; and I do not know whether I can make you understand how it was possible for me to derive pleasure from the symphony. It was a great surprise to myself. I had been reading in my magazine for the blind of the happiness that the radio was bringing to the sightless everywhere. I was delighted to know that the blind had gained a new source of enjoyment; but I did not dream that I could have any part in their joy. Last night, when the family was listening to your wonderful rendering of the immortal symphony someone suggested that I put my hand on the receiver and see if I could get any of the vibrations. He unscrewed the cap, and I lightly touched the sensitive diaphragm. What was my amazement to discover that I could feel, not only the vibrations, but also the impassioned rhythm, the throb and the urge of the music! The intertwined and intermingling vibrations from different instruments enchanted me. I could actually distinguish the cornets, the roll of the drums, deep-toned violas and violins singing in exquisite unison. How the lovely speech of the violins flowed and plowed over the deepest tones of the other instruments! When the human voice leaped up trilling from the surge of harmony, I recognized them instantly as voices. I felt the chorus grow more exultant, more ecstatic, upcurving swift and flame-like, until my heart almost stood still. The women’s voices seemed an embodiment of all the angelic voices rushing in a harmonious flood of beautiful and inspiring sound. The great chorus throbbed against my fingers with poignant pause and flow. Then all the instruments and voices together burst forth—an ocean of heavenly vibration—and died away like winds when the atom is spent, ending in a delicate shower of sweet notes.

Of course, this was not 'hearing' but I do know that the tones and harmonies conveyed to me moods of great beauty and majesty. I also sensed, or thought I did, the tender sounds of nature that sing into my hand—swaying reeds and winds and the murmur of streams. I have never been so enraptured before by a multitude of tone-vibrations.

As I listened, with darkness and melody, shadow and sound filling all the room, I could not help remembering that the great composer who poured forth such a flood of sweetness into the world was deaf like myself. I marveled at the power of his quenchless spirit by which out of his pain he wrought such joy for others—and there I sat, feeling with my hand the magnificent symphony which broke like a sea upon the silent shores of his soul and mine."

-  Helen Keller (1880 - 1968)
A letter by Helen Keller to the New York Symphony Orchestra,
 printed in The Auricle, Vol. II, No. 6, March 1924

The Morning of Creation

"But now and then comes an hour when the silence is all but absolute, and listening to it one slips out of time. Such a silence is not a mere negation of sound. It is like a new element, and the world is suspended there, and I in it...

...

To walk out through the top of a cloud is good. Once or twice I have had the luck to stand on a tip of ground and see a pearled and lustrous plain stretch out to the horizons. Far off, another peak lifts like a small island from the smother. It is like the morning of creation. Once on Lochnagar, we had watched the dawn light strike the Cairngorms, like the blue bloom on plums. Each scarp and gully was translucent, no smallest detail blurred. A pure, clear sun poured into each recess. But looking south, we caught our breath. For the world had vanished. There was nothing but an immense stretch of hummocked snow. Or was it sea? It gleamed, and was the high hills as the sea washes rock.

...

Yet often the mountain gives itself most completely when I have no destination, when I reach nowhere in particular, but have gone out merely to be with the mountain as one visits a friend with no intention but to be with him.

...

I have walked out of the body and into the mountain."

- Nan Shepherd (1893 - 1981)
The Living Mountain

Madness is a Special Form of the Spirit

"Be silent and listen: have you recognized your madness and do you admit it? Have you noticed that all your foundations are completely mired in madness? Do you not want to recognize your madness and welcome it in a friendly manner? You wanted to accept everything. So accept madness too. Let the light of your madness shine, and it will suddenly dawn on you. Madness is not to be despised and not to be feared, but instead you should give it life...If you want to find paths, you should also not spurn madness, since it makes up such a great part of your nature...Be glad that you can recognize it, for you will thus avoid becoming its victim. Madness is a special form of the spirit and clings to all teachings and philosophies, but even more to daily life, since life itself is full of craziness and at bottom utterly illogical. Man strives toward reason only so that he can make rules for himself. Life itself has no rules. That is its mystery and its unknown law. What you call knowledge is an attempt to impose something comprehensible on life."

- C. G. Jung (1875-1961)
The Red Book: A Reader's Edition

Memory

"The timeless in you is aware of life's timelessness.
And knows that yesterday is but
today's memory and tomorrow
is today's dream."

- Kahlil Gibran (1883 - 1931)

The Prophet

Copse of Birch

"When I can go just where I want to go,
There is a copse of birch trees that I know;
And, as in Eden Adam walked with God,
When in that quiet aisle my feet have trod
I have found peace among the silver trees,
Known comfort in the cool kiss of the breeze
Heard music in its whisper, and have known
Most certainly that I was not alone!"

- Andrew M. Greeley (1928 - 2013)

Hidden Reality

"'It is a mystery to me,' he told me, 'why we have quantum mechanics when there is only one state of the universe.' In other words, why should there be probabilities of alternative conditions of our universes when we inhabit only one condition? And do those other potential conditions actually exist in other universes somewhere?

...

Some people believe that there is no distinction between the spiritual and physical universes, no distinction between the inner and the outer, between the subjective and the objective, between the miraculous and the rational. I need such distinctions to make sense of my spiritual and scientific lives. For me, there is room for both a spiritual universe and a physical universe, just as there is room for both religion and science. Each universe has its own power. Each has its own beauty, and mystery.

...

Since Foucault, more and more of what we know about the universe is undetected and undetectable by our bodies. What we see with our eyes, what we hear with our ears, what we feel with our fingertips, is only a tiny sliver of reality. Little by little, using artificial devices, we have uncovered a hidden reality. It is often a reality that violates common sense. It is often a reality strange to our bodies. It is a reality that forces us to re-examine our most basic concepts of how the world works. And it is a reality that discounts the present moment and our immediate experience of the world."

- Alan Lightman (1948 - )
The Accidental Universe

Withered Leaves

"If in our withered leaves you see

Hint of your own mortality:—

Think how, when they have turned to earth,

New loveliness from their rich worth

Shall spring to greet the light; then see

Death as the keeper of eternity,

And dying Life’s perpetual re-birth !"

- Poem attributed to the initials W.L. (Epigraph, Chapter 6)
Arthur E. Shipley, Life: A Book for Elementary Students