A Little Unreal

"Among all the occurrences possible in the universe the a priori probability of any particular one of them verges upon zero. Yet the universe exists; particular events must take place in it, the probability of which (before the event) was infinitesimal. At the present time we have no legitimate grounds for either asserting or denying that life got off to but a single start on earth, and that, as a consequence, before it appeared its chances of occurring were next to nil. ... Destiny is written concurrently with the event, not prior to it... The universe was not pregnant with life nor the biosphere with man. Our number came up in the Monte Carlo game. Is it surprising that, like the person who has just made a million at the casino, we should feel strange and a little unreal?"

- Jacques Monod (1910 - 1976)

Relationship to Existence

"If a man begins to take life as work, then his whole relationship to existence begins to change, because the meaning of life changes for him. He sees life in another light, not as an end but as a means, and this enables him….to take what happens in life so that he learns from life and all that happens in life and in this way life becomes his teacher."

- Maurice Nicholl (1884 - 1953)

Field of the Finite, Quality of the Infinite

“The field of the finite is all that we can see, hear, touch, remember and describe. This field is basically that which is manifest, or tangible. The essential quality of the infinite, by contrast, is its subtlety, its intangibility. This quality is conveyed in the word spirit, whose root meaning is “wind or breath.” This suggests an invisible but pervasive energy to which the manifest world of the finite responds. This energy, or spirit, infuses all living beings, and without it any organism must fall apart into its constituent elements. That which is truly alive in the living being is the energy of spirit, and this is never born and never dies.”

- David Bohm (1917 - 1992)

Beauty

"One may ask the question as to the extent to which the quest for beauty is an aim in the pursuit of science... It is, indeed, an incredible fact that what the human mind, at its deepest and most profound, perceives as beautiful finds its realization in external nature. What is intelligible is also beautiful…Beauty is that to what the human mind responds at its deepest and most profound."

- Subrahmanyan Chandrasekhar

(1910 - 1995)

Truth and Beauty: Aesthetics and Motivations in Science

Intimate Presence

"Beginning with these harmonies of the universe that could in some manner be expressed in mathematical equations, an intense scientific mediation on the structure and functioning of the universe was begun by western scientists some centuries ago. Among the insights attained by this meditation has been a sense of the curvature of the universe whereby all things are held together in their intimate presence to each other. This bonding is what makes the universe what it is, not a collection of disparate objects but an intimate presence of all things to each other, each thing sustained in its being by everything else...That the universe is a communion of subjects rather than a collection of objects is the central commitment of the Ecozoic. Existence itself is derived from and sustained by this intimacy of each being with every other being of the universe."

- Brian Swimme (1950 - ) and Thomas Berry (1914 - 2009)

The Universe Story

Earth's Eye

"A lake is a landscape's most

beautiful and expressive feature.

It is Earth's eye;

looking into which the

beholder measures the

depth of his own nature."

-  Henry David Thoreau (1817 - 1862)

Web of Time

"This web of time,

the strands of which approach one another,

bifurcate, intersect or ignore each other

through the centuries,

embraces every possibility. 

We do not exist in most of them.

In some you exist and not I,

while in others I do,

and you do not."

- Jorge Luis Borges (1899 - 1986)

Scotland, Skye, and Schueler

"I wasn't sure if it was a place or a mood or what it was, but there was something I was looking for .... As I approached the sea near Mallaig and the Sound of Sleat I could see these massive forms like the Isle of Eigg and the southern tip of Skye and Rhum, and I could see these things sort of glowering in this kind of wild light that took place that day and the Geiger counter just went berserk. I'll never forget the excitement."

- Jon Schueler (1916 - 1992)

The Sound of Sleat: A Painter's Life

Those were words written down by abstract artist Jon Schueler after arriving in the remote fishing village of Mallaig in western Scotland in 1957, overlooking the Sound of Sleat and toward the isle of Skye. Except for the time and specific place (in my case, in 2009 during my wife's and my first trip to Kyleakin, Skye, and, more recently, last month, as our whole family arrived in tow to Trumpan, Skye - the northern part of Skye's "second finger" - including our two teenage boys), I could use Schueler's words to describe my own reaction to the preternatural splendor of Skye's landscapes and skies. It is a wondrous place that somehow exists both inside and outside of time; where shapes, textures, and colors appear, and disappear, fleetingly and constantly, that one swears have never before appeared anywhere else on earth; where so much Wagnerian-scale drama unfolds in its undulating land, sea, and cloudscapes during even that ephemeral instant between involuntary blinks of an eye, that one's aesthetic senses are delighted and overwhelmed. Oh, but what a magnificent symphony!

Over the next few weeks, I will be posting images as I "develop" them, and that I somehow (inexplicably) managed to capture in between slack-jawed exclamations of "Ooh!" and "Ahhh" and the occasional, "Just extraordinary!"; as Skye sporadically allowed hints of its ineffable mystery and beauty to enter my camera's lens and viewfinder.

Again, I cannot improve upon Shueler's own words:

"When I speak of nature, I speak of the sky, because the sky has become all of nature to me. And when I think of the sky, I think of the Scottish sky over Mallaig. It isn't that I think of it that nationally, really, but that I studied the Mallaig sky so intently, and I found its convulsive movement and change and drama such a concentration of activity that it became all skies and even the idea of all nature to me. It's as if one could see from day to day the drama of all skies and of all nature in all times speeded up and compressed. I knew that the whole thing was there. Time was there and motion was there - lands forming, seas disappearing, worlds fragmenting, colors emerging or giving birth to burning shapes, mountain snows showing emerald green; or paused solid still when gales stopped suddenly and the skies were clear again after long days of howling sound and rain or snow beating horizontal from the sky."

Perhaps Skye's deepest mystery, is how - despite the incessant drama of all of its basic forms, and unending froth of light and shadow - there is a deep, deep, spiritually infused fantastical quiet that envelops the senses (when the moment is right and Skye has chosen to briefly reveal that side of herself).

Sense of Aesthetics

"Why is there so much beauty in nature?' We do not believe that beauty is only in the eye of the beholder. There are objective features underlying at least some experiences of beauty, such as the frequency ratios of the notes of a major chord, the symmetry of geometric forms, or the aesthetic appeal of juxtaposed complementary colors. None of these have survival value, but all are prevalent in nature in a measure hardly compatible with chance. We marvel at the songs of birds, the color scheme of flowers (do insects have a sense of aesthetics?), of birds' feathers, and at the incomparable beauty of a fallen maple leaf, its deep red coloring, its blue veins, and its golden edges. Are these qualities useful for survival when the leaf is about to decay?"

- Henry Margenau (1901 - 1997)

The Miracle of Existence

Interpenetrating Fragments and Divisions

"[There is an...] almost universal habit of taking the content of our thought for ‘a description of the world as it is’. Or we could say that, in this habit, our thought is regarded as in direct correspondence with objective reality. Since our thought is pervaded with differences and distinctions, it follows that such a habit leads us to look on these as real divisions, so that the world is then seen and experienced as actually broken up into fragments.

...the relationship of each moment in the whole to all the others is implied by its total content: the way in which it ‘holds’ all the others enfolded within it.

...both observer and observed are merging and interpenetrating aspects of one whole reality, which is indivisible and unanalysable."

- David Bohm (1917 - 1992)

Wholeness and the Implicate Order

Interpenetrating Worlds

"Instead of negating the conflicting aspects of a paradox, you advance your understanding when you can hold both sides of a dichotomy in your mind at the same time, reconciling rather than negating. One could embrace paradox as an operating, operative principle, rather than seeking to deny or dissolve or dilute it. Rather than seeking to resolve dualisms and institute some grand ‘theory of everything’, the science of the imagination would embrace and explore paradox, going deeper into conundrums, relinquishing delusory attempts to achieve certainty. We may find that thought and language are creative aspects of being, tools for transforming reality. If the universe is actually a projection of subtler levels of the psyche- a loom of maya- then we may discover that the vibratory lattices of interpenetrating worlds elaborated by current physics are descriptions of the psyche itself, in its fully ensouled unfolding."

- Daniel Pinchbeck (1966 - )

Breaking Open the Head:

A Psychedelic Journey into the Heart of Contemporary Shamanism

Time as an Illusory River

"When you touch one thing
with deep awareness,
you touch everything."
— Thich Nhat Hanh
Buddhist Monk / Author
(1926 - )

"Time is the substance
from which I am made.
Time is a river
which carries me along,
but I am the river;
it is a tiger that
devours me,
but I am the tiger;
it is a fire
that consumes me,
but I am the fire. "
- Jorge Luis Borges
Author / Essayist
(1899 - 1986)

Patterns and Transformations

"All fixed set patterns

are incapable of adaptability or pliability. The truth is outside of all fixed patterns." 

- Bruce Lee (1940 - 1973) 

 "Our bodily food is changed into us, but our spiritual food changes us into itself." 

- Meister Eckhart (1260 - 1327)