Innocence of Vision

"The only provable reality of a photograph is its physical existence — a flat piece of paper with some smudges on one side...Most adults have to regain the ability to experience pictures directly and deeply. Contrary to their convictions that they understand everything, most people have to reestablish the ability to let a photograph speak for itself. And paradoxes abound, one has to earn the innocence of vision — by hard effort, by serious and deliberate search for meanings in photographs."

- Minor White (1908 - 1976)

Aperture Magazine Anthology:The Minor White Years, 1952-1976

Deciphering the External World

“Art is not what we see;

it is in the spaces between."

"The creative act is not

performed by the artist alone;

the spectator brings

the work in contact with

the external world by

deciphering and interpreting 

its inner qualifications and thus adds 

his contribution to the creative act."

"The spectator makes the picture.” 

- Marcel Duchamp (1887 - 1968)

The Mind is Simply Aware

“There is no ideal in observation.

When you have an ideal, 

you cease to observe, 

you are then merely

approximating the 

present to the idea, 

and therefore there

is duality, conflict, 

and all the rest of it. 

The mind has to be in the 

state when it can see, observe. 

The experience of the observation 

is really an astonishing state. 

In that there is no duality. 

The mind is simply - aware.”

- Jiddu Krishnamurti (1895 - 1986)

Not Things, but Light

“I almost never set out to photograph a landscape, 

nor do I think of my camera as a means of 

recording a mountain or an animal

unless I absolutely need a 'record shot'.

My first thought is always of light.”

- Galen Rowell (1940 - 2002)

Through the Invisible

“The great truth, or the absolute truth,

makes itself visible to our mind

through the invisible.”

- Georges Vantongerloo (1886 - 1965)

Painter/Sculptor

Spiritual Awareness

“To the vast majority of people 

a photograph is an

image of something within 

their direct experience:

a more-or-less factual reality.

It is difficult for them 

to realize that the

photograph can be the source 

of experience, as well as the

reflection of spiritual awareness 

of the world and of self.”  

- Ansel Adams

(1902 - 1984)

Invisible Organization of Energy

“Science shows us that the

visible world is neither 

matter nor spirit;

the visible world is the invisible 

organization of energy.”

- Heinz Pagels

(1939 - 1988)

Forms, Space, and Distinctions

“A universe comes into being when

a space is severed or taken apart… 

by tracing the way we 

[make such distinctions] 

we begin to reconstruct …  

the basic forms underlying linguistic,

mathematical, physical, 

and biological science.”

- G. Spencer Brown (1923 - )

Laws of Form

Between Something and Nothing

“Now, I am going to tell you something.

I don’t know what heading it comes under, 

and whether or not it is relevant here,

but it must be relevant at some point. 

It is not anything new, but I would like to say it. 

There is a beginning. There is no beginning of that beginning. 

There is no beginning of that no beginning of beginning.

 There is something. There is nothing. 

There is something before the beginning of something and nothing, 

and something before that. Suddenly there is something and nothing. 

But between something and nothing, 

I still don’t really know which is something and which is nothing.  

Now, I’ve just said something, 

but I don’t really know whether I’ve said anything or not.” 

- Chuang-Tzu (4th century BC)

Chuang Tzu: Inner Chapters

Expressions of Deep Order

"If biologists have ignored self-organization, it is not because self-ordering is not pervasive and profound. It is because we biologists have yet to understand how to think about systems governed simultaneously by two sources of order, Yet who seeing the snowflake, who seeing simple lipid molecules cast adrift in water forming themselves into cell-like hollow lipid vesicles, who seeing the potential for the crystallization of life in swarms of reacting molecules, who seeing the stunning order for free in networks linking tens upon tens of thousands of variables, can fail to entertain a central thought: if ever we are to attain a final theory in biology, we will surely, surely have to understand the commingling of self-organization and selection. We will have to see that we are the natural expressions of a deeper order. Ultimately, we will discover in our creation myth that we are expected after all."

- Stuart Kauffman

(1939 - )

Limited in Time and Space

“A human being is part of the 

whole called by us a universe,

a part limited in time and space. 

He experiences himself, 

his thoughts and his feelings,

as something separate from the rest,

a kind of optical delusion 

of his consciousness.

This delusion is a kind of prison for us;

it restricts us to our personal decisions and our

affections to a few persons nearest to us. 

Our task must be to free 

ourselves from this prison by

widening our circle of 

compassion to embrace

all living creatures and the 

whole of nature of its beauty.” 

- Albert Einstein

(1879 - 1955)

Perception, Structure, Order

"When we observe something, then we reach for it; we move through space, touch things, feel their surfaces and contours. And our perception structures and orders the information given by things into determinable forms. We understand because this structuring and ordering is a part of our relationship with reality. Without order we couldn’t understand at all. Thus in my opinion the world is not raw material; it is already ordered merely by being observed.

Order is a necessary condition for anything the human mind is to understand. Arrangements such as the layout of a city or building, a set of tools, a display of merchandise, the verbal exposition of facts or ideas, or a painting or piece of music are called orderly when an observer or listener can grasp their overall structure and the ramification of the structure in some detail. Order makes it possible to focus on what is alike and what is different, what belongs together and what is segregated. When nothing superfluous is included and nothing indispensable left out, one can understand the interrelation of the whole and its parts, as well as the hierarchic scale of importance and power by which some structural features are dominant, others subordinate."

- Rudolf Arnheim

(1904 - 2007)

What is an Object?

“...Consider an object ...  what is an object? 

Philosophers are always saying, 

'Well, just take a chair for example.' 

The moment they say that, you know they 

do not know what they are talking about any more. 

What is a chair? 

Well, a chair is a certain thing over there ... 

Certain? How certain?

 The atoms are evaporating from it 

from time to time - not many atoms,

 but a few - dirt falls on it and 

gets dissolved in the paint; 

so to define a chair precisely, 

to say exactly which atoms are chair,

 and which atoms are air, or which atoms are dirt, 

or which atoms are paint that

 belongs to the chair is impossible. 

So the mass of a chair can be defined only approximately.

 In the same way, to define the mass of a single object is impossible,

 because there are not any single, left-alone objects in the world.”

- Richard Feynman

(1918 - 1988)

Arbitrary Slices

“They will say: ‘Well, it’s a hexagon,’ but it isn’t a hexagon, and a rectangle which isn’t a rectangle. By describing what it nearly is but isn’t quite, they get a sort of description out. The division into parts is of course purely arbitrary. They could have sliced it anyway they wanted.”

- Gregory Bateson (1904 - 1980)

An Ecology of Mind

That It Is

"The mystical is not

how the world is,

but that it is."

- Ludwig Wittgenstein

(1889 - 1951)

To Dream the World

"We (the indivisible divinity that works in us) have dreamed the world. We have dreamed it resistant, mysterious, visible, ubiquitous in space and firm in time, but we have allowed slight, and eternal, bits of the irrational to form part of its architecture so as to know that it is false."

- Jorge Luis Borges

(1899 - 1986)

Chasing Ideas

“The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas.

It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray. 

At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing. But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward.”

- Terence McKenna

(1946 - 2000)

A Sea Boundless and Measureless

“The hidden well-spring of your soul

must needs rise and run murmuring to the sea;

And the treasure of your infinite depths

would be revealed to your eyes.

But let there be no scales to

weigh your unknown treasure;

And seek not the depths of your

knowledge with staff or sounding line.

For self is a sea boundless and measureless.

Say not, 'I have found the truth,'

but rather, 'I have found a truth.'

Say not, 'I have found the path of the soul.'

Say rather, 'I have met the soul

walking upon my path.'

For the soul walks upon all paths.

The soul walks not upon a line,

neither does it grow like a reed.

The soul unfolds itself,

like a lotus of countless petals.” 

- Kahlil Gibran (1883 - 1931)

The Prophet

Stasis, Rhythm, and Aesthetics

"Beauty expressed by the artist cannot awaken in us an emotion which is kinetic or a sensation which is purely physical. It awakens, or ought to awaken, or induces, or ought to induce, an esthetic stasis, an ideal pity or an ideal terror, a stasis called forth, prolonged, and at last dissolved by what I call the rhythm of beauty." 

"What is that exactly?", asked Lynch.

"Rhythm," said Stephen, "is the first formal esthetic relation of part to part in any esthetic whole or of an aesthetic whole to its part or parts or of any part to the aesthetic whole of which it is a part."

- James Joyce, (1882 - 1941)

Portrait of the Artist as a Young Man