the tip of an iceberg of
irrationality that we've managed
to drag ourselves up onto for
a few panting moments before
we slip back into the sea
of the unreal."
- Terence McKenna (1946 - 2000)
- Terence McKenna (1946 - 2000)
- Hermann Hesse (1877 - 1962)
- Mihaly Csikszentmihalyi (1934 - 2021)
Flow: The Psychology of Optimal Experience
(See "Unlocking Creative Flow: How the Brain Enters the Zone")
- John Archibald Wheeler (1911 - 2008)
- Bill Bryson (1951 - )
A Walk in the Woods
- Dag Hammarskjöld (1905 - 1961)
Perhaps one of the reasons for this silence is that you have to know how to read music. For instance, the scientific article may say, “The radioactive phosphorus content of the cerebrum of the rat decreases to one-half in a period of two weeks.” Now what does that mean?
It means that phosphorus that is in the brain of a rat—and also in mine, and yours—is not the same phosphorus as it was two weeks ago. It means the atoms that are in the brain are being replaced: the ones that were there before have gone away.
So what is this mind of ours: what are these atoms with consciousness? Last week’s potatoes! They now can remember what was going on in my mind a year ago—a mind which has long ago been replaced. To note that the thing I call my individuality is only a pattern or dance, that is what it means when one discovers how long it takes for the atoms of the brain to be replaced by other atoms. The atoms come into my brain, dance a dance, and then go out—there are always new atoms, but always doing the same dance, remembering what the dance was yesterday."
- Richard Feynman (1918 - 1988)
- William Blake (1757 - 1827)
Above all, geology makes explicit challenges to our understanding of time. It giddies the sense of here-and-now. The imaginative experience of what the writer John McPhee memorably called 'deep time' - the sense of time whose units are not days, hours, minutes or seconds but millions of years or tens of millions of years - crushes the human instant; flattens it to a wafer. Contemplating the immensities of deep time, you face, in a way that is both exquisite and horrifying, the total collapse of your present, compacted to nothingness by the pressures of pasts and futures too extensive to envisage. And it is a physical as well as a cerebral horror, for to acknowledge that the hard rock of a mountain is vulnerable to the attrition of time is of necessity to reflect on the appalling transience of the human body."
- Vitaly Vanchurin
The World as a Neural Network
"Because of the hazy, nondefinite character of quantum physics (called the Heisenberg uncertainty principle), at the dimensions of the Planck length, space and time churn and seethe, with the distance between any two points wildly fluctuating from moment to moment, and time randomly speeding and slowing, perhaps even going backward and forward. In such a situation, time and space no longer exist in a way that has meaning to us."
- Bernardo Kastrup (1974 - )
UAPs and Non-Human Intelligence
- Brian Thomas Swimme (1950 - )
Cosmogenesis: An Unveiling of the Expanding Universe
- Jeremy Narby (1959 - )
The Cosmic Serpent, DNA and the Origins of Knowledge
As a small thank you to all the kind visitors of my blog - think of it as a holiday gift - please feel free to download an extended version of my "Icelandic Abstracts" portfolio that was just published in the Dec issue of Lenswork magazine (and whom I thank for allowing me to offer it as a freebie here); clicking on the triptych above will take you to a 22MB Adobe pdf file. While it is always a thrill to be published in Lenswork (that belongs at the top of any list of the best "pure photography" magazines in the world; camera gear is only occasionally mentioned, and when it is, only to support the "story" behind the visual narrative; there are also no ads -ever- except those for Lenswork itself), it is a double pleasure for me this go around since my "Icelandic Abstracts" appears in the same issue as a portfolio by Sean Kernan.
Although I do not know Kernan, I have long admired his talents as a photographer. And, devotees of my blog all know of my fascination with Jorge Luis Borges. The fact that Kernan's and my portfolio appear side-by-side in this month's Lenswork is therefore (from my perspective, at least) a quintessentially Borgesian twist of fate: Kernan's book of photographs accompanying Borges' tales - The Secret Books (published in 1999 and long out of print, it is unfortunately prohibitively expensive if/when found) - is among my most cherished literary/photography possessions! I'd like to think that (again, purely from my perspective, certainly not Kernan's) some otherworldly incorporeal incarnation of Borges just gave me a Borgesian wink 😉
- Murray Gell-Mann (1929 - 2019)