Silence

"The basic condition for us

to be able to hear the call of beauty

and respond to it is silence.

If we don’t have

silence in ourselves,

if our mind, our body,

are full of noise, 

then we can’t hear

beauty’s call."

- Thich Nhat Hanh (1926 - )

The Illusion of Time

"We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infintesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality. We confuse the world as talked about, described, and measured with the world which actually is. We are sick with a fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas."

- Alan Watts (1915 - 1973)

Well-Watered Shore

"Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”

The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.

A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. 

Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. 

Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life."

- Annie Dillard (1945 - )

Pilgrim at Tinker Creek

Beauty

"One may ask the question as to the extent to which the quest for beauty is an aim in the pursuit of science... It is, indeed, an incredible fact that what the human mind, at its deepest and most profound, perceives as beautiful finds its realization in external nature. What is intelligible is also beautiful…Beauty is that to what the human mind responds at its deepest and most profound."

- Subrahmanyan Chandrasekhar

(1910 - 1995)

Truth and Beauty: Aesthetics and Motivations in Science

Grey Commotion of Mind

"I do nothing, with as little shame as satisfaction. It is the state that suits me best. I write the odd poem when it is there, that is the only thing worth doing. There is an ecstasy of accidia — will-less in a grey tumult of idées obscures. There is an end to the temptation of light, its polite scorchings & consolations. It is good for children & insects. There is an end of making up one's mind, like a pound of tea, an end of patting the butter of consciousness into opinions. The real consciousness is the chaos, a grey commotion of mind, with no premises or conclusions or problems or solutions or cases or judgments."

-  Samuel Beckett (1906 - 1989)

The Letters of Samuel Beckett: Volume 1, 1929-1940

Form

"No permanence is ours;

we are a wave

That flows to fit

whatever form it finds:

Through night or day,

cathedral or the cave

We pass forever,

craving form that binds."

-  Hermann Hesse (1877 - 1962)

Shadows

"Henceforth space by itself,

and time by itself,

are doomed to fade away

into mere shadows,

and only a kind of union

of the two will preserve

an independent reality."

- Hermann Minkowski (1864 - 1909)

Sense of Unity

"I think nothing can be compared to the Hills for the elevation of spirit, and peace of mind...All aspects of nature lead to elevation and knowledge when you once have an idea. The commonplace growth of weeds beneath a pile of refuse appear to shine with the divine light when you know the meaning of the world and sense of unity of all things. In a great city the buildings, the machinery, the works of art, everything produced by man, are naught but the material expression of ideas. We look on lines and forms and masses of what we call matter, and we know these things existed in the mind of man in the form of ideas before they were expressed in the physical world in the form of matter. I look on the lines and forms of the mountains and all other aspects of nature as if they were but the vast expression of ideas within the Cosmic Mind, if such it can be called. Without that outlook, I am assured there is nothing in the Universe that is not the expression of mind or of life. The sense of unity is enormously increased."

- Ansel Adams (1902 - 1984)

Letter to Virginia Best, Sep 22, 1925
Ansel Adams: Letters, 1916 - 1984

Intimate Presence

"Beginning with these harmonies of the universe that could in some manner be expressed in mathematical equations, an intense scientific mediation on the structure and functioning of the universe was begun by western scientists some centuries ago. Among the insights attained by this meditation has been a sense of the curvature of the universe whereby all things are held together in their intimate presence to each other. This bonding is what makes the universe what it is, not a collection of disparate objects but an intimate presence of all things to each other, each thing sustained in its being by everything else...That the universe is a communion of subjects rather than a collection of objects is the central commitment of the Ecozoic. Existence itself is derived from and sustained by this intimacy of each being with every other being of the universe."

- Brian Swimme (1950 - ) and Thomas Berry (1914 - 2009)

The Universe Story

Reinvigoration

"If we analyze the operations of scenes of beauty upon the mind, and consider the intimate relation of the mind upon the nervous system and the whole physical economy, the action and reaction which constantly occur between bodily and mental conditions, the reinvigoration which results from such scenes is readily comprehended. . . . The enjoyment of scenery employs the mind without fatigue and yet exercises it; tranquilizes it and yet enlivens it; and thus, through the influence of the mind over the body gives the effect of refreshing rest and reinvigoration to the whole system."

- Frederick Law Olmsted (1822 - 1903)

Earth's Eye

"A lake is a landscape's most

beautiful and expressive feature.

It is Earth's eye;

looking into which the

beholder measures the

depth of his own nature."

-  Henry David Thoreau (1817 - 1862)

Embedded Patterns

"No pattern is an isolated entity.

Each pattern can exist in the world

only to the extent that is

supported by other patterns:

the larger patterns in

which it is embedded,

the patterns of the same

size that surround it,

and the smaller patterns

which are embedded in it. "

- Christopher Alexander (1936 - )

'Silent' = 'Listen'

"The word 'listen'

contains the same letters

as the word 'silent'."

- Alfred Brendel (1931 - )

Hush of Silence

"Listen closely... 

the eternal hush of silence

goes on and on throughout all this,

and has been going on,

and will go on and on.

This is because the world

is nothing but a dream

and is just thought of

 and the everlasting eternity

pays no attention to it."

- Jack Kerouac (1922 - 1969)

Hardly Noticeable

"If you will stay close to nature,

to its simplicity,

to the small things hardly noticeable,

those things can unexpectedly

become great and immeasurable."

- Rainer Maria Rilke (1875 - 1926)
Letters to a Young Poet

Crepuscular Cryptographs

"One of the schools of Tlön goes so far as to negate time; it reasons that the present is indefinite, that the future has no reality other than as a present hope, that the past has no reality other than as a present memory. Another school declares that all time has already transpired and that our life is only the crepuscular and no doubt falsified an mutilated memory or reflection of an irrecoverable process. Another, that the history of the universe — and in it our lives and the most tenuous detail of our lives — is the scripture produced by a subordinate god in order to communicate with a demon. Another, that the universe is comparable to those cryptographs in which not all the symbols are valid and that only what happens every three hundred nights is true. Another, that while we sleep here, we are awake elsewhere and that in this way every man is two men."

- Jorge Luis Borges (1899 - 1986)

Perception of the Infinite

"Thus the perception of the infinite is somehow prior in me to the perception of the finite, that is, my perception of God is prior to my perception of myself. For how would I understand that I doubt and that I desire, that is, that I lack something and that I am not wholly perfect, unless there were some idea in me of a more perfect being, by comparison with which I might recognize my defects?"

- René Descartes (1596 - 1650)

The Usayable

"...trust yourself and your instincts; even if you go wrong in your judgement, the natural growth of your inner life will gradually, over time, lead you to other insights. Allow your verdicts their own quiet untroubled development which like all progress must come from deep within and cannot be forced or accelerated. Everything must be carried to term before it is born. To let every impression and the germ of every feeling come to completion inside, in the dark, in the unsayable, the unconscious, in what is unattainable to one’s own intellect, and to wait with deep humility and patience for the hour when a new clarity is delivered: that alone is to live as an artist, in the understanding and in one’s creative work."

-  Rainer Maria Rilke (1875 - 1926)
Letters to a Young Poet

Our Quixotic Purpose

"We all behave like Maxwell’s demon. Organisms organize. In everyday experience lies the reason sober physicists across two centuries kept this cartoon fantasy alive. We sort the mail, build sand castles, solve jigsaw puzzles, separate wheat from chaff, rearrange chess pieces, collect stamps, alphabetize books, create symmetry, compose sonnets and sonatas, and put our rooms in order, and all this we do requires no great energy, as long as we can apply intelligence. We propagate structure (not just we humans but we who are alive). We disturb the tendency toward equilibrium. It would be absurd to attempt a thermodynamic accounting for such processes, but it is not absurd to say we are reducing entropy, piece by piece. Bit by bit. The original demon, discerning one molecules at a time, distinguishing fast from slow, and operating his little gateway, is sometimes described as “superintelligent,” but compared to a real organism it is an idiot savant. Not only do living things lessen the disorder in their environments; they are in themselves, their skeletons and their flesh, vesicles and membranes, shells and carapaces, leaves and blossoms, circulatory systems and metabolic pathways - miracles of pattern and structure. It sometimes seems as if curbing entropy is our quixotic purpose in the universe."

-  James Gleick (1954 - )
The Information: A History, a Theory, a Flood

The Flow of the Process

"A ruler must learn to persuade and not to compel... he must lay the best coffee hearth to attract the finest men... a good ruler has to learn his world's language... it's different for every world... the language of the rocks and growing things... the language you don't hear just with your ears... the Mystery of Life... not a problem to solve, but a reality to experience... 

Understanding must move with the flow of the process." 

- Frank Herbert, Dune (1920 - 1986)

Become a River

"Become a river and then nothing is needed.

That’s what The Secret of the Golden Flower says:

Achieve inaction through action,

achieve effortlessness through effort.

But first comes the effort, 

the action—it will melt you—and then

the river starts flowing.

In that very flow it has

reached the ocean."

- Osho (1931 - 1990)

Outside World

"As far as I know,

there is no proof whatever

of the existence of an

objective reality apart 

from our senses,

and I do not see why

we should accept the

 outside world as such

solely by virtue

of our senses."

- M. C. Escher (1898 - 1972)

Process

"There is no gap

between us and

the process."

- John Daido Loori (1931 - 2009)

Perpetual Stream of Energy

"Living forms are not in being,

they are happening,

they are the expression of

a perpetual stream of

matter and energy which

passes through the organism

and at the same time

constitutes it."

- Ludwig Von Bertalanffy (1901 - 1972)

Magical Illusion

"You have seen that the universe is at root a magical illusion and a fabulous game, and that there is no separate "you" to get something out of it, as if life were a bank to be robbed. The only real "you" is the one that comes and goes, manifests and withdraws itself eternally in and as every conscious being. For "you" is the universe looking at itself from billions of points of view, points that come and go so that the vision is forever new."

- Alan Watts (1915 - 1973)

Mysterious Universe

"I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of uncertainty about different things, but I am not absolutely sure of anything and there are many things I don't know anything about, such as whether it means anything to ask why we're here. I don't have to know an answer. I don't feel frightened not knowing things, by being lost in a mysterious universe without any purpose, which is the way it really is as far as I can tell."

- Richard Feynman (1918 - 1988)

Merely Vibration

"Music, this complex and mysterious act, precise as algebra and vague as a dream, this art made out of mathematics and air, is simply the result of the strange properties of a little membrane. If that membrane did not exist, sound would not exist either, since in itself it is merely vibration. Would we be able to detect music without the ear? Of course not. Well, we are surrounded by things whose existence we never suspect, because we lack the organs that would reveal them to us."

- Guy de Maupassant (1850 - 1893)

Leaps of Imagination

"The brain does not own any direct copies of stuff in the world. There is no library of forms and ideas against which to compare the images of perception. Information is stored in a plastic way, allowing fantastic juxtapositions and leaps of imagination. Some chaos exists out there, and the brain seems to have more flexibility than classical physics in finding the order in it. 

In a way, art is a theory about the way the world looks to human beings. It’s abundantly obvious that one doesn’t know the world around us in detail."

- James Gleick (1954 - )

Conceptual Boundaries

"It is extremely interesting, then, to think about the meaning of the word ‘form’ as it applies to constructions of arbitrarily complex shapes. For instance, what is it that we respond to when we look at a painting and feel its beauty? Is if the ‘form’ of the lines and dots on our retina? Evidently it must be, for that is how it gets passed along to the analyzing mechanisms in our heads–but the complexity of the processing makes us feel that we are not merely looking at a two-dimensional surface; we are responding to some sort of inner meaning inside the picture, a multidimensional aspect trapped somehow inside those two dimensions. It is the word ‘meaning’ which is important here. Our minds contain interpreters which accept two-dimensional patterns and then ‘pull’ from them high-dimensional notions which are so complex that we cannot consciously describe them. The same can be said about how we respond to music, incidentally.

We human beings are macroscopic structures in a universe whose laws reside at a microscopic level. As survival-seeking beings, we are driven to seek efficient explanations that make reference only to entities at our own level. We therefore draw conceptual boundaries around entities that we easily perceive, and in so doing we carve out what seems to us to be reality."

- Douglas R. Hofstadter (1945 - )

Beyond our Ken

"One night after dinner a group of us were talking about the supernatural, and one of our dinner guests said that when the electric light was invented, people began to lose the dimension of the supernatural. In the days before we could touch a switch and flood every section of the room with light, there were always shadows in the corner, shadows which moved with candlelight, with firelight; and these shadows were an outward and visible sign that things are not always what they seem; there are things which are not visible to the mortal human being; there are things beyond our ken."

-  Madeleine L'Engle (1918 - 2007)

Web of Time

"This web of time,

the strands of which approach one another,

bifurcate, intersect or ignore each other

through the centuries,

embraces every possibility. 

We do not exist in most of them.

In some you exist and not I,

while in others I do,

and you do not."

- Jorge Luis Borges (1899 - 1986)

Spark of Radiance

"The spiritual task we

are given is a simple one:

to attend to that inner spark of radiance,

to hold vigil over it until

we realize it to be our self,

and to dig up and cast off

all argument we have with its love."

- Adyashanti (1962 - )

A Mysterious Cocoon

"The isolation spins its mysterious cocoon, focusing the mind on one place, one time, one rhythm - the turning of the light. The island knows no other human voices, no other footprints. On the offshore lights you can live any story you want to tell yourself, and no one will say you're wrong: not the seagulls, not the prisms, not the wind."

- M. L. Stedman
The Light Between Oceans

The Content of Cognition

"In a sense it has been my way to transcendental experience: to the discovery that matter metaphorically speaking, is the creation of the spirit (the mode of existence of the observer in a domain of discourse), and that the spirit is the creation of the matter it creates. This is not a paradox, but it is the expression of our existence in a domain of cognition in which the content of cognition is cognition itself. Beyond that nothing can be said."

- Humberto R. Maturana (1928 - )

When the Mind is Quiet

"I hope that you will listen, but not with the memory of what you already know; and this is very difficult to do. You listen to something, and your mind immediately reacts with its knowledge, its conclusions, its opinions, its past memories. It listens, inquiring for a future understanding.

Just observe yourself, how you are listening, and you will see that this is what is taking place. Either you are listening with a conclusion, with knowledge, with certain memories, experiences, or you want an answer, and you are impatient. You want to know what it is all about, what life is all about, the extraordinary complexity of life. You are not actually listening at all.

You can only listen when the mind is quiet, when the mind doesn't react immediately, when there is an interval between your reaction and what is being said. Then, in that interval there is a quietness, there is a silence in which alone there is a comprehension which is not intellectual understanding.

If there is a gap between what is said and your own reaction to what is said, in that interval, whether you prolong it indefinitely, for a long period or for a few seconds - in that interval, if you observe, there comes clarity. It is the interval that is the new brain. The immediate reaction is the old brain, and the old brain functions in its own traditional, accepted, reactionary, animalistic sense.

When there is an abeyance of that, when the reaction is suspended, when there is an interval, then you will find that the new brain acts, and it is only the new brain that can understand, not the old brain".

-  Jiddu Krishnamurti (1895 - 1986)

The 'I' is Not Apparent

"Just as a man shudders with horror

when he thinks he has trodden on a serpent,

but laughs when he stoops and sees

that it is only a rope,

so I discovered one day that

what I was calling 'I' is not apparent,

and all fear and anxiety

vanished with my mistake"

- Gautama Buddha

Without Beginning

"It is without beginning,

unborn, and indestructible.

It is not green nor yellow,

and has neither form nor appearance.

It does not belong to the categories

of things that exist or do not exist,

nor can it be thought of in terms

of new or old. It is neither long nor short,

neither big nor small, for it transcends all limits,

measures, names, traces, and comparisons."

- Huang Po (? - 850)

Color in Motion

"A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art. And from this results that modern desire for rhythm in painting, for mathematical, abstract construction, for repeated notes of color, for setting color in motion."

- Wassily Kandinsky (1866 - 1944)

Concerning the Spiritual in Art

The Winds and Seas

"The winds and seas, the powers of water and earth an light, all that these do, and all that the beasts and green things do, is well done, and rightly done. All these act within the Equilibrium. From the hurricane and the great whale's sounding to the fall of a dry leaf and the gnat's flight, all they do is done within the balance of the whole. But we, insofar as we have power over the world and over one another, we must learn to do what the leaf and the whale and the wind do of their own nature. We must learn to keep the balance. Having intelligence, we must not act in ignorance. Having choice, we must not act without responsibility."

- Ursula K. Le Guin (1929 - 2018)

Illusions

"I suppose therefore that all things I see are illusions; I believe that nothing has ever existed of everything my lying memory tells me. I think I have no senses. I believe that body, shape, extension, motion, location are functions. What is there then that can be taken as true? Perhaps only this one thing, that nothing at all is certain."

- René Descartes (1596 - 1650)

Cosmic Order

"What now is the answer to the question as to the bridge between the perception of the senses and the concepts, which is now reduced to the question as to the bridge between the outer perceptions and those inner image-like representations. It seems to me one has to postulate a cosmic order of nature -- outside of our arbitrariness -- to which the outer material objects are subjected as are the inner images...The organizing and regulating has to be posited beyond the differentiation of physical and psychical... I am all for it to call this 'organizing and regulating' 'archetypes.' It would then be inadmissible to define these as psychic contents. Rather, the above-mentioned inner pictures (dominants of the collective unconscious, see Jung) are the psychic manifestations of the archetypes, but which would have to produce and condition all nature laws belonging to the world of matter. The nature laws of matter would then be the physical manifestation of the archetypes."

- Wolfgang Pauli (1900 - 1958)

Process

“It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually - if this is the way things started, if there was a big bang in the beginning - you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as - Mr so-and- so, Ms so-and-so, Mrs so-and-so - I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.” 

― Alan Watts (1915 - 1973)

Nobody Knows How It Can Be Like That

"I am going to tell you what nature behaves like.

If you will simply admit that maybe

she does behave like this,

you will find her a delightful, entrancing thing.

Do not keep saying to yourself,

if you can possibly avoid it,

‘but how can it be like that?’

because you will get ‘down the drain,’

into a blind alley from which

nobody has yet escaped.

Nobody knows how it can be like that."

- Richard Feynman (1918 - 1988)

Updated Gallery Website - Andy Ilachinski Photography

Andy Ilachinski Photography

After a summer/fall filled with a major personal loss (my mom, who passed away at 86 in Sep), a kitchen renovation (that necessitated a several month long stay at a hotel to get away from dust and noise), intense weekend-long musing/writing sessions to stow away a cache of material to prepare for the on-line photography workshop I led in Oct/Nov (which I enjoyed thoroughly; see previous blog entry), and new "day job" duties (that include weekly podcasts on artificial intelligence), I have much catching up to do on this blog. For my followers, thank you for your patience while my attention was diverted elsewhere. Regular blog entries will resume shortly. A major part of my catching-up also involves - finally! - revamping my long neglected web gallery, the first incarnation of which I published some 20 years ago, but to which I have, embarrassingly, added nothing for the last 10. And so, as a step towards getting back to at least a semblance of normalcy, and without further adieu, I hereby christen a significantly updated (and more Zen-like "simple") design and address (see link under screenshot above).

Upcoming Online Photography Workshop - An Update

"Be still with yourself until the object

of your attention affirms your presence."

- Minor White (1908 - 1976)

This is an update on (along with a few more details about) my upcoming Shanti Arts sponsored "Cultivating the Art of Simplicity in Photography" online workshop (scheduled for Sep 11 - Oct 23). I just learned that the 8th and last available slot has been taken. For for those of you who have signed up - thank you! - and I look forward to meeting you all (virtually), and engaging in what I hope will be a fun and stimulating couple weeks' worth of discussions and picture making :-)  For those of you who wanted to participate, but were unable to sign up on time, I am sure there will be future possibilities. In the meantime, my email inbox and comment box are always open; and if there is one thing I'm always ready and eager to engage in a dialectic about, it is art, photography, and the creative process in general (well, that, and a bit of physics thrown in once in a while ;-)

There will be six sessions in all (one per week), where by "session" I mean a main topic-of-discussion that will be further elaborated upon, mused-about, and generally used as a basis for follow-up interactive engagement with other workshop participants on the ("secret") Facebook I've set up. Here's how the sessions have broken out:

Session 1 (Sep 11 - 17): Introduction and Preliminary Musings. An overview of what “cultivating simplicity in photography” really means, a discussion of various aspects of photography on which “simplicity” depends, and a few easy exercises to get us started. Introduces key themes of this workshop, before taking a deeper dive in later sessions.

Session 2 (Sep 18 - 24): The “Eye” – Seeking Simplicity in the Environment. This session will explore the idea that cultivating simplicity is synonymous with achieving an expanded awareness of place and time. We will explore how our state of mind determines what is visible to us and profoundly influences what we most strongly resonate with in our surroundings, and provide examples and exercises to heighten our powers of observation and perception. 

Session 3 (Sep 25 - Oct 1): The “I” – Seeking Simplicity Within Oneself. Session 3 expands on a theme introduced during the last session, namely that all of our outwardly directed efforts to find simplicity and beauty “out there” in the world will come to naught if we cannot find the calm center in our own deepest selves, and from which all creative works naturally spring forth. 

Session 4 (Oct 2 - 8): The Medium, Part I – Toward a Visual Grammar. Sessions 4 and 5 focus on the practical side of image making by introducing some of the key tools that a photographer can use to direct and sculpt a viewer’s interpretation of an image; i.e., the essential elements of a visual grammar. We will discuss the basic elements of composition (e.g., the frame, light, contrast, tone, form, texture, etc.) and how they can be combined for a specific purpose, inclusing “seeing” the world in color vs. black-and-white.

Session 5 (Oct 9 - 15): The Medium, Part II – Abstraction as simplification. Session 5 will expand will expand on the practical lessons introduced in Session 4, and focus on the art of abstraction as, somewhat paradoxically, a concrete method of "simplifying" photographs. 

Session 6 (Oct 16 - 22): Photography as a Path Toward Self-discovery. The workshop concludes by exploring how (in the purest spiritual sense) the “cultivation of simplicity” while doing our photography - indeed, how art and the creative process, in general - may all be be viewed as paths toward self-discovery. 

While the workshop is ostensibly a photography workshop (after all, photography is the core theme, and both the stand-alone essays and embedded exercises all stress image "seeing" and image "creating"), my hope is that the interactive part includes an equal part philosophical dialectic about the meaning of photography. If there is anything my 45+ years of "seeing" the world with a camera has taught me it is that the most meaningful images appear only when the "I" behind the "eye" ceases making distinctions between what is felt and what is seen; when inner and outer landscapes become one. It is a theme I eagerly look forward to exploring - through images and discussion - with workshop participants. Hope to see you online soon :-)