Uncalculating Mind

"Whatever evaluation we finally make of a stretch of land, however, no matter how profound or accurate, we will find it inadequate. The land retains an identity of its own, still deeper and more subtle than we can know. Our obligation toward it then becomes simple: to approach with an uncalculating mind, with an attitude of regard. To try to sense the range and variety of its expression—its weather and colors and animals. To intend from the beginning to preserve some of the mystery within it as a kind of wisdom to be experienced, not questioned. And to be alert for its openings, for that moment when something sacred reveals itself within the mundane, and you know the land knows you are there."

- Barry Lopez (1945 - )

Arctic Dreams

Peculiar and Hypnotic

"It's peculiar and hypnotic,

the way you stare

and kind of start thinking

when you're watching

something which is still."

- Sam Taylor-Johnson (1967 - )

Mysterious Encounter

"Silent friend of many distances, feel

how your breath enlarges all of space.

Let your presence ring out like a bell

into the night. What feeds upon your face

grows mighty from the nourishment thus offered.

Move through transformation, out and in.

What is the deepest loss that you have suffered?

If drinking is bitter, change yourself to wine.

In this immeasurable darkness, be the power

that rounds your senses in their magic ring,

the sense of their mysterious encounter.

And if the earthly no longer knows your name,

whisper to the silent earth: I’m flowing.

To the flashing water say: I am."

- Rainer Maria Rilke (1875 - 1926)

Nature's Eternity

"If we are absorbed in a movie it may seem at first that the screen lies behind the image. Likewise, if we are so captivated by experience that we overlook the simple experience of being aware or awareness itself, we may first locate it in the background of experience. In this first step, being aware or awareness itself is recognized as the subjective witness of all objective experience. Looking more closely we see that the screen is not just in the background of the image but entirely pervades it. Likewise, all experience is permeated with the knowing with which it is known. It is saturated with the experience of being aware or awareness itself. There is no part of a thought, feeling, sensation or perception that is not infused with the knowing of it. 

This second realization collapses, at least to a degree, the distinction between awareness and its objects. In the third step, we understand that it is not even legitimate to claim that knowing, being aware or awareness itself pervades all experience, as if experience were one thing and awareness another. Just as the screen is all there is to an image, so pure knowing, being aware or awareness itself is all there is to experience. All there is to a thought is thinking, and all there is to thinking is knowing. All there is to an emotion is feeling, and all there is to feeling is knowing. All there is to a sensation is sensing, and all there is to sensing is knowing. All there is to a perception is perceiving, and all there is to perceiving is knowing. Thus, all there is to experience is knowing, and it is knowing that knows this knowing. Being all alone, with nothing in itself other than itself with which it could be limited or divided, knowing or pure awareness is whole, perfect, complete, indivisible and without limits. 

This absence of duality, separation or otherness is the experience of love or beauty, in which any distinction between a self and an object, other or world has dissolved. Thus, love and beauty are the nature of awareness. In the familiar experience of love or beauty, awareness is tasting its own eternal, infinite reality. It is in this context that the painter Paul Cézanne said that art gives us the ‘taste of nature’s eternity’."

- Rupert Spira (1960 - )

Being Aware of Being Aware

Expressing the Spiritual

"Why is abstract art perfectly aligned with the spiritual? Abstract art can capture all manner of thoughts, feelings, and emotions. According to scholar and curator Kirk Varnedoe, who wrote Pictures of Nothing: Abstract Art Since Pollock, it 'absorbs projection and generates meaning ahead of naming, establishing the form of things unknown, sui generis, in their peculiar complexities,' Moreover, abstraction offers a 'form of enrichment and alteration of experience denied to the fixed mimesis of known things.' It expands beyond depictions of the real world and engenders its own reality. As our ideas of spirituality change over time, abstract idioms evolve, and through abstraction we 'regenerate ourselves by bathing in the extreme...' It is precisely because abstraction is on 'the borderland around the opening into nothingness' that it is such an effective means of expressing the spiritual. Liberated from the constraints of depicting the real world, abstract art is free to explore the invisible Other. It can reflect the subjective reality of the spiritual -  inner states of being and spiritual presence - through materials, form, and color alone. For such an adventure, what vehicle - with its ability to convey the complex range of human experience - is more adept at engaging the spiritual in art?"

- Leesa K. Fanning

Encountering the Spiritual in Contemporary Art

Eye Cannot See It

"Eye cannot see It,

Tongue cannot utter It,

Mind cannot grasp It.

There is no way to
learn or to teach It.

It is different from the known,

Beyond the unknown.

In this all the ancient masters agree."

- Upanishads

Faith

"When you get to the end

of all the light you know

and it's time to step

into the darkness

of the unknown,

faith is knowing that one

of two things shall happen:

either you will be given

something solid to stand on,

or you will be taught how to fly."

- Edward Teller (1908 - 2003)