Sameness and Novelty

"A rhythm involves a pattern and to that extent is always self-identical. But no rhythm can be a mere pattern; for the rhythmic quality depends equally upon the differences involved in each exhibition of the pattern. The order of rhythm is therefore a structure of deviating repetitions... The essence of rhythm is the fusion of sameness and novelty; so that the whole never loses the essential unity of the pattern, while the parts exhibit the contrast arising from the novelty of their detail."

- Alfred North Whitehead (1861 - 1947) 

One Side of a Mirror

"There are two worlds. The world you understand and the world you don’t. These worlds exist side by side, sometimes only centimeters apart, and the great majority of people spend their entire lives in one without being aware of the other. It’s like living in one side of a mirror: you think there is nothing on the other side until one day a switch is thrown and suddenly the mirror is transparent. You see the other side."

- Anthony Horowitz (1955 - )

Perceptive Play

"The essential activity of science consists of thought, which arises in creative perception and is expressed through play. This gives rise to a process in which thought unfolds into provisional knowledge which then moves outward into action and returns as fresh perception and knowledge. This process leads to a continuous adaptation of knowledge which undergoes constant growth, transformation, and extension. Knowledge is therefore not something rigid and fixed that accumulates indefinitely in a steady way but is a continual process of change. Its growth is closer to that of an organism than a data bank."

 - David Bohm (1917 - 1992)
Science, Order and Creativity

Subjective Wholes

"As we analyze a thing into its parts or into its properties, we tend to magnify these, to exaggerate their apparent independence, and to hide from ourselves (at least for a time) the essential integrity and individuality of the composite whole. We divided the body into its organs, the skeleton into its bones, as in very much the same fashion we make a subjective analysis of the mind, according to the teaching of psychology, into component factors: but we know very well that judgement and knowledge, courage or gentleness, love or fear, have no separate existence, but are somehow mere manifestations, or imaginary coefficients, of a most complex integral."

- D’Arcy Wentworth Thompson (1860 - 1948)
On Growth and Form

Relation Between Observer and Thing

"The real world gives the subset of what is; the product space represents the uncertainty of the observer. The product space may therefore change if the observer changes; and two observers may legitimately use different product spaces within which to record the same subset of actual events in some actual thing. The “constraint” is thus a relation between observer and thing; the properties of any particular constraint will depend on both the real thing and on the observer. It follows that a substantial part of the theory of organization will be concerned with properties that are not intrinsic to the thing but are relational between the observer and thing."

- W. Ross Ashby (1903 - 1972)

Peaceful Moments

"How peaceful it was, with the light evening breeze stirring the small leaves of the grapevine that clustered around the electric bulb, making the shadows move and change on the yellow mat below. For a moment he pushed aside the thought of money. From time to time the dark water beside them rippled audibly, as if a tiny fish had come to the surface for an instant and then darted beneath. It was in peaceful moments such as this, his father had said, that men were given to know just a little of what paradise was like, so that they might yearn for it with all their soul, and strive during their time on earth to be worthy of going there."

- Paul Bowles (1910 - 1999) 
The Spider's House

Materializing the Invisible

"Art resides even in things
with no artistic intentions.

...

Photography is making a copy of reality,
but when it is photographed twice
it goes back to the reality again.
That is my theory.

...

Art is technique: a means by which
to materialize the invisible
realm of the mind.
...

Photography is like a found object.
A photographer never makes an actual subject;
they just steal the image from the world…
Photography is a system of saving memories.
It’s a time machine, in a way,
to preserve the memory,
to preserve time.

...

I’m inviting the spirits
into my photography.
It’s an act of God."

- Hiroshi Sugimoto (1948 - )