Garment of Brightness

"Oh our Mother the Earth, oh our Father the Sky,
Your children are we, and with tired backs
We bring you the gifts that you love.
Then weave for us a garment of brightness;
May the warp be the white light of morning,
May the weft be the red light of evening,
May the fringes be the falling rain,
May the border be the standing rainbow.
Thus weave for us a garment of brightness
That we may walk fittingly where birds sing,
That we may walk fittingly where grass is green,
Oh our Mother the Earth, oh our Father the Sky!"

- The Tewa People
Song of the Time Loom

Supernational Beings

"The Á-shi-wi, or Zuñis, suppose the sun, moon, and stars, the sky, earth, and sea, in all their phenomena and elements; and all inanimate objects, as well as plants, animals, and men, to belong to one great system of all-conscious and interrelated life, in which the degrees of relationship seem to be determined largely, if not wholly, by the degrees of resemblance. In this system of life the starting point is man, the most finished, yet the lowest organism; at least, the lowest because most dependent and least mysterious. In just so far as an organism, actual or imaginary, resembles his, is it believed to be related to him and correspondingly mortal; in just so far as it is mysterious, is it considered removed from him, further advanced, powerful, and immortal. It thus happens that the animals, because alike mortal and endowed with similar physical functions and organs, are considered more nearly related to man than are the gods; more nearly related to the gods than is man, because more mysterious, and characterized by specific instincts and powers which man does not of himself possess. Again, the elements and phenomena of nature, because more mysterious, powerful and immortal, seem more closely related to the higher gods than are the animals; more closely related to the animals than are the higher gods, because their manifestations often resemble the operations of the former.

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In like manner, the supernatural beings of man's fancy - the 'master existences' - are supposed to be more nearly related to the personalities with which the elements and phenomena of nature are endowed than to either animals or men; because, like those elements and phenomena, and unlike men and animals, they are connected with remote tradition in a manner identical with their supposed existence to-day, and therefore are considered immortal.

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Thus was the surface of the earth hardened and scorched and many of all kinds of beings changed to stone. Thus, too, it happens that we find, here and there throughout the world, their forms, sometimes large like the beings themselves, sometimes shriveled and distorted. And we often see among the rocks the forms of many beings that live no longer, which shows us that all was different in the 'days of the new.'"

- Zuñi Fetiches, Second Annual Report of the Bureau of American Ethnology, 1880-1881

Pueblo Prayer

"I add my breath to your breath
that our days may be long on the Earth,
that the days of our people may be long,
that we shall be as one person,
that we may finish our road together."

-  "Prayer of the Laguna Pueblo"
World as Lover, World as Self

Bandelier National Monument

"Climate extremes are thought to have triggered large-scale transformations of various ancient societies, but they rarely seem to be the sole cause. It has been hypothesized that slow internal developments often made societies less resilient over time, setting them up for collapse. Here, we provide quantitative evidence for this idea. We use annual-resolution time series of building activity to demonstrate that repeated dramatic transformations of Pueblo cultures in the pre-Hispanic US Southwest were preceded by signals of critical slowing down, a dynamic hallmark of fragility. Declining stability of the status quo is consistent with archaeological evidence for increasing violence and in some cases, increasing wealth inequality toward the end of these periods. Our work thus supports the view that the cumulative impact of gradual processes may make societies more vulnerable through time, elevating the likelihood that a perturbation will trigger a large-scale transformation that includes radically rejecting the status quo and seeking alternative pathways."

- M. Scheffer, E. H. van Nes, D. Bird, and T. Kohler
Loss of resilience preceded transformations of pre-Hispanic Pueblo societies

Quantum Realities

"To understand this new frontier, I will have to try to master one of the most difficult and counterintuitive theories ever recorded in the annals of science: quantum physics. Listen to those who have spent their lives immersed in this world and you will have a sense of the challenge we face. After making his groundbreaking discoveries in quantum physics, Werner Heisenberg recalled, 'I repeated to myself again and again the question: Can nature possibly be so absurd as it seemed to us in these atomic experiments?' Einstein declared after one discovery, 'If it is correct it signifies the end of science.' Schrödinger was so shocked by the implications of what he'd cooked up that he admitted, 'I do not like it and I am sorry I had anything to do with it.' Nevertheless, quantum physics is now one of the most powerful and well-tested pieces of science on the books. Nothing has come close to pushing it off its pedestal as one of the great scientific achievements of the last century. So there is nothing to do but to dive headfirst into this uncertain world. Feynman has some good advice for me as I embark on my quest: 'I am going to tell you what nature behaves like. If you will simply admit that maybe she does behave like this, you will find her a delightful, entrancing thing. Do not keep saying to yourself, if you can possibly avoid it, 'But how can it be like that?' because you will get 'down the drain,' into a blind alley from which nobody has yet escaped. Nobody knows how it can be like that.'"

- Marcus du Sautoy (1965 - )
 The Great Unknown

Morphic Fields

"Creativity gives new forms, new patterns, new ideas, new art forms. And we don't know where creativity comes from. Is it inspired from above? Welling up from below? Picked up from the air? What? Creativity is a mystery wherever you encounter it.

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The beginning of wisdom, I believe, is our ability to accept an inherent messiness in our explanation of what's going on. Nowhere is it written that human minds should be able to give a full accounting of creation in all dimensions and on all levels. Ludwig Wittgenstein had the idea that philosophy should be what he called "true enough." I think that's a great idea. True enough is as true as can be gotten. The imagination is chaos. New forms are fetched out of it. The creative act is to let down the net of human imagination into the ocean of chaos on which we are suspended and then to attempt to bring out of it ideas.

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What is emerging ... is an evolutionary vision of reality at every level: subatomic, atomic, chemical, biological, social, ecological, cultural, mental, economic, astronomical and cosmic."

- Rupert Sheldrake (1942 - )

Fossilization of Time

"To me photography functions as a fossilization of time.

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My method is different from the one most photographers use. I do not go around and shoot. I usually have a specific vision, just by myself. One night I thought of taking a photographic exposure of a film at a movie theater while the film was being projected. I imagined how it could be possible to shoot an entire movie with my camera. Then I had the clear vision that the movie screen would show up on the picture as a white rectangle. I thought it could look like a very brilliant white rectangle coming out from the screen, shining throughout the whole theater. It might seem very interesting and mysterious, even in some way religious.

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I’m inviting the spirits into my photography.
It’s an act of God."

- Hiroshi Sugimoto (1948 - )