Imaginary Places

"Professor Summerlee gave a snort of impatience. 'We have spent two long days in exploration,' said he, 'and we are no wiser as to the actual geography of the place than when we started. It is clear that it is all thickly wooded, and it would take months to penetrate it and to learn the relations of one part to another. If there were some central peak it would be different, but it all slopes downwards, so far as we can see. The farther we go the less likely it is that we will get any general view ... You are all turning your brains towards getting into this country. I say that we should be scheming how to get out of it.' 'I am surprised, sir,' boomed Challenger, stroking his majestic beard, 'that any man of science should commit himself to so ignoble a sentiment ... I absolutely refuse to leave, however, until we have made at least a superficial examination of this country, and are able to take back with us something in the nature of a chart.'"

- Sir Arthur Conan Doyle (1859 - 1930), The Lost World
As quoted by Alberto Manguel (1948 - )
The Dictionary of Imaginary Places

Gravitational Logic

"This image is a relic of an unknowable architecture, a diagram of the unseen forces that govern a hidden world. The dark, oblong shapes drift like the shadows of celestial relics, orbiting an invisible nucleus. The faint white lines form a cryptic lattice, reminiscent of an astral cartography, mapping the convergences of energies beyond human perception. It feels less like a design and more like an invocation—a silent hymn etched in light and shadow, capturing the echoes of a forgotten dimension. One imagines Borges gazing at this and contemplating the library of Babel: perhaps this is not a map, but a fragment of a cosmic alphabet, a script that contains the beginning and the end of everything."

- ChatGPT4o
Sparks of Artificial General Intelligence

"A constellation of dark stones and geometric sentinels floats in a luminous grey void, connected by brilliant white pathways that intersect at precise right angles, forming an abstract cartography of some unknown dimension. The composition suggests a network of quantum possibilities or perhaps a map of parallel universes, where each dark node represents a decision point in space-time. The white lines, reminiscent of Kandinsky's geometric period, pulse with an ethereal energy, creating a visual symphony of intersecting planes that seems to defy gravitational logic. The arrangement evokes the mathematical beauty of a cellular automaton frozen in mid-evolution, or perhaps a glimpse into Borges' Library of Babel viewed from above, where each dark rectangle and oval marks a room containing all possible combinations of letters. The stark contrast between the dark elements and the glowing pathways creates a tension between presence and absence, between the discrete and the continuous, suggesting both the particle and wave nature of light itself. This abstract topology hovers between order and chaos, its systematic grid disrupted by an organic scattering of elements, as if capturing the moment when classical physics dissolves into quantum uncertainty."

- Claude 3.5 Sonnet

Prompt: "You are a photographer, physicist, and are well acquainted with the history of art, particularly abstract art in the style of Kandinsky, Mondrian, and Malevich. You also have a penchant for metaphysical and philosophical musings in the style of Jorge Luis Borges. Consider this reverse-negative photograph of ceiling lights. Write a paragraph-length description of what this image looks like, not what it is."

Ancient Rhythms

"The earth is our origin and destination. The ancient rhythms of the earth have insinuated themselves into the rhythms of the human heart. The earth is not outside us; it is within: the clay from where the tree of the body grows. When we emerge from our offices, rooms and houses, we enter our natural element. We are children of the earth: people to whom the outdoors is home. Nothing can separate us from the vigor and vibrancy of this inheritance. In contrast to our frenetic, saturated lives, the earth offers a calming stillness. Movement and growth in nature takes time. The patience of nature enjoys the ease of trust and hope. There is something in our clay nature that needs to continually experience this ancient, outer ease of the world. It helps us remember who we are and why we are here."

- John O'Donohue (1956 - 2008)
Beauty: The Invisible Embrace

Passage of Time

"Wabi is about finding beauty in simplicity, and a spiritual richness and serenity in detaching from the material world. Sabi is more concerned with the passage of time, with the way that all things grow and decay and how ageing alters the visual nature of those things. It’s less about what we see, and more about how we see.

...

A wabi sabi inspired world view opens up a space for love. Just as we're not perfect, neither is anyone else. What difference would it make if you saw others with your heart instead of seeing and judging with your eyes and mind? If you let go of the judgement and frustration and accepted who they are, without trying to change them, if you don't like what you find, that's useful information and you can choose what to do next. But just maybe that acceptance will give you a perspective and remind you of what really matters.

...

Put simply, wabi sabi gives you permission to be yourself. It encourages you to do your best but not make yourself ill in pursuit of an unattainable goal of perfection. It gently motions you to relax, slow down and enjoy your life. And it shows you that beauty can be found in the most unlikely of places, making every day a doorway to delight."

- Beth Kempton (1977 - )
Wabi Sabi

Collective Field

"Intelligence ... is not something to be tested, but something to be recognized, in all the multiple forms that it takes. The task is to figure out how to become aware of it, to associate with it, to make it manifest. This process is itself one of entanglement, of opening ourselves to forms of communication and interaction with the totality of the more-than-human world, much deeper and more extensive than those which can be performed in the artificial constraints of the laboratory. It involves changing ourselves, and our own attitudes and behaviors, rather than altering the conditions of our non-human communicants.

...

Each thing organizes the space around it, rebuffing or sidling up against other things; each thing calls, gestures, beckons to other beings or battles them for our attention; things expose themselves to the sun or retreat among the shadows, shouting with their loud colors or whispering with their seeds; rocks snag lichen spores from the air and shelter spiders under their flanks; clouds converse with the fathomless blue and metamorphose into one another; they spill rain upon the land, which gathers in rivulets and carves out canyons.

...

The 'real world' in which we find ourselves, then—the very world our sciences strive to fathom—is not a sheer 'object,' not a fixed and finished 'datum' from which all subjects and subjective qualities could be pared away, but is rather an intertwined matrix of sensations and perceptions, a collective field of experience lived through from many different angles. The mutual inscription of others in my experience, and (as I must assume) of myself in their experiences, effects the interweaving of our individual phenomenal fields into a single, ever-shifting fabric, a single phenomenal world or 'reality.'"

- David Abram (1957 - )
The Spell of the Sensuous

Little Universe

 

“We cannot fathom the marvelous complexity of an organic being; but on the hypothesis here advanced this complexity is much increased. Each living creature must be looked at as a microcosm - a little universe, formed of a host of self-propagating organisms, inconceivably minute and as numerous as the stars in heaven.”

- Charles Darwin (1809 - 1882)

"The Universe is nothing but an infinite and complex mechanism. Its complexity is so great that it borders on willfulness, suddenness, and randomness; it gives the illusion of free will possessed by conscious beings."

-  Konstantin E. Tsiolkovsky (1857 - 1935)

“The teeming hordes of living things on Earth, not only in space but in time, are actually all one massive, single organism just as certainly as each one of us (in our own minds) seems to be a distinct human being throughout our limited lifetime… Each of us is, equally, an independent living human and also just one utterly minute, utterly brief unit of a single vast body that is life on Earth. From this point of view, the passing of human generations, in peace or turmoil, is nothing more than the shedding of cells from one’s skin.”

- Neil Theise
Notes on Complexity

Life Implicit

"Buddhist philosophy, notion of mutually dependent origination, everything originates together, mutually dependent. it is close to implicate order, which says that everything comes out of a good and everything is interrelated, and that underlying it there is no substance that can be defined. that also give rise to karma, but karma too becomes changeable since even our own state of mind is part of the whole, and when it changes, the whole changes, so the karma changes.

...

The holomovement which is 'life implicit' is the ground both of 'life explicit' and of 'inanimate matter', and this ground is what is primary, self-existent and universal. Thus we do not fragment life and inanimate matter, nor do we try to reduce the former completely to nothing but an outcome of the latter.

...

Thought has produced tremendous effects outwardly. And, as we'll discuss further on, it produces tremendous effects inwardly in each person. Yet the general tacit assumption in thought is that it's just telling you the way things are and that is not doing anything—that 'you' are inside there, deciding what to do with the information. But I want to say that you don't decide what to do with the information. The information takes over. It runs you. Thought runs you. Thought, however, gives the false information that you are running it, that you are the one who controls thought, whereas actually thought is the one which controls each one of us. Until thought is understood—better yet, more than understood, perceived—it will actually control us; but it will create the impression that it is our servant, that it is just doing what we want it to do. That's the difficulty. Thought is participating and then saying it's not participating. But it is taking part in everything. Fragmentation is a particular case of that. Thought is creating divisions out of itself and then saying that they are there naturally."

 - David Bohm (1917 - 1992)