Portfolio Sampler Published

Sudden Stillness by Andy Ilachinski | Make Your Own Book

I have just made available a fine-art photography portfolio "sampler" (including a low cost Adobe PDF version).

Designed as a promotion brochure to give out to prospective curators, galleries and customers, this book contains 14 sample portfolios (including two in color), with accompanying information that includes when and where a given portfolio was published, and how many total images it contains. Each portfolio contains one large sample, and four smaller representative images. Works include those that have appeared in juried solo and group exhibits, Lenswork magazine, B&W magazine, B&W Spider Awards, and private collections.

Synesthetic Noetics: Cognition vs. Intuition

Intuition                                  Cognition

“The Noetic Quality, as named by William James, is a feeling of insight or illumination that, on an intuitive, nonrational level and with a tremendous force of certainty, subjectively has the status of Ultimate Reality. This knowledge is not an increase of facts but is a gain in psychological, philosophical, or theological insight.” - Walter Pahnke, The Psychedelic Mystical Experience in the Human Encounter With Death

“Although contemporary neuroscientists study “synesthesia”—the overlap and blending of the senses—as though it were a rare or pathological experience to which only certain persons are prone (those who report “seeing sounds,” “hearing colors,” and the like), our primordial, preconceptual experience, as Merleau-Ponty makes evident, is inherently synesthetic. The intertwining of sensory modalities seems unusual to us only to the extent that we have become estranged from our direct experience (and hence from our primordial contact with the entities and elements that surround us.):

'…Synesthetic perception is the rule, and we are unaware of it only because scientific knowledge shifts the center of gravity of experience, so that we have unlearned how to see, hear, and generally speaking, feel, in order to deduce, from our bodily organization and the world as the physicist conceives it, what we are to see, hear, and feel.' (Merleau-Ponty)" - David Abram, The Spell of the Sensuous

"Hallucinogenic discourse, both of scientific and “recreational” nature, faces a similar rhetorical dilemma as the rest of the ecstatic traditions it responds to: It must report on an event which is in principle impossible to communicate. Writers of mystic experience from St Teresa to William James have treated the unrepresentable character of mystic events to be the very hallmark of ecstasies. Hallucinogenic discourse faced a similar struggle in the effort to report on the knowledge beyond what Aldous Huxley (and Jim Morrison…) described as the “doors of perception.” - Richard Doyle, "Consciousness Expansion and the Emergence of Biotechnology" in In Semiotic Flesh: Information and the Human Body

Note: Volume II of my "Synesthetic Landscape" series is now available for purchase (softcover, hardbound with wrap-around cover, and pdf versions).

Beneath the Surface

"In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown." - Wynn Bullock

Boundless Sea

“The hidden well-spring of your soul

must needs rise and run murmuring to the sea; 

And the treasure of your infinite depths

would be revealed to your eyes.

But let there be no scales to

weigh your unknown treasure;

And seek not the depths of your

knowledge with staff or sounding line. 

For self is a sea boundless and measureless. 

Say not, I have found the truth, 

but rather, I have found a truth.

Say not, I have found the path of the soul.

Say rather, I have met the soul walking upon my path.

For the soul walks upon all paths.

The soul walks not upon a line, 

neither does it grow like a reed.

The soul unfolds itself,

like a lotus of countless petals.” 

― Kahlil Gibran, The Prophet

Awareness

“There is no ideal in observation. When you have an ideal, you cease to observe, you are then merely approximating the present to the idea, and therefore there is duality, conflict, and all the rest of it. The mind has to be in the state when it can see, observe. The experience of the observation is really an astonishing state. In that there is no duality. The mind is simply - aware.” - Jiddu Krishnamurti, The Nature of the New Mind

Time's Arrow

“Time goes forward because energy itself is always moving from an available to an unavailable state. Our consciousness is continually recording the entropy change in the world around us. We watch our friends get old and die. We sit next to a fire and watch it's red-hot embers turn slowly into cold white ashes. We experience the world always changing around us, and that experience is the unfolding of the second law. It is the irreversible process of dissipation of energy in the world. What does it mean to say, 'The world is running out of time'? Simply this: we experience the passage of time by the succession of one event after another. And every time an event occurs anywhere in this world energy is expended and the overall entropy is increased. To say the world is running out of time then, to say the world is running out of usable energy. In the words of Sir Arthur Eddington, 'Entropy is time's arrow'.” - Jeremy Rifkin, Entropy

Familiar Paths

“The difference between a path and a road is not only the obvious one. A path is little more than a habit that comes with knowledge of a place. It is a sort of ritual of familiarity. As a form, it is a form of contact with a known landscape. It is not destructive. It is the perfect adaptation, through experience and familiarity, of movement to place; it obeys the natural contours; such obstacles as it meets it goes around.” - Wendell Berry, The Art of the Commonplace: The Agrarian Essays