Radiance and Instability

"Current-borne, wave-flung, tugged hugely by the whole might of ocean, the jellyfish drifts in the tidal abyss. The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish hangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moondriven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense the violence and power of the whole ocean, to which it has entrusted its being, its going, and its will.

But here rise the stubborn continents. The shelves of gravel and the cliffs of rock break from water baldly into air, that dry, terrible outerspace of radiance and instability, where there is no support for life. And now, now the currents mislead and the waves betray, breaking their endless circle, to leap up in loud foam against rock and air, breaking....

What will the creature made all of seadrift do on the dry sand of daylight; what will the mind do, each morning, waking?"

- Ursula K. Le Guin (1929 - 2018)

The Lathe of Heaven

Holy Fire

"For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you."

- Annie Dillard (1945 - )

Pilgrim at Tinker Creek

Quantum Objects

"Quantum objects present us with a choice of languages, but it’s too easily forgotten that this is precisely what it is: a struggle to formulate the right words, not a description of the reality behind them. Quantum objects are not sometimes particles and sometimes waves, like a football fan changing her team allegiance according to last week’s results. Quantum objects are what they are, and we have no reason to suppose that ‘what they are’ changes in any meaningful way depending on how we try to look at them. Rather, all we can say is that what we measure sometimes looks like what we would expect to see if we were measuring discrete little ball-like entities, while in other experiments it looks like the behavior expected of waves of the same kind as those of sound travelling in air, or that wrinkle and swell on the sea surface. So the phrase ‘wave–particle duality’ doesn’t really refer to quantum objects at all, but to the interpretation of experiments – which is to say, to our human-scale view of things."

-  Philip Ball (1962 - )

Beyond Weird

Frozen Thoughts

"Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. 

The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. 

He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years."

- Arthur C. Clarke (1917 - 2008)

2001: A Space Odyssey

Towards Silence

"Somewhere in the
onrush of everydayness

I lost track of myself.

Now I lie beside this chaste sea

watching a skyful of sun, clouds,

and birds sailing towards silence.

Music enters the afternoon,

weaves the air then gently falls

on me with the uncertainty of rain.

Suddenly all things beneath the sand

are moving with the restless wind.

Preoccupied with the perishable day,

I am deaf to yesterday's churning

with its graveclothes and honors.

All I want to hear, or feel, is music,

So, I will remain by this partisan sea,

running without moving,

shedding the thick skin of doubt,

listening to the sky sing, watching--

still waiting to bring myself

to this place where I should arrive."

- Gordon Parks (1912 - 2006)

Glimpses Toward Infinity

Uncalculating Mind

"Whatever evaluation we finally make of a stretch of land, however, no matter how profound or accurate, we will find it inadequate. The land retains an identity of its own, still deeper and more subtle than we can know. Our obligation toward it then becomes simple: to approach with an uncalculating mind, with an attitude of regard. To try to sense the range and variety of its expression—its weather and colors and animals. To intend from the beginning to preserve some of the mystery within it as a kind of wisdom to be experienced, not questioned. And to be alert for its openings, for that moment when something sacred reveals itself within the mundane, and you know the land knows you are there."

- Barry Lopez (1945 - )

Arctic Dreams

Peculiar and Hypnotic

"It's peculiar and hypnotic,

the way you stare

and kind of start thinking

when you're watching

something which is still."

- Sam Taylor-Johnson (1967 - )