Trees are Poems

"Trees are poems that the earth
writes upon the sky."

- Kahlil Gibran (1883 - 1931)

Unknown Infinity

"When I stand alone with the earth and sky
a feeling of something in me going off in every direction
into the unknown of infinity means more more to me than
any organized religion gives me."

-  Georgia O'Keeffe (1887 - 1986)

Lofty Luminosity

"How is a cloud outlined? Granted whatever you choose to ask, concerning its material, or its aspect, its loftiness and luminousness—how of its limitation? What hews it into a heap, or spins it into a web? Cold is usually shapeless, I suppose, extending over large spaces equally, or with gradual diminution. You cannot have, in the open air, angles, and wedges, and coils, and cliffs of cold. Yet the vapor stops suddenly, sharp and steep as a rock, or thrusts itself across the gates of heaven in likeness of a brazen bar; or braids itself in and out, and across and across, like a tissue of tapestry; or falls into ripples, like sand; or into waving shreds and tongues, as fire. On what anvils and wheels is the vapor pointed, twisted, hammered, whirled, as the potter’s clay? By what hands is the incense of the sea built up into domes of marble?"

- John Ruskin (1819 - 1900)

Note. The photos in this post are all "quick grabs" using my iPhone while I was in Colorado on a recent day-job-related trip. While I did not have any other cameras with me (knowing I would have next to zero time for "real" photography), my iPhone sagely reminds me that images - and the gentle solace of photography - are truly everywhere, even amidst otherwise decidedly non-photography-related day-job activities. One does not stop being a photographer just because one is without a camera! The three images below were all captured within a few moments of each other while I was lounging at an Admirals club waiting for a connecting flight back home. 

Sentient Soul

"Form is what transforms the content of a work into its essence. Do you understand? The character of music arises out of its form like steam from water,’ Yury Andreevich said. ‘With solid understanding of the general laws of form, which encompass all that is amenable to formulation, one can, by groping further, perceive the individual, the particular. Then, subtracting the general, one can sense a residue where wonder lurks in its purest, most undiluted form. Herein lies the goal of theory: the more fully one grasps what is available for comprehension, the more intensely the ineffable shines."

- Ludmila Uliţkaia (1943 - )

""Forms acquire meaning for us
only because we recognize in them
the expression of a sentient (fühlend) soul.
Spontaneously, we animate
(beseelen) every object.

- Heinrich Wölfflin (1864 - 1945)

Shores of Vast Expanse

"I read the skies and am rendered silent. This would be a day for walking long on shores of vast expanse. I have been the sort of man I fear would rise again in moments of resolve. When I see him on the street or in the pew or in the mirror, his translucence quivers close to the frequency of fleshliness until I blink him down into the backwash, into the riptide of graces, for he was full of judgment. So I must walk. The tall grass of the dunes is tossing like the ocean’s anemone. Waves are faithful of the sands shaped unseen under the great breathing of the tides. Wind upon grasses. Waves upon sand. Some steady drawing of my surfaces out into the depths and gone, out into the piercing light. Return for more, o mighty patience, o mighty love of the wild and unspeakable, til I am wind and wave."

- James Scott Smith
Water, Rocks and Trees

Holistic Morphology

"Since nothing can exist that does not fulfil the conditions which render its existence possible, the different parts each being must be co-ordinated in such a way as to render possible the existence of the being as a whole, not only in itself, but also in its relations with other beings, and the analysis of these conditions often leads to general laws which are as certain as those which are derived from calculation or from experiment."

- Georges Cuvier (1769 - 1832)

Feel the Tide

"It was ours, the water at the farm, but it was no different from any other water, every drop of moisture that fell since there were only protozoa, trilobites, orthocones. It was inside every single human being. When I missed the sea, I could lean my face into another person—with worry or dangerous joy or grieving—and feel their tide. The World As It Is is only a furious tide of people, linked by blood and tears and sweat, a push toward each other we can’t stem. Water was over Mother’s grave, beside Father’s, under the boats, in my blood and the blood of everyone I loved. I felt it all. I felt the weight of all the water in the world."

- Eiren Caffall
All the Water in the World

Waves of Consciousness

"Waves of consciousness roll in, roll out,
leave some writing, and just as quickly
new waves roll in and erase it.
I try to quickly read what's
written there, but it's hard,"

- Haruki Murakami (1949 - )
Kafka on the Shore

"When left alone, quantum particles behave as multiple images of themselves (as waves, really), simultaneously moving through all possible paths in space and time. Now, again, why do we not experience this multitude around ourselves? Is it because we are probing things around us all the time? Why do all experiments that involve, say, the position of a particle make the particle suddenly be somewhere rather than everywhere? No one knows. Before you probe it, a particle is a wave of possibilities. After you've probed it, it is somewhere, and subsequently it is somewhere for ever, rather than everywhere again. Strange, that. Nothing, within the laws of quantum physics, allows for such a collapse to happen. It is an experimental mystery and a theoretical one. Quantum physics stipulates that whenever something is there, it can transform into something else, of course, but it cannot disappear. And since quantum physics allows for multiple possibilities simultaneously, these possibilities should then keep existing, even after a measurement is made. But they don't. Every possibility but one vanishes. We do not see any of the others around us. We live in a classical world, where everything is based on quantum laws but nothing resembles the quantum world."

- Christophe Galfard (1976 - )
 The Universe in Your Hand

Perfect Balance

"Nature may reach the same result in many ways ... A single ray of light from a distant star falling upon the eye of a tyrant in bygone times may have altered the course of his life, may have changed the destiny of nations, may have transformed the surface of the globe, so intricate, so inconceivably complex are the processes in Nature. In no way can we get such an overwhelming idea of the grandeur of Nature than when we consider, that in accordance with the law of the conservation of energy, throughout the Infinite, the forces are in a perfect balance, and hence the energy of a single thought may determine the motion of a universe."

- Nikola Tesla (1856 - 1943)

Secret Order

"In all chaos there is a cosmos, in all disorder a secret order. Every civilized human being, whatever his conscious development, is still an archaic man at the deeper levels of his psyche. Just as the human body connects us with the mammals and displays numerous relics of earlier evolutionary stages going back to even the reptilian age, so the human psyche is likewise a product of evolution which, when followed up to its origins, show countless archaic traits.

...

The grasping of the whole is obviously the aim of science… but it is a goal that necessarily lies very far off because science, whenever possible, proceeds experimentally and in all cases statistically. Experiment, however, consists in asking a definite question which excludes as far as possible anything disturbing and irrelevant. It makes conditions, imposes them on Nature, and in this way forces her to give an answer to a question devised by man. She is prevented from answering out of the fullness of her possibilities since these possibilities are restricted as far as practicable.

...

For this purpose there is created in the laboratory a situation which is artificially restricted to the question which compels Nature to give an unequivocal answer. The workings of Nature in her unrestricted wholeness are completely excluded. If we want to know what these workings are, we need a method of inquiry which imposes the fewest possible conditions, or if possible no conditions at all, and then leave Nature to answer out of her fullness."

- C. G. Jung (1875-1961)

Frozen Homage

"There are no forms in nature. Nature is a vast, chaotic collection of shapes. You as an artist create configurations out of chaos. You make a formal statement where there was none to begin with. All art is a combination of an external event and an internal event… I make a photograph to give you the equivalent of what I felt. Equivalent is still the best word."

- Ansel Adams (1902 - 1984)

Note. A long while back (on Feb 7, 2009 to be exact), I posted a lengthy set of musings on the Unconscious Influence and the Creative Process, wherein I speculated on the impact that seeing one of Fay Godwin's photographs led to one of my own decades later. The image above may be viewed from the opposite perspective, in that it was my conscious memory of one of Ansel Adams' well known Frozen Lakes and Cliffs photograph that drew my eye to the little scene here. While it lacks Ansel's abstract ethereality, I may not have captured the image at all were it not for my knowing (and being able to recall, at an instant's notice) Adams' oeuvre. Far from an "unconscious" influence, my humble image is an intentional homage. It is also a keepsake of a wonderful day my family and I spent on a completely frozen over part of the Potomac river in Maryland side of Great Falls Park that we had never before seen frozen (during our 26+ years of living in the area)! 

Celestial Beauty

"Wherever snow falls, or water flows, or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds, or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, there is Beauty, plenteous as rain, shed for thee, and though thou shouldest walk the world over, thou shalt not be able to find a condition inopportune or ignoble."

- Ralph Waldo Emerson (1803 - 1882)

Greatest of Mysteries

"The Cosmos is all that is or was or ever will be. Our feeblest contemplations of the Cosmos stir us - there is a tingling in the spine, a catch in the voice, a faint sensation, as if a distant memory, of falling from a height. We know we are approaching the greatest of mysteries."

- Carl Sagan (1934 - 1996)
Cosmos

Leafless Tree

"If we hadn’t our bewitching autumn foliage, we should still have to credit the weather with one feature which compensates for all its bullying vagaries-the ice storm: when a leafless tree is clothed with ice from the bottom to the top – ice that is as bright and clear as crystal; when every bough and twig is strung with ice-beads, frozen dew-drops, and the whole tree sparkles cold and white, like the Shah of Persia’s diamond plume. Then the wind waves the branches and the sun comes out and turns all those myriads of beads and drops to prisms that glow and burn and flash with all manner of colored fires, which change and change again with inconceivable rapidity from blue to red, from red to green, and green to gold-the tree becomes a spraying fountain, a very explosion of dazzling jewels; and it stands there the acme, the climax, the supremest possibility in art or nature, of bewildering, intoxicating, intolerable magnificence. One cannot make the words too strong."

- Mark Twain (1835 - 1910)

A Self-correcting System

"The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!

...

We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac.

...

The planet’ll shake us off like a bad case of fleas.The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, 'Why are we here?'"

- George Carlin (1937 - 2008)

Shamanic Ecstasy

"This is why the shaman is the remote ancestor of the poet and artist. Our need to feel part of the world seems to demand that we express ourselves through creative activity. The ultimate wellsprings of this creativity are hidden in the mystery of language. Shamanic ecstasy is an act of surrender that authenticates both the individual self and that which is surrendered to, the mystery of being. Because our maps of reality are determined by our present circumstances, we tend to lose awareness of the larger patterns of time and space. Only by gaining access to the Transcendent Other can those patterns of time and space and our role in them be glimpsed."

-  Terence McKenna (1946 - 2000)
Food of the Gods

The Sensation of the Mystical

"The most beautiful and most profound emotion that we can experience is the sensation of the mystical. It is the source of all true science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe is as good as dead. To know that what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty which our dull faculties can comprehend only in their most primitive forms - this knowledge, this feeling, is at the center of true religiousness. My religion consists of a humble admiration of the illuminable superior who reveals himself in the slightest details we are able to perceive with our frail and feeble minds. That deeply emotional conviction for the presence of a superior reasoning power, which is revealed in the incomprehensible universe, forms my idea of God."

- Albert Einstein (1879 - 1955)

Habitual Gestures

Making art … means working in the face of uncertainty; it means living with doubt and contradiction doing something no one much cares whether you do, and for which there may be neither audience nor reward. Making the work you want to make means setting aside these doubts so that you may see clearly what you have done, and thereby see where to go next. Making the work you want to make means finding nourishment within the work itself.

...
Your desire to make art,

beautiful or meaningful or emotive art,
is integral to your sense of who you are.

...

Viewed closely, however, style is not a virtue, it is an inevitability, the inescapable result of doing anything more than a few times. The habitual gestures of the artist appear throughout any body of work developed enough to be called a body of work. Style is not an aspect of good work, it is an aspect of all work. Style is the natural consequence of habit."

- David Bayles (1952 - ) and Ted Orland (1941 - )
Art & Fear

Spiritual Nature

"Words are signs of natural facts. The use of natural history is to give us aid in supernatural history. The use of the outer creation is to give us language for the beings and changes of the inward creation. Every word which is used to express a moral or intellectual fact, if traced to its root, is found to be borrowed from some material appearance. Right originally means straight; wrong means twisted. Spirit primarily means wind; transgression, the crossing of a line; supercilious, the raising of the eye-brow. We say the heart to express emotion, the head to denote thought; and thought and emotion are, in their turn, words borrowed from sensible things, and now appropriated to spiritual nature.

...

But this origin of all words that convey a spiritual import – so conspicuous a fact in the history of language – is our least debt to nature. It is not words only that are emblematic; it is things which are emblematic. Every natural fact is a symbol of some spiritual fact. Every appearance in nature corresponds to some state of the mind, and that state of the mind can only be described by presenting that natural appearance as its picture.

...

As we go back in history, language becomes more picturesque, until its infancy, when it is all poetry; or, all spiritual facts are represented by natural symbols. The same symbols are found to make the original elements of all languages. It has moreover been observed, that the idioms of all languages approach each other in passages of the greatest eloquence and power. And as this is the first language, so is it the last. This immediate dependence of language upon nature, this conversion of an outward phenomenon into a type of somewhat in human life, never loses its power to affect us."

- Ralph Waldo Emerson (1803 - 1882)
Nature

Denying Temporal Succession

"And yet, and yet… Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny … is not frightful by being unreal; it is frightful because it is irreversible and iron-clad. Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges."

- Jorge Luis Borges (1899 - 1986)

"A New Refutation of Time," Labyrinths

Nothing Exists in Itself

"To enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more. For this reason a sleeping apartment should never be furnished with a fire, which is one of the luxurious discomforts of the rich. For the height of this sort of deliciousness is to have nothing but the blanket between you and your snugness and the cold of the outer air. Then there you lie like the one warm spark in the heart of an arctic crystal."

- Herman Melville (1819 - 1891)

Moby-Dick

Crystalline Multiverse

"Again we were too parochial, and were led to the false conclusion that knowledge-bearing entities can be physically identical to non-knowledge-bearing ones; and this in turn cast doubt on the fundamental status of knowledge. But now we have come almost full circle. We can see that the ancient idea that living matter has special physical properties was almost true: it is not living matter but knowledge-bearing matter that is physically special. Within one universe it looks irregular; across universes it has a regular structure, like a crystal in the multiverse."

- David Deutsch (1953 - )
The Fabric of Reality

Cliffs of Mystery

"The gaps are the thing. The gaps are the spirit's one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fjords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple-universe."

- Annie Dillard (1945 - )

Cosmological Cycling

"'Tlingit language reflects subtle differences between ordinary and extraordinary, commonplace and mysterious, safe and dangerous ... the language is rich in verbs and emphasizes activity and motion, making no sharp distinction between animate and inanimate [as defined in Western thought]. Hence, mountains, glaciers, bodies of water, rocks and manufactured objects all have qualities of sentience.' 

...

A system of cosmological understandings about the nature of existence, its entities, forces, processes, and the nature of time and space is found in virtually all human cultures. Tlingit cosmology was grounded in the principle that all living entities had 'spirits' and those entities cycle between domains of life in the world of direct experience followed after death by residence in another domain waiting for rebirth or reincarnation into this world. This process has been referred to as cosmological cycling.

...

'...people understood that all entities of nature – plants, animals, stones, trees, mountains, rivers, lakes, and a host of other living entities – embodies relationships that must be honored. Through the seeking, making, sharing, and celebrating of those natural relationships, they came to perceive themselves in a sea of interdependent relationships.'"

- Steve J. Langdon (1948 - )
"Spiritual Relations, Moral Obligations and Existential Continuity,"
in Indigenous Sustainable Wisdom

Dialogue with Nature

"I must stay alone and know that I am alone to contemplate and feel nature in full; I have to surrender myself to what encircles me, I have to merge with my clouds and rocks in order to be what I am. Solitude is indispensable for my dialogue with nature.

...

The painter should paint not only what he has in front of him, but also what he sees inside himself. If he sees nothing within, then he should stop painting what is in front of him."

- Caspar David Friedrich (1774 - 1840)

Mystery of Mysteries

"Should one wish to learn the methods of a conjurer, he might vainly watch the latter's customary repertoire, and, so long as everything went smoothly, might never obtain a clue to the mysterious performance, baffled by the precision of the manipulations and the complexity of the apparatus; if, however, a single error were made in any part or if a single deviation from the customary method should force the manipulator along an unaccustomed path, it would give the investigator an opportunity to obtain a part or the whole of the secret. Thus. ... it seems likely that through the study of the abnormal or unusual, some insight may be obtained into that mystery of mysteries, the development of an organism."

- Harris H. Wilder (1864 - 1928)

Cosmic Strings

"A cosmic string is, put simply, a flaw. A crack. A defect. A fold in the very fabric of spacetime itself. If they exist, they were made in the earliest moments of the big bang, when the insane energies were capable of twisting and distorting spacetime so much that it left permanent wrinkles.

These wrinkles, known as cosmic strings, would be almost impossibly thin, no wider than a single proton. But that would pack a potent punch. At those densities, a stretch of cosmic string only a mile long would weigh more than the entire planet Earth. Based on our theories of how they would form, they could stretch from one of the observable universes to the other.

But ... we don’t know if they exist."

- Paul M. Sutter
The Sheer Awesomeness and Weirdness of Cosmic Strings

Dancing Rhythms

"Everything in the universe
has a rhythm,
everything
dances."

- Maya Angelou (1928 - 2014)

Cosmic Journey

"We are travelers on a cosmic journey — stardust, swirling and dancing in the eddies and whirlpools of infinity. Life is eternal. But the expressions of life are ephemeral, momentary, transient. Gautama Buddha, the founder of Buddhism, once said, This existence of ours is as transient as autumn clouds. To watch the birth and death of beings is like looking at the movements of a dance. A lifetime is like a flash of lightning in the sky, Rushing by like a torrent down a steep mountain. We have stopped for a moment to encounter each other, to meet, to love, to share. This is a precious moment, but it is transient. It is a little parenthesis in eternity. If we share with caring, lightheartedness, and love, we will create abundance and joy for each other. And then this moment will have been worthwhile."

- Deepak Chopra (1946 - )

Organs of Perception

"The time has come to realize
that supersensible knowledge has
now to arise from the
materialistic grave.

...

Just as in the body, eye and ear develop as organs of perception, as senses for bodily processes, so does a man develop in himself soul and spiritual organs of perception through which the soul and spiritual worlds are opened to him. For those who do not have such higher senses, these worlds are dark and silent, just as the bodily world is dark and silent for a being without eyes and ears.

...

Whoever seeks higher knowledge
must create it for himself.
He must instill it
into his soul. "

- Rudolf Steiner (1861 - 1925)

Altered State of Consciousness

"Let us review three cases from widely separated locations in the world. A Tungus shaman in Siberia agrees to the request of tribal hunters to locate game during a poor hunting season. Using a drumming technique, he enters an [altered state of consciousness] ASC and provides information to help his hunters. The Western interpretation—if it accepts at all the validity of this kind of information—would be that the shaman calculates the behavior of the game according to weather and well-known environmental conditions. In other words, his is information based on cognitive processing of sensory data. 

The explanation of the shaman himself is different: Guidance has been provided by forest spirits. On another continent, hunters of the Kalahari !Kung tribe leave the settlement to hunt for a period that may last anywhere from two days to two weeks. The tribe’s timely preparation for the return of successful hunters is necessary for processing the game. The people left behind make the appropriate steps long before the hunters’ reappearance. Their foreknowledge of the hunters’ return could be explained rationally by attributing it to a messenger sent ahead or the use of tam-tam drums or smoke signals. The tribesmen report, however, that it is the spirit of ancestors who informs them when the hunters will return. 

Next, we move to the Amazon basin. The Shuar shaman is facing a new disease in the community. An herbal remedy is sought by adding leaves of a candidate plant into the hallucinogenic beverage ayahuasca, a sacrament indigenous to the Upper Amazon region. The shaman drinks it and, upon return to ordinary consciousness, decides the usefulness of the plant in question. Is his decision based on accumulation of ethnobotanical knowledge of several generations in combination with trial and error? The headhunter Shuar are not likely to be merciful to an ineffective medicine man, and his techniques must be working. 

As Luis Eduardo Luna explained to me, according to ayahuasqueros, the spirit of a new plant reveals itself with the help of the spirits associated with the ayahuasca. Sometimes, they also tell which plant to use next. We can point to the following contradiction: Healers from different cultures are unequivocal in their interpretation of the source of knowledge, whereas rational thinkers use diverging, unsystematic explanations. Which side should be slashed with Occam’s razor? Also called the 'principle of parsimony,' Occam’s razor is usually interpreted to mean something like 'Do not multiply hypotheses unnecessarily' or 'Do not posit pluralities unnecessarily when generating explanatory models.' The principle of parsimony is used frequently by philosophers of science in an effort to establish criteria for choosing from theories with equal explanatory power. At first glance it is the 'primitives' who multiply causes unnecessarily by referring to the supernatural. Yet Occam’s razor may be applied easily to the rational view, if those arguments are less parsimonious."

- Rick Strassman (1952 - )
 Inner Paths to Outer Space

Silent Knowledge

"Silent knowledge is the deep, innate wisdom that is in all things. It comes from the interconnectedness of all beings and creatures. It is the wisdom of the universe. For instance, if you've ever simply known the answer to a question without any logical way that your brain could have discovered it—like when a mother can feel that her child is in danger or when you know the moment a relative transitions into death—this is all silent knowledge. It is the universal wisdom that has always been at our fingertips, but that we often neglect to tap into, either because we don't know or have forgotten how."

- Don Jose Ruiz
Wisdom of the Shamans

Pattern of Information

"Life is the only thing in the universe that can make objects that are composed of many unique, recursively constructed parts.

...

If we are ever to understand what life really is, we need to recognize that among the unimaginably large number of things that could exist, or even the smaller subset of ones that we can imagine, only an infinitesimal fraction ever will. Things come into existence when and where it is possible to—and what we call life is the mechanism for making specific things possible when the possibility space is too large for the universe to ever explore all of it.

...

We are each just one temporary instance of life on this planet—a pattern of information structuring matter across billions of years."

- Sara Imari Walker
Life as No One Knows It

Celestial Hues

"I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognize again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare's 'Dream') at transforming my humble chamber into a bower of aromatic perfume."

- Marcel Proust (1871 - 1922)
Swann’s Way

Nature's Elegance #2

"What is especially striking and remarkable
is that in fundamental physics a
beautiful or elegant theory is
more likely to be right
than a theory that
is inelegant."

- Murray Gell-Mann (1929 - 2019)

Experimental Writing

"Some arts move in time, like music; others are presented in space, like painting. In both cases the organizing principle is recurrence, which is called rhythm when it is temporal and pattern when it is spatial. Thus we speak of the rhythm of music and the pattern of painting; but later, to show off our sophistication, we may begin to speak of the rhythm of painting and the pattern of music. In other words, all arts may be conceived both temporally and spatially. The score of a musical composition may be studied all at once; a picture may be seen as the track of an intricate dance of the eye. Literature seems to be intermediate between music and painting: its words form rhythms which approach a musical sequence of sounds at one of its boundaries and form patterns which approach the hieroglyphic or pictorial image at the other. The attempts to get as near to these boundaries as possible form the main body of what is called experimental writing. We may call the rhythm of literature the narrative, and the pattern, the simultaneous mental grasp of the verbal structure, the meaning or significance. We hear or listen to a narrative, but when we grasp a writer’s total pattern we 'see' what he means."

- Northrop Frye (1912 - 1991)

Enfolded Mysteries

"That we do not construct the external world to suit our own ends in the pursuit of science, but that vice versa the external world forces itself upon our recognition with its own elemental power, is a point which ought to be categorically asserted again and again.

...

From the fact that in studying the happenings of nature we strive to eliminate the contingent and accidental and to come fully to what is essential and necessary, it is clear that we always look for the basic thing behind the dependent thing, for what is absolute behind what is relative, for the reality behind the appearance and for what abides behind what is transitory.

...

Science cannot solve the ultimate mystery of nature. And that is because, in the last analysis, we ourselves are part of nature and therefore part of the mystery that we are trying to solve. Music and art are, to an extent, also attempts to solve or at least to express the mystery. But to my mind, the more we progress with either, the more we are brought into harmony with all nature itself.

...

If you change the way you look at things,
the things you look at change."

- Max Planck (1858 - 1947)

Mystagogic Objects

"If truth and reality can clearly come only from the subject and his consciousness, then illusion, which is the opposite of these, must necessarily come from elsewhere. From the world of the object, from some other thing than the subject. Illusion, like profusion, comes to us from the world.

...

The secret of theory is that truth does not exist.

...

The universe is mystagogic."

- Jean Baudrillard (1929 - 2007)
Fragments

Non-Mechanical Reality

"Today there is a wide measure of agreement, which on the physical side of science approaches almost to unanimity, that the stream of knowledge is heading towards a non-mechanical reality; the universe begins to look more like a great thought than like a great machine. Mind no longer appears as an accidental intruder into the realm of matter; we are beginning to suspect that we ought rather to hail it as a creator and governor of the realm of matter."

- Sir James Jeans (1877 - 1946)
The Mysterious Universe

Limits of Perception

"The human mind is only capable of absorbing a few things at a time. We see what is taking place in front of us in the here and now, and cannot envisage simultaneously a succession of processes, no matter how integrated and complementary. Our faculties of perception are consequently limited even as regards fairly simple phenomena. The fate of a single man can be rich with significance, that of a few hundred less so, but the history of thousands and millions of men does not mean anything at all, in any adequate sense of the word. The symmetriad is a million—a billion, rather—raised to the power of N: it is incomprehensible. We pass through vast halls, each with a capacity of ten Kronecker units, and creep like so many ants clinging to the folds of breathing vaults and craning to watch the flight of soaring girders, opalescent in the glare of searchlights, and elastic domes which crisscross and balance each other unerringly, the perfection of a moment, since everything here passes and fades. The essence of this architecture is movement synchronized towards a precise objective. We observe a fraction of the process, like hearing the vibration of a single string in an orchestra of supergiants. We know, but cannot grasp, that above and below, beyond the limits of perception or imagination, thousands and millions of simultaneous transformations are at work, interlinked like a musical score by mathematical counterpoint. It has been described as a symphony in geometry, but we lack the ears to hear it."

- Stanislaw Lem (1921 - 2006)

Solaris

Expecting, Hoping, Wishing for - Ice...

"Anyone who keeps the ability to
see beauty never grows old."

- Franz Kafka (1883 - 1924)

...and savoring nature's bountiful beauty in its absence. Each year around this time I look forward to going out to one of our local parks in Northern Virginia to do some "ice abstracting," as I like to call it (e.g., see my Jan 2024, Feb 2023, and Dec 2022 posts). Unfortunately, while this year's winter has only barely started, there have thus far been precious few contiguous days of below-freezing weather to yield any "ice" beyond what might be barely visible with a microscope. So, as the Northern VA/Wash-DC region braces for its first major winter storm of the season (along with a sizeable chunk of the entire country), and as temperatures have dropped precipitously due to the polar vortex blanketing our neck of the woods, I looked forward to my first "ice abstracting" photo session of the year this morning. I grabbed a mug of hot coffee, bundled up as if trekking to the Himalayas (it was 17 deg/F when I woke up), threw my camera in the car (gently, but urgently), and raced to Burke Lake. Only to find this: 

Beautiful - indeed, extremely, delightfully, joyously beautiful - but no ice! None, nada. To be sure, I could make out (barely) a few feathery strands of quarter-mm-sized icicles adhering to tiny twigs along the shore, but there was no real ice of any worth to compose with (such as in this Jan 2023 portfolio). I must admit there was a part of me that just wanted to get right back into my car, head home, and dive into a warm bed (17 deg/F temperatures tend to have this effect on me more often now than when I was decades younger). But, it is in the nature of every photographer, young or old, experienced or just starting out (or perhaps just trying to figure out what it takes to become more "experienced"), to clear your head of preconceived wishes and expectations and just revel in the beauty that surrounds us always. (This being said, I still want to do some ice abstracting! 😊)

Uncalculable Boundaries

"Einstein once wrote, 'The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science.'

...

By the 'mysterious,' I do not think Einstein was referring to something fearful or supernatural. I believe he was speaking about the boundary between the known and the unknown. Standing at that boundary is an exhilarating experience. And it is a deeply human experience—concerning what the human mind understands and what that mind does not yet understand.

...

Evidently, the fundamental laws

of nature do not pin down a

single and unique universe.

According to the current thinking

of many physicists, we are

living in one of a vast number of universes.

We are living in an accidental universe.

We are living in a universe uncalculable by science."

- Alan Lightman (1948 - )
The Accidental Universe