“The spiritual world is one single spirit who stands like unto a light behind the bodily world and who, when any single creature comes into being, shine through it like a window. According to the kind or size of the window less or more light enters the world. The light itself however remains unchanged.”
Sunday, January 16, 2011
Saturday, January 15, 2011
Minds, Mirrors, and the Universe
is brightly illuminating
and knows no obstructions,
It penetrates the vast universe
to its minutest crevices;
All its contents,
multitudinous in form,
are reflected in the Mind,
Which, shining like a perfect gem,
has no surface,
nor the inside."
- Yoka Daishi
Zen Master
(665 - 713)
"Your eye has not strength enough
to gaze at the burning sun,
but you can see its burning light
by watching its reflection
mirrored in the water.
So the reflection of Absolute Being
can be viewed in the mirror of Not-Being,
for nonexistence, being opposite Reality,
instantly catches its reflection.
Know the world from end to end is a mirror;
in each atom a hundred suns are concealed.
If you pierce the heart of a single drop of water,
from it will flow a hundred clear oceans."
- Mahmud Shabistari
Sufi Poet / Mystic
(1250 - 1340)
and knows no obstructions,
It penetrates the vast universe
to its minutest crevices;
All its contents,
multitudinous in form,
are reflected in the Mind,
Which, shining like a perfect gem,
has no surface,
nor the inside."
- Yoka Daishi
Zen Master
(665 - 713)
"Your eye has not strength enough
to gaze at the burning sun,
but you can see its burning light
by watching its reflection
mirrored in the water.
So the reflection of Absolute Being
can be viewed in the mirror of Not-Being,
for nonexistence, being opposite Reality,
instantly catches its reflection.
Know the world from end to end is a mirror;
in each atom a hundred suns are concealed.
If you pierce the heart of a single drop of water,
from it will flow a hundred clear oceans."
- Mahmud Shabistari
Sufi Poet / Mystic
(1250 - 1340)
Thursday, January 13, 2011
Dreams and Phantasms
“The objects of sense in the world ever changing — These we adhere to as things of reality; But in the ocean of birth and death, they drown us. How long shall we wander in this path of dreams? This world to us! Indeed seems permanent and fixed, yet after all, what is it but a road of dreams to which life after life we must perforce return?”
- Zeami Motokiyo (1363 - 1443)
Aesthetician / Playright
"All things are to be regarded as forms seen in a vision and a dream, empty of substance, un-born and without self-nature; that all things exist only by reason of a complicated network of causation which owes its rise to discrimination and attachment and which eventuates in the rise of the mind-system and its belongings and evolvements."
- Lankavatara Sutra, VII
Wednesday, January 12, 2011
The Castle
"The young man apologized very politely for having awakened K., introduced himself as the son of the Castle steward and said:
'This village is Castle property, anybody residing or spending the night here is effectively residing or spending the night at the Castle. Nobody may do so without permission from the Count. But you have no such permission or at least you haven't shown it yet.'
K., who had half-risen and smoothed his hair, looked at the people from below and said: 'What village have I wandered into? So there is a castle here?'
'Why, of course,' the young man said slowly, while several peasants here and there shook their heads at K., 'the Castle of Count Westwest.'
'And one needs permission to spend the night here?' asked K., as though he wanted to persuade himself that he hadn't perhaps heard the previous statements in a dream.
'Permission is needed' was the reply, and this turned into crude mockery at K.'s expense when the young man, stretching out his arm, asked the landlord and the guests: 'Or perhaps permission is not needed?'
'Then I must go and get myself permission,' said K., yawning and pushing off the blanket, as though he intended to get up.
'Yes, but from whom?' asked the young man.
'From the Count,' said K., 'there doesn't seem to be any alternative.'
'Get permission from the Count, now, at midnight?' cried the young man, stepping back a pace.
'Is that not possible?' K. asked calmly. 'Then why did you wake me up?'"
'This village is Castle property, anybody residing or spending the night here is effectively residing or spending the night at the Castle. Nobody may do so without permission from the Count. But you have no such permission or at least you haven't shown it yet.'
K., who had half-risen and smoothed his hair, looked at the people from below and said: 'What village have I wandered into? So there is a castle here?'
'Why, of course,' the young man said slowly, while several peasants here and there shook their heads at K., 'the Castle of Count Westwest.'
'And one needs permission to spend the night here?' asked K., as though he wanted to persuade himself that he hadn't perhaps heard the previous statements in a dream.
'Permission is needed' was the reply, and this turned into crude mockery at K.'s expense when the young man, stretching out his arm, asked the landlord and the guests: 'Or perhaps permission is not needed?'
'Then I must go and get myself permission,' said K., yawning and pushing off the blanket, as though he intended to get up.
'Yes, but from whom?' asked the young man.
'From the Count,' said K., 'there doesn't seem to be any alternative.'
'Get permission from the Count, now, at midnight?' cried the young man, stepping back a pace.
'Is that not possible?' K. asked calmly. 'Then why did you wake me up?'"
Saturday, January 08, 2011
Stuart Sweeney's Debut Album 16:9
About a year ago I received an email from Stuart Sweeney, who introduced himself as a U.K. based (and Scottish born) musician. He said that after years of working behind-the-scenes for other musicians, he was in the process of releasing a debut album of his own music and that he was looking for images to feature on the CD and album case. He asked if he could use one of the images in my Spirit & Light portfolio that both he and his wife were both strongly drawn to. After a few exchanges via email (during which an "over the pond" friendship soon emerged), and my listening to samples of (what were at the time, unmastered) tracks from the album, I quickly gave my permission.
After hearing Stuart's music, I can say unreservedly say that I am honored to be featured on this enormously talented musician's debut album, which is now available for purchase (in both physical and digital form: click here for the official order page from Stuart's label Oomff, based in Corby, Northants, UK; an mp3 version is also available directly from Amazon, which contains links to samples).
While it is always difficult to attach meaningful words to music (particularly when relying on "conventional" labels and descriptions) - one must always listen and judge for oneself; click here for sample tracks - Stuart's style is best described as ambient music, with a mix of classical, jazz, and new age (electronic / synthetic). On a more gestalt level, Stuart - as an artist - may be described as an impassioned painter of richly textured sonic landscapes.
To my ear (an untrained musician, though I used to play the piano, even before I ever touched a camera), Stuart's aural excursions touch on territories visited by Brian Eno, some early work by Klaus Schulze, and (if an analogy can be drawn between Stuart's electronic creations and the tones of the human voice) Arvo Part. But all of these are but acoustic cousins, which are useful for context but do not do service to Stuart's own creations; for Stuart has carved out a unique - and uniquely beguiling - blend of ambient textures. Each short, self-contained piece transports the listener to other worlds and ethereal dimensions. The soulful interplay between quietly developing melodic strands and rhythms, generates a moodily meditative and contemplative atmosphere. As each piece gently takes hold of your imagination, you are compelled to co-create fantastic acoustic landscapes in your mind's eye as waves of music unfold - and enfold - around you.
If I seem to speak of Stuart's music in almost reverentially spiritual terms, it is because that is the effect it has on me. For Stuart has created some of the most beautifully ethereal - and intellectually mesmerizing! - music I have heard in a long, long time. For anyone who likes to listen to ambient music, I urge you to download some samples and listen to this extraordinary new artist for yourself. Congratulations to an amazing start of what I am sure will be a stellar public musical career! And thank you Stuart for featuring one of my photos on the inside of the case, and the CD itself!
Friday, January 07, 2011
Cosmic Ripples
"If a stone is thrown into a pond,
waves are produced that travel
throughout the pond.
Every wave produces effects
in every part of the pond,
resulting in some influence or other.
Similarly, the wave of individual life
through its activity produces
an influence in all fields of the cosmos."
- Maharishi Mahesh Yogi
Science of Being and Art of Living
"We cannot live only for ourselves.
A thousand fibers connect us
with our fellow men;
and among those fibers,
as sympathetic threads,
our actions run as causes,
and they come back
to us as effects."
- Herman Melville (1819 - 1891)
Thursday, January 06, 2011
Polarity, Paradox, Perception
"Everything is dual;
everything has poles;
everything has its pair of opposites;
like and unlike are the same;
opposites are identical in nature,
but different in degree;
extremes meet;
all truths are but half-truths;
all paradoxes may be reconciled."
- Hermes Trismegistus
(The Kybalian: A Study of the
Hermetic Philosophy of Ancient Egypt and Greece, 1908)
everything has poles;
everything has its pair of opposites;
like and unlike are the same;
opposites are identical in nature,
but different in degree;
extremes meet;
all truths are but half-truths;
all paradoxes may be reconciled."
- Hermes Trismegistus
(The Kybalian: A Study of the
Hermetic Philosophy of Ancient Egypt and Greece, 1908)
"Every perception is an
awareness of contrast,
of a right/wrong, is/isn’t,
bright/dark, hard/soft situation.
If this is the very nature of
awareness, any and every circumstance,
however fortunate, will have
to be experienced as a
good/bad or plus/minus
in order to be experienced at all."
- Alan Watts
In My Own Way (1972)
awareness of contrast,
of a right/wrong, is/isn’t,
bright/dark, hard/soft situation.
If this is the very nature of
awareness, any and every circumstance,
however fortunate, will have
to be experienced as a
good/bad or plus/minus
in order to be experienced at all."
- Alan Watts
In My Own Way (1972)
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