“I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?” - W.G. Sebald, The Rings of Saturn
Thursday, November 29, 2012
Wednesday, November 28, 2012
Rhythmic Waves
"The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow. I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment." - Rabindranath Tagore (1861 - 1941)
Tuesday, November 27, 2012
Sublime Experience
“Therefore it is to a practical mysticism that [...you...] are invited: to a training of ... latent faculties, a bracing and brightening of ... languid consciousness, an emancipation from the fetters of appearance, a turning of ... attention to new levels of the world. Thus ... become aware of the universe which the spiritual artist is always trying to disclose to the race. This amount of mystical perception—this 'ordinary contemplation,' as the specialists call it—is possible to all men: without it, they are not wholly conscious, nor wholly alive. It is a natural human activity, no more involving the great powers and sublime experiences of the mystical saints and philosophers than the ordinary enjoyment of music involves the special creative powers of the great musician.” - Evelyn Underhill (1875 - 1941)
Monday, November 26, 2012
Creative Incubation
“You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.” - Joseph Campbell (1904 - 1987)
Sunday, November 25, 2012
Apparent Complexities
Wednesday, September 26, 2012
Why the heck is he taking a picture of that?
A while back, I blogged about a series of images I call "Photographing the Photographer" diptychs (or PPDs), consisting of two side-by-side images: one image - taken by my wife - is of yours truly happily snapping away with my camera, oblivious to everything except what is in front of the tripod; the other, is of the "final print" of whatever it was that caught my attention at that instant. While the dissonance between the "final print" and the - sometimes bizarre - postures I assume while setting up a shot (and/or puzzling places in which I set up my tripod to begin with!) was not as great as in past adventures (e.g., look here and here), my wife managed to catch me "in the act" during three shots I took during our recent trip out west (see previous blog entries). Of course, each has its own story.
In the diptych at top, I recall both our boys (Noah, 13, and Josh, 9) circling around, curious about what caught my eye. "Is there a bird?", Noah asked. "A frog?" inquired Josh. "Just a log, guys," I answered. They gingerly walked up to the nondescript log by the water, giggled, and with an obligatory, "Dad, you are so weird!" went back to frolicking about the lakeshore (we were standing at the northern end of Yellowstone lake). In truth, it was more the light, and the play between the light, grass, and contrast between the log and grass that caught my eye, but my hunch is that a fuller "explanation" would have induced more giggling.
In this shot, I stood locked in my hunched position (for which my back repaid me later by locking up completely at night) for 30-45 min, moving ever so slightly left-right / up-down trying a number of subtlety different compositions. My kids (along for a family hike at Bear Lake, CO) did not even bother to stop to inquire, though I caught a "Yep, at it again" as they made their way up the trail. I did get a few quizzical looks from passerbys, one commenting to another (a bit too loudly I thought), "Why the heck is he taking a picture of that?" This abstract root-contusion is among my favorite shots of the whole trip!
This final diptych finds me hunched over a a shot of Yellowstone's Lower Falls. In contrast to the earlier images, in which I "slaved" over myriad attempts to find a pleasing composition, I took but one shot here (worth keeping), but had to stay glued to my spot for what seemed like an eternity because of the swarm of visitors, a few of whom - sad to say - were less than polite. I was stomped on, pinched, shoved, yelled at (true!), had my tripod yanked (twice!), and even had to do a quick duck and cover to save my camera as a burping baby got a bit too close for comfort with recent-meal-induced projectiles. Though I needed no more than 10 sec to compose and click, it took 10-15 minutes (!) to find a stretch of uninterrupted time into which I could fit those precious 10 sec! As I got my shot, and turned to leave, I found my wife quietly and contentedly standing behind me, having gotten her shot of me almost immediately after I set up my tripod. Smiling (and in mock resignation), she simply asked: "Just how long does it take you to get a simple shot?"
Postscript. I was "yelled" at for having the gall to wear a NY Yankees hat in Wyoming... what insolence! ;-)
Postscript. I was "yelled" at for having the gall to wear a NY Yankees hat in Wyoming... what insolence! ;-)
Saturday, September 22, 2012
Wordless Influences
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