Edge of the Sea

"The shore is an ancient world, for as long as there has been an earth and sea there has been this place of the meeting of land and water. Yet it is a world that keeps alive the senses of continuing creation and of the relentless drive of life. Each time that I enter it, I gain some new awareness of its beauty and its deeper meanings, sensing that intricate fabric of life by which one creature is linked with another, and each with its surroundings...

There is a common thread that links these scenes and memories–the spectacle of life in all its varied manifestation as it appeared, evolved and sometimes died out. Underlying the beauty if the spectacle there is meaning and significance. It is the elusiveness of that meaning that haunts us, that sends us again and again into the natural world where the key to this riddle is hidden.

It sends us back to the edge of the sea, where the drama of life played its first scene on earth and perhaps even its prelude; where the forces of evolution are at work today, as they have been since the appearance of what we know as life, and where the spectacle of living creatures faced by the cosmic realities of their world is crystal clear." 

- Rachel Carson (1907 - 1964)

The Edge of the Sea

Feeling of Wonder

"This oceanic feeling of wonder

is the common source of 

religious mysticism,

of pure science and

art for art's sake." 

- Arthur Koestler (1905 - 1983)

Goethian Wholeness

"In following Goethe's approach to scientific knowledge, one finds that the wholeness of the phenomenon is intensive. The experience is one of entering into a dimension that is the phenomenon, not behind or beyond it, but which is not visible at first. It is perceived through the mind, when the mind functions as an organ of perception instead of the medium of logical thought. Whereas mathematical science begins by transforming the contents of sensory perception into quantitative values and establishing a relationship between them, Goethe looked for a relationship between the perceptual elements that left the contents of perception unchanged. He tried to see these elements themselves holistically instead of replacing them by a relationship analytically. Ernst Cassirer said, 'the mathematical formula strives to make the phenomena calculable, that of Goethe to make them visible."

- Henri Bortoft (1938 - 2012)

The Wholeness of Nature

Deep Infinity

“Deep, deep infinity! 

Quietness. 

O dream away from the 

tensions of daily living; 

to sail over a calm sea at 

the prow of a ship,

toward a horizon that always recedes;

to stare at the passing waves and listen to

their monotonous soft murmur;

to dream away into unconsciousness ..."

- M.C. Escher (1898-1972)

Hidden Meaning

"Everything in the world has

a hidden meaning. . . .

Men, animals, trees, stars,

they are all hieroglyphics.

When you see them you

do not understand them.

You think they are really men,

animals, trees, stars.

It is only years later

that you understand."

- Nikos Kazantzakis

(1883 - 1957)

Mystical Perception

"It is to a practical mysticism that [...you...] are invited: to a training of ... latent faculties, a bracing and brightening of ... languid consciousness, an emancipation from the fetters of appearance, a turning of ... attention to new levels of the world. Thus ... become aware of the universe which the spiritual artist is always trying to disclose to the race. This amount of mystical perception—this 'ordinary contemplation,' as the specialists call it—is possible to all men: without it, they are not wholly conscious, nor wholly alive. It is a natural human activity, no more involving the great powers and sublime experiences of the mystical saints and philosophers than the ordinary enjoyment of music involves the special creative powers of the great musician."

- Evelyn Underhill (1875 - 1941)

Mysticism

Innocence of Vision

"The only provable reality of a photograph is its physical existence — a flat piece of paper with some smudges on one side...Most adults have to regain the ability to experience pictures directly and deeply. Contrary to their convictions that they understand everything, most people have to reestablish the ability to let a photograph speak for itself. And paradoxes abound, one has to earn the innocence of vision — by hard effort, by serious and deliberate search for meanings in photographs."

- Minor White (1908 - 1976)

Aperture Magazine Anthology:The Minor White Years, 1952-1976