A Participatory Universe

"Spacetime in the prequantum dispensation was a great record parchment. This sheet, this continuum, this carrier of all that is, was and shall be, had its definite structure with its curves, waves and ripples; and on this great page every event, like a glued down grain of sand, had its determinate place. In this frozen picture a far-reaching modification is forced by the quantum. What we have the right to say of past spacetime, and past events, is decided by choices – of what measurements to carry out – made in the near past and now. The phenomena called into being by these decisions reach backward in time in their consequences ... back even to the earliest days of the universe. Registering equipment operating in the here and now has an undeniable part in bringing about that which appears to have happened. Useful as it is under everyday circumstances to say that the world exists “out there” independent of us, that view can no longer be upheld. There is a strange sense in which this is a 'participatory universe'."

- John Archibald Wheeler

(1911 - 2008)

Light

"I almost never set out

to photograph a landscape,

nor do I think of my camera

as a means of recording a mountain

or an animal unless I absolutely

need a 'record shot'.

My first thought

is always of light."

- Galen Rowell

(1940 - 2002)

Description of Reality

"Words and ideas

are a description of reality,

silence is a negation of reality.

What is the reality itself?"

- John Daido Loori

(1931 - 2009)

Temporarily Identifiable Wiggles

“A living body is not a fixed thing but a flowing event, like a flame or a whirlpool: the shape alone is stable, for the substance is a stream of energy going in at one end and out at the other. We are particularly and temporarily identifiable wiggles in a stream that enters us in the form of light, heat, air, water, milk, bread, fruit, beer, beef Stroganoff, caviar, and pate de foie gras. It goes out as gas and excrement - and also as semen, babies, talk, politics, commerce, war, poetry, and music. And philosophy.”

- Alan Watts

(1915 - 1973)

Swirls, Whorls, and Tendrils

"Big whorls have little whorls

Which feed on their velocity,

And little whorls have lesser whorls

And so on to viscosity."

- Lewis Fry Richardson (1881 - 1953)

Weather Prediction by Numerical Process

Postscript: additional images from this series

Aeons of Creation

"The dawn wind in the High Sierra is not just a passage of cool air through forest conifers, but within the labyrinth of human consciousness becomes a stirring of some world-magic of most delicate persuasion. The grand lift of the Tetons is more than a mechanistic fold and faulting of the earth's crust; it becomes a primal gesture of the earth beneath a greater sky. And on the ancient Acadian coast an even more ancient Atlantic surge disputes the granite headlands with more than the slow, crumbling erosion of the seas. Here are forces familiar with the aeons of creation, and with the aeons of the ending of the world."

- Ansel Adams

(1902 - 1984)

Mystery and Awe

“I have a friend who's an artist and has sometimes taken a view which I don't agree with very well. He'll hold up a flower and say "look how beautiful it is," and I'll agree. Then he says "I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing," and I think that he's kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe. Although I may not be quite as refined aesthetically as he is ... I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it's not just beauty at this dimension, at one centimeter; there's also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don't understand how it subtracts.” 

- Richard Feynman

(1918-1988)