Beyond One's Reach

"What is frequently appreciated
in many so-called symbols
is exactly their vagueness,
their openness,
their fruitful ineffectiveness
to express a 'final' meaning,
so that with symbols
and by symbols one
indicates what is always
beyond one's reach."

- Umberto Eco (1932 - 2016)
Semiotics and the Philosophy of Language

Imagination Itself

"The tree which moves
some to tears of joy
is in the eyes of others
only a green thing
that stands in the way.
Some see nature all
ridicule and deformity...
and some scarce see
nature at all.
But to the eyes of
the man of imagination,
nature is imagination itself."

- William Blake (1757 - 1827)

Just Sitting

"Thoughts well up in our
mind moment by moment.
But we refrain from doing
anything with our thoughts.
We just let everything come
up freely and go away freely.
We don’t grasp anything.
We don’t try to control anything.
We just sit."

- John Daido Loori (1931 - 2009)
 The Art of Just Sitting

Edge of Chaos

"Complex systems have evolved which may have learned to balance divergence and convergence, so that they're poised between chaos and order ... It's precisely those systems that can simultaneously perform the most complex tasks and evolve, in the sense that they can accumulate successive useful variations. The very ability to adapt is itself, I believe, the consequence of evolution. You have to be a certain kind of complex system to adapt, and you have to be a certain kind of complex system to coevolve with other complex systems. We have to understand what it means for complex systems to come to know one another — in the sense that when complex systems coevolve, each sets the conditions of success for the others. I suspect that there are emergent laws about how such complex systems work, so that, in a global, Gaia-like way, complex coevolving systems mutually get themselves to the edge of chaos, where they're poised in a balanced state."

- Stuart Kauffman (1939 - )

Touchstones and Palimpsests

"We’re so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology … But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone."

- Haruki Murakami (1949 - )
Kafka on the Shore

The panels of this triptych are "digital double exposures" of images taken at two very different times and places: the foreground consists of photographs of reeds in a pond and a tree basking in a warm sun one autumn day in 2003 at one of my favorite little parks near where my mom used to live on Long Island (before passing away in 2017); the background consists of splotches of paint I found on an old tire that was bobbing up and down in the Port of Piraeus in Athens, Greece in the summer of 2008 as my wife and I were waiting for a boat-ride to Santorini. The fusion of images serves as both touchstone and palimpsest, tinged with melancholy and hope. Melancholy, because ever since my mom's passing, the little park has become less a place to visit, and more a ghostly memory of times past; and the Athenian splotches of paint serve only to strengthen my wife's and my own longing for trips to "faraway places" that - before the pandemic - we used to take for granted. And hope, because though such memories of times and places are indeed ghostly, they also point to happy experiences yet to arrive. Memories fade, but meaning only deepens.   

"It is as if the Caru'ee were able
to perceive an echo of the past,
and unconsciously, as they built
upon a palimpsest of books written
long ago and long forgotten,
chanced to stumble upon an essence
of meaning that could not be lost,
no matter how much
time had passed." 

- Ken Liu (1976 - )
The Paper Menagerie and Other Stories

Silence

“How to be a Poet
(to remind myself)

i

Make a place to sit down.

Sit down. Be quiet.

You must depend upon

affection, reading, knowledge,

skill—more of each

than you have—inspiration

work, growing older, patience,

for patience joins time

to eternity…

ii

Breathe with unconditional breath

the unconditioned air.

Shun electric wire.

Communicate slowly. Live

a three-dimensional life;

stay away from screens.

Stay away from anything

that obscures the place it is in.

There are no unsacred places;

there are only sacred places

and desecrated places.

iii

Accept what comes from silence.

Make the best you can of it.

Of the little words that come

out of the silence, like prayers

prayed back to the one who prays,

make a poem that does not disturb

the silence from which it came.”

- Wendell Berry (1934 - )
 Given

Looking Inward

"He sees the truth as with a jolt. There it is, within his own being, lying deep down but still in his own self. There never was any need to travel anywhere to find it; no need to visit anyone who was supposed to have it already, and sit at his feet; not even to read any book, however sacred or inspired. Nor could another person, place, or writing give it to him; he would have to unveil it for himself in himself. The others could direct him to look inwards, thus saving all the effort of looking elsewhere. But he himself would have to give the needful attention to himself. The discovery must be his own, made within the still center of his being."

- Paul Brunton (1898 - 1981)
Advanced Contemplation: The Peace Within You