Temporality #2

"But what about "time"? After all it is not a bundle in which past, future and present are wrapped up together. Time is not a cage in which the "no longer now," the "not yet now," and the "now" are cooped up together. How do matters stand with "time"? They stand thus: time goes. And it goes in that it passes away. The passing of time is, of course, a coming, but a coming which goes, in passing away. What comes in time never comes to stay, but to go. What comes in time always bears beforehand the mark of going past and passing away. This is why everything temporal is regarded simply as what is transitory."

- Martin Heidegger (1889 - 1976)
What is Called Thinking?

Postscript. A lesson my dad (an artist, who passed away a much too long 19 years ago) implicitly drilled in to me - oh, ever so gently, as it was simply a way of life with him; something he did as instinctually as most people breathe - was the importance of constant play and experimentation (something I've underscored before in another context). As I wrote a few days ago, I am "revisiting" - and rediscovering - the ephemeral beauty that lives and dwells in flame. And so, in the spirit of my dad's freewheeling jazz-like improvisation, I've been toying with alternative ways of "seeing" - after the fact - more deeply into what only my lens can see when the flame I am pointing my camera at is alive. My first stab (as shown in an earlier post) was to use triptychs to emphasize the "dance" within the flame; the preliminary fruits of which have already spawned a small portfolio (with more to follow). An example of an "improvised" second take on this idea is shown above. It is still a triptych, but here each frame merges three separate images, captured in rapid succession during a given sequence (individual images are still exposed between 1/2000th and 1/5000th sec). The implied enfolding makes the flame look even more organic and alive! Perhaps - with a nod to Goethe, who famously described architecture as "frozen music" - I ought to call these ethereal moments frozen fire.

Miniature Universe

"All the matter of the world that surrounds us, the food that we eat, the water that we drink, the air that we breathe, the stones that our houses are built of, our own bodies — everything is permeated by all the matters that exist in the universe. There is no need to study or investigate the sun in order to discover the matter of the solar world; this matter exists in ourselves and is the result of the division of our atoms. In the same way we have in us the matter of all other worlds. Man is, in the full sense of the term, a 'miniature universe'; in him are all the matters of which the universe consists; the same forces, the same laws that govern the life of the universe, operate in him; therefore in studying man we can study the whole world, just as in studying the world we can study man."

- P. D. Ouspensky (1878 - 1947)

Temporality

"The moment is that ambiguity in which time and eternity touch each other, and with this the concept of temporality is posited, whereby time constantly intersects eternity and eternity constantly pervades time. As a result, the above-mentioned division acquires its significance: the present time, the past time, the future time.

...

A moment as such is unique. To be sure, it is short and temporal, as the moment is; it is passing, as the moment is, past, as the moment is in the next moment, and yet it is decisive, and yet it is filled with the eternal. A moment such as this must have a special name. Let us call it: the fullness of time.

...

The fullness of time is the moment as the eternal, and yet this eternal is also the future and the past. If attention is not paid to this, not a single concept can be saved from a heretical and treasonable admixture that annihilates the concept."

- Søren Kierkegaard (1813 -1855)

Postscript. What you are looking at are three closeups of a small flame (less than a few inches in height) captured at about 1/3000th of a sec. While I have toyed with "abstract flames" many years ago (e.g., see here), those earlier experiments used fairly large open flames; such as when my family and I would gather around our backyard firepit after an autumn barbecue. This new series (that I've only just started playing with) is decidedly different. I still use a "firepit," but one that is only 5 inch wide! The beauty of the minimalist "ephemeral sculptures" - that dance so elegantly to and fro - is mesmerizing! Part of the appeal is undeniably philosophical: these sculptures live far too briefly to be visible while "alive"; their presence may be felt only long after they have ceased to be. Testaments to both temporality and the fullness of time.

Beyond One's Reach

"What is frequently appreciated
in many so-called symbols
is exactly their vagueness,
their openness,
their fruitful ineffectiveness
to express a 'final' meaning,
so that with symbols
and by symbols one
indicates what is always
beyond one's reach."

- Umberto Eco (1932 - 2016)
Semiotics and the Philosophy of Language

Imagination Itself

"The tree which moves
some to tears of joy
is in the eyes of others
only a green thing
that stands in the way.
Some see nature all
ridicule and deformity...
and some scarce see
nature at all.
But to the eyes of
the man of imagination,
nature is imagination itself."

- William Blake (1757 - 1827)

Just Sitting

"Thoughts well up in our
mind moment by moment.
But we refrain from doing
anything with our thoughts.
We just let everything come
up freely and go away freely.
We don’t grasp anything.
We don’t try to control anything.
We just sit."

- John Daido Loori (1931 - 2009)
 The Art of Just Sitting

Edge of Chaos

"Complex systems have evolved which may have learned to balance divergence and convergence, so that they're poised between chaos and order ... It's precisely those systems that can simultaneously perform the most complex tasks and evolve, in the sense that they can accumulate successive useful variations. The very ability to adapt is itself, I believe, the consequence of evolution. You have to be a certain kind of complex system to adapt, and you have to be a certain kind of complex system to coevolve with other complex systems. We have to understand what it means for complex systems to come to know one another — in the sense that when complex systems coevolve, each sets the conditions of success for the others. I suspect that there are emergent laws about how such complex systems work, so that, in a global, Gaia-like way, complex coevolving systems mutually get themselves to the edge of chaos, where they're poised in a balanced state."

- Stuart Kauffman (1939 - )