Geometry of Color

"Can't we imagine certain people having a different geometry of color than we do? That, of course, means: Can't we imagine people having color concepts other than ours? And that in turn means: Can't we imagine people who do not have our color concepts but who have concepts which are related to ours in such a way that we would also call them 'color concepts'? For here (when I consider Colors for example) there is merely an inability to bring concepts into some kind of order. We stand there like the ox in front of the newly painted stall door."

- Ludwig Wittgenstein (1889 - 1951)
Remarks on Color

"Song for Autumn"

"Don’t you imagine the leaves dream now
how comfortable it will be to touch
the earth instead of the
nothingness of the air and the endless
freshets of wind? And don’t you think
the trees, especially those with
mossy hollows, are beginning to look for
the birds that will come—six, a dozen—to sleep
inside their bodies? And don’t you hear
the goldenrod whispering goodbye,
the everlasting being crowned with the first
tuffets of snow? The pond
stiffens and the white field over which
the fox runs so quickly brings out
its long blue shadows. The wind wags
its many tails. And in the evening
the piled firewood shifts a little,
longing to be on its way."

- Mary Oliver (1935 - 2019)
"Song for Autumn"

Capturing Surrealities - #2

"Far away there in the sunshine
are my highest aspirations.
I may not reach them, but I can 
look up and see their beauty,
believe in them, and try
to follow where they lead."

- Louisa May Alcott (1832 - 1888 )

This is a second batch of "surrealities," captured using my iPhone during a recent trip to Niagara, CA. Each is an example of the myriad photographic possibilities that almost always present themselves merely by looking up (or down) 😊... The "truth" revealed: the left and right images are lights on the ceiling of two restaurants we ate at, while the center image is the ceiling just outside the second floor entrance to the Table Rock Market, which overlooks the Canadian side of the falls.

Capturing Surrealities - #1

"Unlike other media, a photograph is always based on a real, material origin. Rather than looking at this as a disadvantage, we should understand that this same fact makes photography the ultimate surreal medium – simply because photography, although based on reality, is very far from the truth."

- Sergio Muscat – Abstract Photography/YouTube

While still on the subject of my wife's and my recent weekend trip to Niagara, CA (see posts 1, 2, and 3) - I am working on a few more images I will be sharing in the coming days - the triptych contains three "less than obvious" (surreal?) views of our trip as captured by my iPhone. The "truth" revealed, left to right: a plasma cylinder used to lure visitors into the House of Frankenstein ... a time exposure of a dynamic art display inside a wonderful Indian restaurant called The Dhaba On The Falls (I was given permission to take a shot while we waited for our food to arrive 😊... and an upside down view of some lights hanging on a wall by the luggage conveyor belt at the Buffalo the Buffalo Niagara International Airport. While these humble images may be a far cry from, say, epic Icelandic landscapes - and are probably not to everyone's tastes - I confess that these little surrealities provide me me no end of pleasure when I "discover" them in the wild. It is also worth remembering (by all photographers, from beginner to seasoned pro) that there are always compositional opportunities waiting to be seen and captured.

Expanding Our Vision

"Science seeks to understand complex processes by reducing them to their essential actions and studying the interplay of those actions; and this reductionist approach extends to art as well. Indeed, my focus on one school of art, consisting of only three major representatives [Gustav Klimt, Oskar Kokoschka, and Egon Schiele], is an example of this. Some people are concerned that a reductionist analysis will diminish our fascination with art, that it will trivialize art and deprive it of its special force, thereby reducing the beholder's share to an ordinary brain function. I argue to the contrary, that be encouraging a focus on one mental process at a time, reductionism can expand our vision and give us new insights into the nature and creation of art. These new insights will enable us to perceive unexpected aspects of art that derive from the relationships between the biological and psychological phenomena."

- Eric Kandel (1929 - )
The Age of Insight

The Clearest Way Into the Universe

"And into the forest I go,
to lose my mind and find my soul.
...
Most people are on the world, not
in it — have no conscious sympathy
or relationship to anything about
them — undiffused, separate, and
rigidly alone like marbles of
polished stone, touching but separate.
...
The clearest way into the Universe
is through a forest wilderness."

- John Muir (1838 - 1914)

The image above was captured - or, more precisely (following on the heels of Kim Grant's superlative video meditation on the follies of doing photography while stressed; Kim is one of my favorite YouTube photographers: list here), was creatively seen while I was in a quiet state of mind - along a trail at the Niagara Glen Nature Centre I've been posting about recently. As Kim's beautifully eloquent vlog post says so much better than I am able to by using only lifeless words and a lonely image, it is only when we allow ourselves to slooooow down while doing photography, and let go of our everyday pressures and stressors (as I had the privilege of doing for a few happy hours last weekend while on a trip with my wife), that we can take those first steps beyond just "capturing" images to seeing them. Indeed, it is in those brief precious moments when we somehow manage to quiet the "chatter in our heads" (as Alan Watts liked to describe the constant internal noise we all live with as conscious beings), that the illusory boundary between "self" and "world" dissipates to reveal nature's bountiful creative possibilities. Thank you, Kim, for a wonderfully poignant reminder of the need to clear our minds and become one with nature and our surroundings, if only for a few moments 😊

Impressions of Niagara Falls

"Dream delivers us to dream,
and there is no end to illusion.
Life is like a train of moods
like a string of beads, and, as
we pass through them, they prove 
to be many-colored lenses which
paint the world their own hue..."

- Ralph Waldo Emerson (1803 - 1882)

I mentioned in my last post that my wife and I took a short trip to Niagara Falls, Canada last weekend. I also mentioned that I was a bit underwhelmed by the falls themselves; as a photographer "seeing" the falls for the first time (the "tourist" in me was enthralled, and my iPhone has about a half dozen snaps to prove it). Rather than taking photographs of the "falls as they appear in their full splendor," I instead took a series of more intimate "impressions" of the falls. 

Apart from their sheer size - the height varies between 70 and 100 ft, the Canadian portion is close to 2,600 ft wide, while the U.S. side is a bit over 1,000 ft) - Niagara falls are cacophonous and effervescent; indeed, they are best described as a thunderously loud living liquid chaos! While the images that accompany this post may fall (small pun intended) far short of conveying just how thunderously loud and chaotic the falls are, they do provide a sense of what the falls offer photographers apart from their (otherwise grand) splendor.