Sovereignty of the Intellect

"The Greeks made Space the subject-matter of a science of supreme simplicity and certainty. Out of it grew, in the mind of classical antiquity, the idea of pure science. Geometry became one of the most powerful expressions of that sovereignty of the intellect that inspired the thought of those times. At a later epoch, when the intellectual despotism of the Church, which had been maintained through the Middle Ages, had crumbled, and a wave of skepticism threatened to sweep away all that had seemed most fixed, those who believed in Truth clung to Geometry as to a rock, and it was the highest ideal of every scientist to carry on his science 'more geometrico.'"

- Hermann Weyl (1885 - 1955)

Timeless Life

"...in the case of trees and certain other forms of plant life, they already have a structure that expresses perfectly a timeless life in more than three dimensions. Being motionless, the only movement is that of their growth, which leaves a solid trail of wood behind in much the same way we ourselves are leaving a long stream of ghostly images. The tree's shape is its history, each bough the curve of a magnificent time statue which I can assure you that we folk Upstairs appreciate just as enthusiastically as do you humans."

- Alan Moore (1953 - )

Jerusalem 

Garden of Forking Paths

"The Garden of Forking Paths is an enormous guessing game, or parable, in which the subject is time. The rules of the game forbid the use of the word itself. To eliminate a word completely, to refer to it by means of inept phrases and obvious paraphrases, is perhaps the best way of drawing attention to it. This, then, is the tortuous method of approach preferred by the oblique Ts'ui Pen in every meandering of his interminable novel. I have gone over hundreds of manuscripts, I have corrected errors introduced by careless copyists, I have worked out the plan from this chaos, I have restored, or believe I have restored, the original. I have translated the whole work. I can state categorically that not once has the word time been used in the whole book. 

"The explanation is obvious. The Garden of Forking Paths is a picture, incomplete yet not false, of the universe such as Ts'ui Pen conceived it to be. Differing from Newton and Schopenhauer, your ancestor did not think of time as absolute and uniform. He believed in an infinite series of times, in a dizzily growing, ever spreading network of diverging, converging and parallel times. This web of time - the strands of which approach one another, bifurcate, intersect or ignore each other through the 

centuries - embraces every possibility. We do not exist in most of them. In some you exist and not I, while in others I do, and you do not, and in yet others both of us exist. In this one, in which chance has favored me, you have come to my gate. In another, you, crossing the garden, have found me dead. In yet another, I say these very same words, but am an error, a phantom.

- Jorge Luis Borges (1899 - 1986)

"The Garden of Forking Paths" in Ficciones 

Order of Thought

"But spontaneity is not by any means a blind, disorderly urge, a mere power of caprice. A philosophy restricted to the alternatives of conventional language has no way of conceiving an intelligence which does not work according to plan, according to a one-at-a-time order of thought. Yet the concrete evidence of such an intelligence is right to hand in our own thoughtlessly ordered bodies. For the Tao does not 'know' how it produces the universe just as we do not 'know' how we construct our brains."

- Alan Watts (1915 - 1973)

The Way of Zen

Creation Myths

"Religious discourse was not intended to be understood literally because it was only possible to speak about a reality that transcended language in symbolic terms. The story of the lost paradise was a myth, not a factual account of a historical event. People were not expected to “believe" it in the abstract; like any mythos, it depended upon the rituals associated with the cult of a particular holy place to make what it signified a reality in the lives of participants.

The same applies to the creation myth that was central to ancient religion and has now become controversial in the Western world because the Genesis story seems to clash with modern science. But until the early modern period, nobody read a cosmology as a literal account of the origins of life. In the ancient world, it was inspired by an acute sense of the contingency and frailty of existence. Why had anything come into being at all, when there could so easily have been nothing? There has never been a simple or even a possible answer to this question, but people continue to ask it, pushing their minds to the limit of what we can know."

- Karen Armstrong (1944 - )

The Case for God

A Glimpse of Reality

"In short, [Einstein's General Theory of Relativity] describes a colorful and amazing world where universes explode, space collapses into bottomless holes, time sags and slows near a planet, and the unbounded extensions of interstellar space ripple and sway like the surface of the sea... And all of this...was not a tale told by an idiot in a fit of lunacy or a hallucination caused by Calabria's burning Mediterranean sun and its dazzling sea. It was reality. Or better, a glimpse of reality, a little less veiled than our blurred and banal everyday view of it. A reality that seems to be made of the same stuff that our dreams are made of, but that is nevertheless more real than our clouded, quotidian dreaming."

- Carlo Rovelli (1956 - )

Seven Brief Lessons on Physics

Firmament

"Throughout the earth there are ancient forms, forms incorruptible and eternal; any one of them could be the symbol I sought. A mountain could be the speech of the god, or a river or the empire or the configuration of the stars. But in the process of the centuries the mountain is leveled and the river will change its course, empires experience mutilation and havoc and the configuration of the stars varies. There is change in the firmament. The mountain and the star are individuals and individuals perish. I sought something more tenacious, more invulnerable. I thought of the generations of cereals, of grasses, or birds, of men. Perhaps the magic would be written on my face, perhaps I myself was the end of my search.”

- Jorge Luis Borges (1899 - 1986)

Labyrinths: Selected Stories and Other Writings