Q&A/Portfolio in Gathered Light Magazine

Some of you may have noticed that the latest issue of the new magazine I recently wrote about (GLM = Gathered Light Magazine) featured a question-and-answer (Q&A) with me on a variety of photography and philosophy related topics, along with some general thoughts on the creative process. GLM's editor, Micheal MacEoghain, kindly allowed me to post an Adobe PDF version of the Q&A. While long-time readers of my blog are unlikely to discover anything "new" in these 20 or so pages, newcomers will get a nice summary of my deepest photographic passions and aspirations. I was impressed - even moved - by the depth, breath and overall quality of the questions Micheal asked me to ponder. I have done similar Q&As over the years for a variety of venues (online and print), but past efforts seldom tasked me beyond responding to the simplest, "So, what got you started in photography?" queries. Micheal's probing questions are all distinctly different. "Whoa!" I thought to myself when I got his list at the end of November, "I've never had anyone read through my entire blog and know each and every image posted on my website!" As for what Micheal wrote about my work in his intro, all I can say is that I am sincerely humbled. I'll end with one last shout-out of "Thanks!" to Micheal for letting me post this Q&A. To view it (and/or download) just click on the image above😊

Leaving a Trace

"The enlightened mind is like a bird in flight that leaves no trace of its path. People will say, 'A bird just flew by.' In their mind, there is a trace of the bird’s path. This is attachment. For the enlightened practitioner, that moment is already gone—the bird has left no trace of its flight. Like the bird, from moment to moment the enlightened practitioner’s actions do not leave any trace."

- Sheng Yen (1931 - 2009)
The Method of No-Method

An Invisible Influence

"The difference between the Platonic theory and the morphic-resonance hypothesis can be illustrated by analogy with a television set. The pictures on the screen depend on the material components of the set and the energy that powers it, and also on the invisible transmissions it receives through the electromagnetic field. A sceptic who rejected the idea of invisible influences might try to explain everything about the pictures and sounds in terms of the components of the set – the wires, transistors, and so on – and the electrical interactions between them. Through careful research he would find that damaging or removing some of these components affected the pictures or sounds the set produced, and did so in a repeatable, predictable way. This discovery would reinforce his materialist belief. He would be unable to explain exactly how the set produced the pictures and sounds, but he would hope that a more detailed analysis of the components and more complex mathematical models of their interactions would eventually provide the answer. Some mutations in the components – for example, by a defect in some of the transistors – affect the pictures by changing their colors or distorting their shapes; while mutations of components in the tuning circuit cause the set to jump from one channel to another, leading to a completely different set of sounds and pictures. But this does not prove that the evening news report is produced by interactions among the TV set’s components. Likewise, genetic mutations may affect an animal’s form and behavior, but this does not prove that form and behavior are programmed in the genes. They are inherited by morphic resonance, an invisible influence on the organism coming from outside it, just as TV sets are resonantly tuned to transmissions that originate elsewhere."

- Rupert Sheldrake (1942 - )

Mimir’s Well

"Odin’s eye remains in Mimir’s well,
preserved by the waters that feed the world ash,
seeing nothing, seeing everything. Time."

- Neil Gaiman (1960 - )
Norse Mythology

Boreal Abstraction

"Though winter is represented in the almanac as an old man, facing the wind and sleet, and drawing his cloak about him, we rather think of him as a merry wood-chopper, and warm-blooded youth, as blithe as summer. The unexplored grandeur of the storm keeps up the spirits of the traveler. It does not trifle with us, but has a sweet earnestness. In winter we lead a more inward life. Our hearts are warm and cheery, like cottages under drifts, whose windows and doors are half concealed, but from whose chimneys the smoke cheerfully ascends. The imprisoning drifts increase the sense of comfort which the house affords, and in the coldest days we are content to sit over the hearth and see the sky through the chimney top, enjoying the quiet and serene life that may be had in a warm corner by the chimney side, or feeling our pulse by listening to the low of cattle in the street, or the sound of the flail in distant barns all the long afternoon. No doubt a skillful physician could determine our health by observing how these simple and natural sounds affected us. We enjoy now, not an oriental, but a boreal leisure, around warm stoves and fireplaces, and watch the shadow of motes in the sunbeams."

- Henry David Thoreau (1817 - 1862)

Glittering Universe

"There may be no such thing as the
'glittering central mechanism of the universe'
but magic may be better description
of the treasure that is waiting."

- John Archibald Wheeler (1911 - 2008)

Synaptic Plasticity

"We found that trees could communicate, over the air and through their roots. Common sense hooted us down. We found that trees take care of each other. Collective science dismissed the idea. Outsiders discovered how seeds remember the seasons of their childhood and set buds accordingly. Outsiders discovered that trees sense the presence of other nearby life. That a tree learns to save water. That trees feed their young and synchronize their masts and bank resources and warn kin and send out signals to wasps to come and save them from attacks. Here’s a little outsider information, and you can wait for it to be confirmed. A forest knows things. They wire themselves up underground. There are brains down there, ones our own brains aren’t shaped to see. Root plasticity, solving problems and making decisions. Fungal synapses. What else do you want to call it? Link enough trees together, and a forest grows aware."

- Richard Powers (1957 - )
The Overstory

Mind Over matter

"The very act of thinking involves the redistribution of atoms, specifically the transference of mental information via mRNA (messenger RNA) in the neurons to protein chains at the ends of the dendrites where the new memories are held. Thus, the more a person uses his mind, the more protein in his dendrites and the more complex his brain. According to this view, 'all thought is psychokinetic' because the very act of thinking, by definition, involves a mental event being changed into a physical one: a thought becomes a memory, that is, mind over matter."

- Marc Seifer (1948 - )

"Gathered Light Magazine" - An Exemplary New Photography Magazine

A magnificent new photography journal has appeared, thanks to the efforts - better: thanks to the love and devotion - by photographer, writer, and editor, Micheal MacEoghain. It is called Gathered Light Magazine (GLM) and - as of January 2026 - there are five issues for all to enjoy. According to Micheal's Substack page, he explores the intersections of nature, healing, and conservation. From GLM, we learn that Micheal holds degrees in anthropology and art history, and has done masters work in music composition and underwater archeology. These sensibilities are manifestly obvious in GLM. Indeed, this is what separates this new magazine from what seems like a crowded field, but really is not. I can think of few other photography journals that so seamlessly blend art and photography, technique and vision, conservation, ecology, and even delves into psychology and healing. In short, calling GLM a photography magazine is a grave misjustice, since it offers so much more.

Except for the inaugural issue, each of the last four issues focuses on a single theme (Issue 2 = Ocean, Issue 3 = Inner Landscape, Issue 4 = Wildlife, and Issue 5 = Trees), but also includes a vast assortment of additional material that expand on broader subjects. GLM happily has two traits in common with one of my favorite photography magazines, Lenswork. One is that the photography itself is stellar, including a generous sampling of Micheal's own wonderful images. The other is that there are no advertisements, apart from a single "support our work" page nestled toward the end of each issue. So, Micheal, Kudos on an exemplary new magazine! 

Individual issues range in size from about 90 pages to 150 and are all free to read online - just follow the links that appear on the main page (pdf versions can also be purchased for 4.95USD). 

My recommendation? Right after you finish reading this blog post, grab a cup of coffee (or tea, or cocoa, or your favorite drink that you enjoy sipping for a long while), bring your laptop or iPad to whatever is your most comfortable easy chair or sofa, turn off all notifications, and just start reading. You won't regret it!

Mystery of Life

 "Beauty is the mystery of life.
It is not in the eye it is in the mind.
In our minds there is awareness of perfection ...
See perfection in every thing around
you.
...
All human knowledge is useless in art work.
Concepts, relationships, categories, classifications,
deductions are distractions of mind that we 
wish to hold free for inspiration.
...
Happiness is being on the beam with life
– to feel the pull of life."

- Agnes Martin (1912 - 2004)
Beauty Is the Mystery of Life