Infinite Garden

"The Author of nature has been able to employ this divine and infinitely wonderful power of art, because each portion of matter is not only infinitely divisible, as the ancients observed, but is also actually subdivided without end, each part into further parts, of which each has some motion of its own; otherwise it would be impossible for each portion of matter to express the whole universe. [...] Each portion of matter may be conceived as like a garden full of plants and like a pond full of fishes. But each branch of every plant, each member of every animal, each drop of its liquid parts is also some such garden or pond. [...] And although the earth and the air interspersed between the plants in the garden, or the water interspersed between the fish in the pond, are not themselves plant or fish, yet they still contain them, though more often than not of a subtlety imperceptible to us. [...] Therefore there is nothing uncultivated, nothing sterile, nothing dead in the universe, no chaos, no confusion, except in appearance."

- G.W. Leibniz (1646 - 1716)
Monadology

A Sliver of Reality

"Most of us aim in our short century or less to create a comfortable existence within the tiny rooms of our lives. We eat, we sleep, we get jobs, we pay the bills, we have lovers and children. Some of us build cities or make art. But with the luxury of true freedom of mind, there are larger concerns. Look at the sky. Does space go on forever, to infinity? Or is it finite but without boundary or edge, like the surface of a sphere? Either answer is disturbing, and unfathomable. Where did our Sun and Earth come from? Where did we come from? Quickly, we realize how limited we are in our experience of the world. What we see and feel with our bodies, caught midway between atoms and stars, is but a small swath of the spectrum, a sliver of reality."

- Alan Lightman (1948 - )
Probable Impossibilities

Formless

"The Chán tradition ascribes the origins of Chán in India to the Flower Sermon, the earliest source for which comes from the 14th century. It is said that Gautama Buddha gathered his disciples one day for a Dharma talk. When they gathered together, The Buddha was completely silent and some speculated that perhaps The Buddha was tired or ill. The Buddha silently held up and twirled a flower and his eyes twinkled; several of his disciples tried to interpret what this meant, though none of them were correct. One of The Buddha's disciples, Mahākāśyapa, silently gazed at the flower and broke into a broad smile. The Buddha then acknowledged Mahākāśyapa's insight by saying the following:

I possess the true Dharma eye,
the marvelous mind of Nirvāṇa,
the true form of the formless,
the subtle Dharma gate that does not
rest on words or letters but is a special
transmission outside of the scriptures.
This I entrust to Mahākāśyapa."

- The Flower Sermon
Quoted from the Chinese Buddhist Encyclopedia

Tennyson's Flower

"Tennyson said that if we could understand a single flower we would know who we are and what the world is. Perhaps he meant that there is no deed, however so humble, which does not implicate universal history and the infinite concatenation of causes and effects. Perhaps he meant that the visible world is implicit, in its entirety, in each manifestation, just as, in the same way, will, according to Schopenhauer, is implicit, in its entirety, in each individual."

- Jorge Luis Borges (1899 - 1986)

Eyes of the Dreamer

"Life is not merely what it seems to be.

Hidden from our eyes by the cloak

of materiality is a wonderful world

which only the eyes of the dreamer can see

and the soul of the mystic comprehend.

...

...silence is the root of sound,
and from it pours forth the fiat
that fashioned the world.
This is the dynamic silence of creation,
the tremendous dramatic silence of
new birth forever taking place-
new worlds forever fashioning.

...

To those capable of seeing the
light of these spiritual orbs,
there is no darkness,
for they dwell in the presence of
limitless light and at midnight see
the sun shining under their feet."

- Manly Hall (1901 - 1990)

Transpersonal Experiences

"The transpersonal experiences revealing the Earth as an intelligent, conscious entity are corroborated by scientific evidence. Gregory Bateson, who created a brilliant synthesis of cybernetics, information and systems theory, the theory of evolution, anthropology, and psychology came to the conclusion that it was logically inevitable to assume that mental processes occurred at all levels in any system or natural phenomenon of sufficient complexity. He believed that mental processes are present in cells, organs, tissues, organisms, animal and human groups, eco-systems, and even the earth and universe as a whole."

- Stanislav Grof (1931 - )
The Holotropic Mind

Liquid Vortex

"My soul is an entangled knot,
Upon a liquid vortex wrought
By Intellect in the Unseen residing,
And thine doth like a convict sit,
With marline-spike untwisting it,
Only to find its knottiness abiding;
Since all the tools for its untying
In four-dimensional space are lying,
Wherein they fancy intersperses
Long avenues of universes,
While Klein and Clifford fill the void
With one finite, unbounded homoloid,
And think the Infinite is now at last destroyed. "

- James Clerk Maxwell (1831 - 1879)

Hypertelescopic Imagination

"But in truth the eternal spirit was ineffable. Nothing whatever could be truly said about it. Even to name it "spirit" was perhaps to say more than was justified. Yet to deny it that name would be no less mistaken; for whatever it was, it was more, not less, than spirit, more, not less, than any possible human meaning of that word. And from the human level, even from the level of a cosmical mind, this "more," obscurely and agonizingly glimpsed, was a dread mystery, compelling adoration.

...

Gazing at the faintest and remotest of all the swarm of universes, I seemed, by hypertelescopic imagination, to see it as a population of suns; and near one of those suns was a planet, and on that planet’s dark side a hill, and on that hill myself.

...

For suddenly it was clear to me that virtue in the creator is not the same as virtue in the creature. For the creator, if he should love his creature, would be loving only a part of himself; but the creature, praising the creator, praises an infinity beyond himself. I saw that the virtue of the creature was to love and to worship, but the virtue of the creator was to create, and to be the infinite.

...

For our astronomers assure us that in this boundless finitude which we call the cosmos the straight lines of light lead not to infinity but to their source."

- Olaf Stapledon (1886 - 1950)
Star Maker

Folded and Hidden

"The greatest lessons of nature are the lessons of the fresh, eternal qualities of being: The variety and freedom, the great amplitude, rectitude, impartiality—each toward all and nothing supersedes the rest;

That eternal tendency to perpetuate and preserve which is behind all nature; The indefinable hard something that is the old heroic stamina of nature, inexorable, onward, resistless, to proceed with single purpose toward the result necessitated, and for which the time has arrived.

...

What is nature but change, in all its visible, and still more its invisible processes? Nature keeps up her long and harmless throes, her vital, copious, eternal procession, An infinite number of currents and forces, and contributions, and temperatures, and cross-purposes, Whose ceaseless play of counterpart upon counterpart brings constant restoration and vitality

...
I fully believe in a clue and purpose in nature,

Enfolding itself all processes of growth,
effusing life and power, for hidden purposes.

The sun and stars that float in the open air,

The apple-shaped earth and we upon it,

Earth’s soil, trees, winds,

Waters that encompass us, tumultuous waves—

Surely the drift of them is something grand,

The purport of objective nature is doubtless folded, hidden, somewhere here;

I do not know what it is except that it is grand, and that it is happiness."

- Walt Whitman (1819 - 1892)
Nature, Containing All

Lily Math

"Philosophy is written in this all-encompassing book that is constantly open to our eyes, that is the universe; but it cannot be understood unless one first learns to understand the language and knows the characters in which it is written. It is written in mathematical language, and its characters are triangles, circles, and other geometrical figures; without these it is humanly impossible to understand a word of it, and one wanders in a dark labyrinth."

- Galileo Galilei (1564 - 1642)
Il Saggiatore

Cosmic Observer

"In quantum mechanics...

an observation here and now changes in

 general the ‘state’ of the observed system...

I consider the unpredictable change
 of the state by a single observation...
to be an abandonment of the idea of
 the isolation of the observer from the
 course of physical events outside himself."

- Niels Bohr (1885 - 1962)

"The cosmos is within us.
We are made of star-stuff.
We are a way for the
universe to know itself."

- Carl Sagan (1934 - 1996)

Daliesque Dreams

 "One day it will have to
be officially admitted that
what we have christened reality
is an even greater illusion
than the world of dreams."

- Salvador Dali (1904 -1989)

To See Takes Time

"I made you take time to look at what I saw and when you took time to really notice my flower you hung all your associations with flowers on my flower and you write about my flower as if I think and see what you think and see--and I don't.

...

You paint from your subject, not what you see…I rarely paint anything I don’t know very well. It was surprising to me to see how many people separate the objective from the abstract. Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or a tree. It is lines and colors put together so that they say something. For me that is the very basis of painting. The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint.

...

To see takes time, like to have a friend takes time."

-  Georgia O'Keeffe (1887 - 1986)

Enfolded Energy Fields

 "In all ages even among scientific men,
there can be discerned the urge to
apprehend the living form as such,
to grasp the connections of
their external visible parts; to
take them as intimations of inner
activity, and so to master, to some
degree, the whole in an intuition."

- Johann Wolfgang von Goethe (1749 - 1832)

Postscript. This image is of the garden peony that adorns the ground beneath our mail-box; more precisely, and paraphrasing Minor White, I should say that the image is what else the garden peony is. What you are "really" looking at is a digital-negative (i.e., wherein the white-to-black tonalities are reversed) of a zoomed-in portion of what started out being 1:1 macro shot of the folds-within-folds of petals inside a single peony flower. The distance from left to right is no more than about two inches. In my physicist's mind's eye, I see an undulating play of interpenetrating enfolded forms of some mysterious energy field; the same impression I get when gazing at Bruce Barnbaum's mesmerizing slit canyon abstracts. Images such as this also remind us that magical otherworldly realms are always near us, just waiting for our eye to discover.

Transient Beauty

"The wabi sabi aesthetic ideals which have been employed not just in the tea ceremony but in nearly every form of Japanese artistic expression, have come to represent a bridge between the trappings of the material world and the pull we all feel, to a greater or lesser extent, to a life of austerity and simplicity. If the spirit is ready and willing, then a three-line haiku poem set in the tokonoma (the traditional alcove), complemented by a simple yet perfectly balanced flower arrangement, should be sufficient to push the viewer's awareness to new heights and to help him or her find a serene balance between the joy of life and the inevitability of the waiting void.

...

Wabi sabi is an intuitive appreciation of a transient beauty in the physical world that reflects the irreversible flow of life in the spiritual world. It is an understated beauty that exists in the modest, rustic, imperfect, or even decayed, an aesthetic sensibility that finds a melancholic beauty on the impermanence of things."

- Andrew Juniper
Wabi Sabi: The Japanese Art of Impermanence