Numerical Harmonies

 "The universe as a giant harpstring,
oscillating in and out of existence!
What note does it play, by the way? 
Passages from the Numerical Harmonies...?"

- Ursula K. Le Guin (1929 - 2018)
The Dispossessed: An Ambiguous Utopia

Spirits Clad in Veils

"We are spirits clad in veils."

- Christopher P. Cranch (1813 - 1892)

"Live, you say, in the present;
Live only in the present.

But I don’t want the present, I want reality;
I want things that exist, not time that measures them.

What is the present?
It’s something relative to the past and the future.
It’s a thing that exists in virtue of other things existing.
I only want reality, things without the present.

I don’t want to include time in my scheme.
I don’t want to think about things as present;
I don’t want to separate them from themselves,
treating them as present.

I shouldn’t even treat them as real.
I should treat them as nothing.

I should see them, only see them;
See them till I can’t think about them.

See them without time, without space,
To see, dispensing with everything but what you see.
And this is the science of seeing, which isn’t a science."

- Alberto Caeiro (1889 - 1915)
The Collected Poems of Alberto Caeiro

"There are many faiths, but the spirit is one
— in me, and in you, and in him. So that
 if everyone believes himself, all will be united;
everyone be himself and all will be as one."

- Leo Tolstoy (1828 - 1910)
Resurrection

Myriad Worlds of the Universe

"I consider the positions of kings and rulers as that of dust motes. I observe treasure of gold and gems as so many bricks and pebbles. I look upon the finest silken robes as tattered rags. I see myriad worlds of the universe as small seeds of fruit, and the greatest lake in India as a drop of oil on my foot. I perceive the teachings of the world to be the illusion of, magicians. I discern the highest conception of emancipation as golden brocade in a dream, and view the holy path of the illuminated one as flowers appearing in one's eyes. I see meditation as a pillar of a mountain, Nirvana as a nightmare of daytime. I look upon the judgment of right and wrong as the serpentine dance of a dragon, and the rise and fall of beliefs as but traces left by the four seasons."

- Siddhārtha Gautama (c. 563 or 480 BCE)

Inconceivable Dimensions

"We are like people drawn inside of a square on a piece of paper. We cannot get out of the black lines, we exhaust ourselves by examining every part of the square, hoping to find a fissure. Until one of us suddenly understands, because he was predestined to understand, that within the plane of the paper escape is impossible. That the exit, simple and open wide, is perpendicular to the paper, in a third dimension that up until that moment was inconceivable."

- Mircea Cărtărescu (1956 - )
Solenoid

Let Rilke's Mountains Be

 "I am so afraid of people's words.
They describe so distinctly everything:
And this they call dog and that they call house,
here the start and there the end.
I worry about their mockery with words,
they know everything, what will be, what was;
no mountain is still miraculous;
and their house and yard lead right up to God.
I want to warn and object: Let the things be!
I enjoy listening to the sound they are making.
But you always touch: and they hush and stand still.
That's how you kill."

- Rainer Maria Rilke (1875 - 1926)

Fossilized Marvin

"Sorry, did I say something wrong? said Marvin, dragging himself on regardless. Pardon me for breathing, which I never do anyway so I don't know why I bother to say it, oh God I'm so depressed. Here's another one of those self-satisfied doors. Life! Don't talk to me about life.

...

Having solved all the major mathematical, physical, chemical, biological, sociological, philosophical, etymological, meteorological and psychological problems of the Universe except for his own, three times over, [Marvin] was severely stuck for something to do, and had taken up composing short dolorous ditties of no tone, or indeed tune. The latest one was a lullaby. Marvin droned,

Now the world has gone to bed,

Darkness won't engulf my head,
I can see in infrared,
How I hate the night.
He paused to gather the artistic and
emotional strength to tackle the next verse.
Now I lay me down to sleep,
Try to count electric sheep,
Sweet dream wishes you can keep,
How I hate the night.
...

The first ten million years were the worst," said Marvin, "and the second ten million years, they were the worst too. The third ten million years I didn't enjoy at all. After that I went into a bit of a decline."

- Douglas Adams (1952 - 2001)
Hitchiker's Guide to The Galaxy

Photographer's note. This is an "old" image from a trip my wife I took to Niagara Falls, Canada a little over two years ago. I stumbled across it by accident while searching for something else on my hard drive, but now can't stop "seeing" it as some absurd Douglas-Adams-esque fossilization of Marvin-the-Robot - and I bet that now you won't be able to either 😊:

Original Realization

"Because earth, grass, trees, walls, tiles, and pebbles in the world of phenomena in the ten directions all engage in buddha activity, those who receive the benefits of the wind and water are inconceivably helped by the buddha's transformation, splendid and unthinkable, and intimately manifest enlightenment. Those who receive these benefits of water and fire widely engage in circulating the buddha's transformation based on original realization."

- Dogen (1200 - 1253)
 Treasury of the True Dharma Eye

Geometry Made Visible

"Architecture is geometry made visible
in the same sense that music
is number made audible."

- Claude F. Bragdon (1866 - 1946)

More Than the Mind Knows

"'Standing in the presence of' must be different than 'spirit taking over.' In the former I photograph my own blocks, veils, abstractions, etc. I know nothing of the latter. ... Be still with yourself. To establish condition - concentration heightened awareness with a still body and active mind ... To stand in the presence of... projection - empathy - to awareness of object and self ... Previsualization. (Become a camera. Let subject generate its own composition or impose, knowingly, yourself. when the subject presents itself as its own photograph.) Subject for what it is. Subject for what else it is ... [Written in upper margin: 'while holding firm to object and self-previsualizing its transformation as a photograph.] ... During a moment of rapport let recognition trigger exposure. Recognition of what? The thing for what it is (surface appearance and let the viewer go on if he wishes). Things for what else they are: A) inner truth or essence B) mirror of self. This means to do this at seeing prior [to] exposure and again at the instant of exposure ... The eye and the camera see more than the mind knows. Photo not understood fully at exposure. Sense of desiring of self and/or of world (by including heart and soul). Beyond verbal and visual, beyond this recognizable image rapport with spirit or depth [of] mind ... (Above delete this because it may become another Canon. Make each photograph a prayer.) ... Once a photo is a mirror of the man and man a mirror of the world, spirit may take over. Make each photo a prayer."

- Minor White (1908 - 1976)
Minor White, Memorable Fancies

Beyond Distinctions

Nishida Kitarō "...often sought to return (not reduce) oppositions and distinctions to the non-differentiated condition that underlies them, ultimately to the nothingness that gives rise to (or determines itself as) various distinctions. Although terms translating as 'ground' or 'foundation' are found throughout his works, this emphasis undermines any recourse to a founding principle or entity wholly transcendent to, and thus ultimately different from, the world or reality. 'Absolute nothingness' may be understood as the lack of any positively definable transcendent ground. When for example Nishida writes 'absolute nothingness transcends all that is, but at the same time all that is arises through it,' we may interpret him as pointing to an undifferentiated source beyond the distinctions it gives rise to, a source that is necessarily entailed by their being brought together precisely as distinct from one another."

- Stanford Encyclopedia of Philosophy
Entry on Nishida Kitarō (1870 - 1945)

Returning to the Source

"Empty yourself of everything.

Let the mind become still.
The ten thousand things rise and fall while the Self watches their return.
They grow and flourish and then return to the source.
Returning to the source is stillness, which is the way of nature.
The way of nature is unchanging.
Knowing constancy is insight.
Not knowing constancy leads to disaster.
Knowing constancy, the mind is open.
With an open mind, you will be openhearted.
Being openhearted, you will act royally.
Being royal, you will attain the divine.
Being divine, you will be at one with the Tao.
Being at one with the Tao is eternal.
And though the body dies, the Tao will never pass away."

 - Tao Te Ching, Chapter 16

Poetry and Grace

"Things are either devolving toward,
or evolving from, nothingness.

...

Beauty can be coaxed out of ugliness. Wabi-sabi is ambivalent about separating beauty from non-beauty or ugliness. The beauty of wabi-sabi is in one respect, the condition of coming to terms with what you consider ugly. Wabi-sabi suggests that beauty is a dynamic event that occurs between you and something else. Beauty can spontaneously occur at any moment given the proper circumstances, context, or point of view. Beauty is thus an altered state of consciousness, an extraordinary moment of poetry and grace.

...

The closer things get to nonexistence,
the more exquisite and evocative they become.
Consequently to experience wabi-wabi means
you have to slow way down,
be patient, and look
very closely."

- Leonard Koren (1948 - )
Wabi-Sabi: for Artists, Designers, Poets & Philosophers

Elaborate Complexity

"We have a way of discussing the world, when we talk of it at various hierarchies, or levels ... For example, at one end we have the fundamental laws of physics. Then we invent other terms for concepts which are approximate, which have, we believe, their ultimate explanation in terms of the fundamental laws ... if we go higher up from this, in another level we have properties of substances- like "refractive index" ... or "surface tension" ... As we go up in this hierarchy of complexity, we get to things like muscle twitch, or nerve impulse, which is an enormously complicated thing in the physical world, involving an organization of matter in a very elaborate complexity. Then come things like "frog" ... And then ... we come to words and concepts like "man", and "history", or "political expediency", and so forth, a series of concepts which we use to understand things at an ever higher level. And going on, we come to things like evil, and beauty, and hope ... Which end is nearer to God ... beauty and hope, or the fundamental laws? ... I do not think either end is nearer to God. To stand at either end, and to walk off that end of the pier only, hoping that out in that direction is the complete understanding, is a mistake. And to stand with evil and beauty and hope, or to stand with the fundamental laws, hoping that way to get a deep understanding of the whole world, with that aspect alone, is a mistake. ... The great mass of workers in between, connecting one step to another, are improving all the time our understanding of the world, both from working at the ends and working in the middle, and in that way we are gradually understanding this tremendous world of interconnecting hierarchies."

- Richard Feynman (1918 - 1988)
The Character of Physical Law

Nature Gazing Upon Itself

"Thus, when we look out at the world,
we are nature gazing upon itself."

- Philip Toshio Sudo (1959 - 2002)
Zen 24/7: All Zen, All the Time

Glorious Light

 "Light! Oh, how lovely, how sublime art thou!
The purest creature of the Almighty's hand,
Which human eyes behold! ...
Through unexplored immensity stretch'd out,
Perchance outspread to infinite extent
From this dark ball up to the throne of God?
O glorious Light ! how welcome to the eye !
How cheering to the earth! without thy smile,
All nature's face one pallid hue would wear,
All living things would droop, despair, and die
And this fair frame of being back return
To that chaotic state in which it lay,
Ere shone the sun, or with creative voice,
God said 'Let there be light!' - And light there was.
...
Form, though a palpable presence of—is still
A creature of the element of light;
A thing that offers converse to the eye,
And definition of all actual bulk.
By shape alone, whatever we regard
As beauty's line, through every mazy change,
With infinite delight the mind proceeds.
Nor merely man to perfect stature wrought
Nor beasts, birds, streams, mountains, fields, or trees
Nor sculptor's art, nor limner's, only please
But simplest lines and curves, transposed and join'd,
Attract, and fix the mind with wondrous charms,
As, if in the solution of their laws,
Or midst their combinations manifold,
The secret of man's happiness lay hid."

- John Holland (1794 - 1872)
Pleasures of Sight

Banyans & Balls (or "Sufficient Reason")

"Suppose you were strolling in the woods and, in addition to the sticks, stones, and other accustomed litter of the forest floor, you one day came upon some quite unaccustomed object, something not quite like what you had ever seen before and would never expect to find in such a place. Suppose, for example, that it is a large ball, about your own height, perfectly smooth and translucent. You would deem this puzzling and mysterious, certainly, but if one considers the matter, it is no more inherently mysterious that such a thing should exist than that anything else should exist. If you were quite accustomed to finding such objects of various sizes around you most of the time, but had never seen an ordinary rock, then upon finding a large rock in the woods one day you would be just as puzzled and mystified. This illustrates the fact that something that is mysterious ceases to seem so simply by its accustomed presence. It is strange indeed, for example, that a world such as ours should exist; yet few men are very often struck by this strangeness, but simply take it for granted. 

...

Suppose, then, that you have found this translucent ball and are mystified by it. Now whatever else you might wonder about it, there is one thing you would hardly question; namely, that it did not appear there all by itself, that it owes its existence to something. You might not have the remotest idea whence and how it came to be there, but you would hardly doubt that there was an explanation. The idea that it might have come from nothing at all, that it might exist without there being any explanation of its existence, is one that few people would consider worthy of entertaining. 

...

This illustrates a metaphysical belief that seems to be almost a part of reason itself... the belief, namely, that there is some explanation for the existence of anything whatever, some reason why it should exist rather than not. The sheer nonexistence of anything, which is not to be confused with the passing out of existence of something, never requires a reason; but existence does. That there should never have been any such ball in the forest does not require any explanation or reason, but that there should ever be such a ball does."

- Richard Taylor (1919 – 2003)

Apparition

 "Let us interrogate the great apparition,
that shines so peacefully around us."

- Ralph Waldo Emerson (1803 - 1882)

Light and Darkness

"The universe will never be extinguished
because just when the darkness
seems to have smothered all, to
to be truly transcendent, the new
seeds of light are reborn
in the very depths."

- Philip K. Dick (1928 - 1982)

Bodhisattva of Compassion

"The winds have died, but flowers go on falling;
birds call, but silence penetrates each song.
The Mystery! Unknowable, unlearnable.
The virtue of Kannon."

- Ryōkan (1758 - 1831)

Quantum Foam

"All the elements were there: the frozen feeling bubbling up and permeating my body like quantum foam fizzing up to engulf the fragmenting mind, the feeling of acceleration, my dissolving self urging me to let go, to surrender, as I was sucked into the visionary maelstrom. … The experience was far more austere ... Reality is a hallucination generated by the brain to help make sense of our being; it is made of fragments of memory, associations, ideas, people you remember, dreams you’ve had, things you’ve read and seen, all of which is somehow blended and extruded into something resembling a coherent conscious narrative, the hallucination we call “experience.” Dimethyltryptamine rips back the curtain to show the raw data before it has been processed and massaged. There is no comforting fiction of coherent consciousness; one confronts the mindless hammering of frenzied neurochemistry"

- Ralph Metzner (1936 - 2019)
The Toad and the Jaguar

Allegory of Light

"Picture the following in your mind. Imagine human beings living in an underground cave-like residence. Its entrance opens up to the light and reaches all along the cave. They have been there since their childhood, their ankles and necks chained, unable to move or turn their heads, forced to look ahead. The light from a fire blazing at a distance comes from above and behind them. Between the fire and the prisoners there is a raised walkway. Imagine also a low wall built along the way, similar to the screen that divides puppeteers from the audience and allows them to show puppets over it.

...

Now imagine that people walk behind the wall and carry various artifacts that extend above the wall. These artifacts include carvings of humans and other animals made of stone, wood, and other materials. Some of the people carrying these object are talking, while others are silent. ...They are like ourselves. Now do you think they see anything else except their own shadows, or the shadows of one another, which light from the fire casts on to the opposite wall of the cave? 

...

Now imagine what would happen naturally if the prisoners were released from their shackles and cured of their ignorance. Right after they are released and suddenly forced to stand up, turn their necks around, walk, and look towards the light, these activities will cause them pain; because of the bright glare they would be unable to see those things which they previously had seen only as shadows. Now what do you think they would say if one were to tell them that what they saw before was fooling them, but that now, when they are closer to what really exists and when they face that which more truly exists, they see more clearly, in a straightforward manner? What if that person pointed to the objects as they passed and asked the former prisoners to tell him what they were? Don’t you think they would be baffled and think that the shadows they formerly saw were truer than the objects that are now being pointed out to them? "

- Plato (c.424 - 348 BC)
"The Allegory of the Cave" (Republic, Book Seven) 

Ineffable Music

"Trees are the earth's endless effort
to speak to the listening heaven.

...

The touch of an infinite mystery passes
over the trivial and the familiar, making
 it break out into ineffable music... 
The trees, the stars, and the blue hills
ache with a meaning which can
never be uttered in words.

...

The one who plants a tree knowing he
may never sit in its shade has
learnt a little about life."

- Rabindranath Tagore (1861 - 1941)

The World of Distinctions

"The ten thousand things are in reality neither sentient nor insentient; the self is neither sentient nor insentient. Because of this fact, the teachings of the insentient cannot be perceived by the senses. Our minds are conditioned to divide and compartmentalize reality. We have come to know and define the universe dualistically. As a result, everything we have created with our minds is dualistic. Our philosophy, psychology, medicine, politics, sociology and education are based on a dualistic understanding of the nature of the universe. What kind of world would this be if our appreciation and activity were based on non-duality? Could we function out of such realization? Of course we could. Thousands of people have navigated the world of distinctions from the perspective of the unity of all things, a perspective that presents all things as interdependent entities, mutually arising, and with mutual causality. This kind of vision requires us to see the aspect of existence that is neither being nor non-being, neither self nor other."

- John Daido Loori (1931 - 2009)
Making Love With Light