Luminous Mind

 "Luminous, monks, is the mind.
And it is freed from incoming defilements.
The well-instructed disciple of the noble ones
discerns that as it actually is present,
which is why I tell you that—
for the well-instructed disciple of the noble ones
—there is development of the mind."

- Aṅguttara Nikāya
Luminous Mind

Overlapping Wholes

"The principal features of a complex configuration are always created by overlap. Although this ... overlap may seem trivial [...] you will see that this kind of overlap, and ambiguity, is essential and pervasive. [...] This is the glue in any system of wholes. Wholeness itself is directly created by this apparent overlap, or ambiguity. The greater the number of overlapping wholes, the more tightly bound the configuration is, and the more deeply the wholeness of the object shows itself to be.

- Christopher Alexander (1936 - 2022)

Original Mind

"The real mind doesn't have anything to it,

it is simply (an aspect of) Nature.

It becomes peaceful or agitated

because moods deceive it.

That gladness or sadness

is not the mind,

but only a mood coming to deceive us.

The untrained mind gets lost

and follows these things,

It forget itself.

Then we think it is we

who are upset or at ease or whatever.

But really this mind of ours is inherently

unmoving and peaceful...

really peaceful!

Just like a leaf which is still

As long as no wind blows.

If a wind comes up, the lead flutters -

The fluttering is due to the wind.

Our 'fluttering' is due to those sense impressions;

The mind follows them.

If it doesn't follow them, it doesn't 'flutter'

If we know fully

the true nature of sense impressions

we will be unmoved.

Our practice is simply to see

the Original Mind.

So we must train the mind

to know those sense impressions, and

not get lost in them.

To make it peaceful."

-  Ajahn Chah (1918 - 1992)

Buddha Lands

Water is not concerned with past,
future, present or the phenomenal world.
Even in a drop of water, innumerable 
buddha lands appear."

- Dogen (1200 - 1253)

Perfect Penetration

"I entered into the stream of the self-nature of the sense of hearing, thereby eliminating the sound of what was heard. Now proceeding from this stillness, both sound and silence ceased to arise. Advancing in this way, both hearing and what was heard melted away and vanished. When hearing and what is heard are both forgotten, then the sense of hearing leaves no impression in the mind. When sense and the objects of sense both become empty, then emptiness and sense merge and reach a state of absolute perfection. When emptiness and what is being emptied are both extinguished, then arising and extinction are naturally extinguished. At this point the absolute emptiness of nirvana became manifest, and suddenly I transcended the mundane and supra-mundane worlds."

- Guanyin Bodhisattva
Shurangama Sutra

Gojū-no-tō

"By knowing things that exist,
you can know that which does not exist.
That is the void.

...

Do not think dishonestly. The Way is in training. Become acquainted with every art. Know the Ways of all professions. Distinguish between gain and loss in worldly matters. Develop an intuitive judgement and understanding for everything. Perceive those things which cannot be seen. Pay attention even to trifles. Do nothing which is of no use. [...] Know the smallest things and the biggest things, the shallowest things and the deepest things. As if it were a straight road mapped out on the ground. [...] These things cannot be explained in detail. From one thing, know ten thousand things. When you attain the Way of Strategy there will not be one thing you cannot see. 

...

In the void is virtue, and no evil.
Wisdom has existence, principle has existence,
the Way has existence, spirit is nothingness."

- Miyamoto Musashi (1583 – 1645)
The Book of Five Rings

Pointillist Flecks

"...the notion of depth is toyed with and finally subverted, until Klimt reduced the volumes of terrain to a series of flattened pieces comprised of a multitude of pointillist flecks. The sky disappears almost entirely from his compositions, as do, with a few exceptions, traditional methods of illusionism like linear and atmospheric perspective. [...] The paintings of the mid-aughts are gorgeous tapestries of narrow value range and scintillating color. They bear a superficial resemblance to French Post-Impressionism, but the offbeat elegance and nervous energy are unique to Klimt."

- LINEA, review of Klimt: Landscapes
at Neue Galerie New York (2024)

Pure Mind

"Mind precedes all mental states.
Mind is their chief; they are all mind-wrought.
If with an impure mind a person speaks or acts
suffering follows him like the wheel
that follows the foot of the ox.

...

Mind precedes all mental states.
Mind is their chief; they are all mind-wrought.
If with a pure mind a person speaks or acts
happiness follows him like his
 never-departing shadow."

- The Dhammapada

Ephel Duath

"Far above the Ephel Duath in the West the night-sky was still dim and pale. There, peering among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach."

-  J.R.R. Tolkien (1892 - 1973)
The Return of the King
Sam, Chapter II: The Land of Shadow

Aboriginal Dreaming

"Although The Dreaming conjures up the notion of a sacred, heroic time of the indefinitely remote past, such a time is also, in a sense, still part of the present. One cannot ‘fix’ The Dreaming in time: it was, and is, everywhen. We should be very wrong to try to read into it the idea of a Golden Age, or a Garden of Eden, though it was an Age of Heroes, when the ancestors did marvelous things that men can no longer do [...] Clearly, The Dreaming is many things in one. Among them, a kind of narrative of things that once happened; a kind of charter of things that still happen; and a kind of logos or principle of order transcending everything significant for Aboriginal man. [...] These tales are neither simply illustrative nor simply explanatory, they are fanciful and poetic in content because they are based on visionary and intuitive insights into mysteries; and, if we are ever to understand them, we must always take them in their complex content."

- W.E.H. Stanner (1905 - 1981)

Unconscious Activation

"The creative process, so far as we are able to follow it at all, consists in the unconscious activation of an archetypal image, and in elaborating and shaping this image into the finished work. By giving it shape, the artist translates it into the language of the present, and so makes it possible for us to find our way back to the deepest springs of life."

- C. G. Jung (1875-1961)

Spiritual Harmony

"The more abstract is form, the more clear and direct is its appeal. In any composition the material side may be more or less omitted in proportion as the forms used are more or less material, and for them substituted pure abstractions, or largely dematerialized objects. The more an artist uses these abstracted forms, the deeper and more confidently will he advance into the kingdom of the abstract. And after him will follow the gazer at his pictures, who also will have gradually acquired a greater familiarity with the language of that kingdom.

...

Form alone, even though totally abstract and geometrical, has a power of inner suggestion. A triangle (without the accessory consideration of its being acute- or obtuse-angled or equilateral) has a spiritual value of its own. In connection with other forms, this value may be somewhat modified, but remains in quality the same. The case is similar with a circle, a square, or any conceivable geometrical figure.

...

Every form is as sensitive as a puff of smoke, the slightest breath will alter it completely. This extreme mobility makes it easier to obtain similar harmonies from the use of different forms, than from a repetition of the same one; though of course an exact replica of a spiritual harmony can never be produced. So long as we are susceptible only to the appeal of a whole composition, this fact is of mainly theoretical importance. But when we become more sensitive by a constant use of abstract forms (which have no material interpretation) it will become of great practical significance."

- Wassily Kandinsky (1866 - 1944)

Primordial Ideas

"Colors are primordial ideas,
children of the aboriginal colorless light
and its counterpart, colorless darkness Light,
that first phenomenon of the world, reveals
to us the spirit and the living soul
of the world through colors.

...

Color is life, for a world without color seems dead.
As a flame produces light, light produces color.
As intonation lends color to the spoken word,
color lends spiritually realized sound to a form.
...
Between black and white there throbs the
universe of chromatic phenomena."

- Johannes Itten (1888 - 1967)

Weltanschauung

"That everything is transitory is merely a simile. Everything we see is a proposal, a possibility, an expedient. The real truth, to begin with, remains invisible beneath the surface. The colors that captivate us are not lighting, but light. The graphic universe consists of light and shadow. The diffused clarity of slightly overcast weather is richer in phenomena than a sunny day. A thin stratum of cloud just before the stars break through. It is difficult to catch and represent this, because the moment is so fleeting. It has to penetrate into our soul. The formal has to fuse with the Weltanschauung"

- Paul Klee (1879 - 1940)

Fiery Light

"A fiery light, of the greatest flashing brightness, coming out of a cloudless sky, flooded my entire mind and so inflamed my whole heart and my whole breast like a flame — yet it was not blazing but glowing hot, as the sun makes anything on which its rays fall hot. 

...

And I saw as if in the middle of the southern sky an image, beautiful and wonderful in the mystery of God, like a human in form. Her face was of such beauty and radiance that I could more easily look at the sun than at her; and a great circlet of golden color surrounded her head. [...] And this image spoke: ‘I am the supreme and fiery force, who sets all living sparks alight and breathes forth no mortal things, but judges them as they are. Flying around the circling circlet with my upper wings - with my wisdom - I have ordered all things rightly. But I am also the fiery life of the essence of divinity; I flame above the beauty of the fields, and I shine in the waters, and I burn in the sun, the moon, and the stars. With the airy wind I quicken all things with some invisible life that sustains them all. For the air lives in viridity [i.e., greenness] and in the flowers, the waters flow as if alive, and the sun lives within its own light.

...

The light that I see thus is not spatial, but it is far, far brighter than a cloud that carries the sun. I can measure neither height, nor length, nor breadth in it; and I call it the 'reflection of the living Light.'"

- Hildegard of Bingen (1098 - 1179)

Platonic Forms

"And now look again, and see what will naturally follow if the prisoners are released and disabused of their error. At first, when any of them is liberated and compelled suddenly to stand up and turn his neck round and walk and look towards the light, he will suffer sharp pains; the glare will distress him, and he will be unable to see the realities of which in his former state he had seen the shadows; and then conceive some one saying to him, that what he saw before was an illusion, but that now, when he is approaching nearer to being and his eye is turned towards more real existence, he has a clearer vision. [...] Will he not fancy that the shadows which he formerly saw are truer than the objects which are now shown to him? [...] He will require to grow accustomed to the sight of the upper world. And first he will see the shadows best, next the reflections of men and other objects in the water, and then the objects themselves; then he will gaze upon the light of the moon and the stars and the spangled heaven; and he will see the sky and the stars by night better than the sun or the light of the sun by day. [...] Last of all he will be able to see the sun, and not mere reflections of him in the water, but he will see him in his own proper place, and not in another; and he will contemplate him as he is. [...] This entire allegory you may now append, dear Glaucon, to the previous argument; the prison-house is the world of sight, the light of the fire is the sun, and you will not misapprehend me if you interpret the journey upwards to be the ascent of the soul into the intellectual world according to my poor belief, which, at your desire, I have expressed - whether rightly or wrongly God knows. But, whether true or false, my opinion is that in the world of knowledge the idea of good appears last of all, and is seen only with an effort; and, when seen, is also inferred to be the universal author of all things beautiful and right, parent of light and of the lord of light in this visible world, and the immediate source of reason and truth in the intellectual; and that this is the power upon which he who would act rationally, either in public or private life, must have his eye fixed."

- Plato (c.424 - 348 BC)
"The Allegory of the Cave" (Republic, Book Seven) 

Seed Unfolding

"The One, perfect in seeking nothing, possessing nothing and needing nothing, overflows and creates a new reality by its superabundance. [...] The process is like the unfolding of a seed, moving from simple origin to termination in the world of sense, the prior always remaining in its place, while begetting its successor from a store of indescribable power - power that must not halt within the higher realm [...] but continue to expand until the universe of things reaches the limit of its possibility, lavishing its vast resources on all its creatures, intolerant that any one should have no share in it. Nothing is debarred from participation in the Good, to the extent of its receptivity. "

- Plotinus (c. 204/5 – 270 CE)
The Enneads

Luminous Forms

"Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician."

- Le Corbusier (1887 - 1965)

Spiritual Facts

"Particular natural facts are symbols of particular spiritual facts. [...] Nature is the symbol of spirit. [...] Every natural fact is a symbol of some spiritual fact. Every appearance in nature corresponds to some state of the mind, and that state of the mind can only be described by presenting that natural appearance as its picture. [...] By degrees we may come to know the primitive sense of the permanent objects of nature, so that the world shall be to us an open book, and every form significant of its hidden life and final cause."

- Ralph Waldo Emerson (1803 - 1882)
Nature