Numerical Harmonies

 "The universe as a giant harpstring,
oscillating in and out of existence!
What note does it play, by the way? 
Passages from the Numerical Harmonies...?"

- Ursula K. Le Guin (1929 - 2018)
The Dispossessed: An Ambiguous Utopia

Spirits Clad in Veils

"We are spirits clad in veils."

- Christopher P. Cranch (1813 - 1892)

"Live, you say, in the present;
Live only in the present.

But I don’t want the present, I want reality;
I want things that exist, not time that measures them.

What is the present?
It’s something relative to the past and the future.
It’s a thing that exists in virtue of other things existing.
I only want reality, things without the present.

I don’t want to include time in my scheme.
I don’t want to think about things as present;
I don’t want to separate them from themselves,
treating them as present.

I shouldn’t even treat them as real.
I should treat them as nothing.

I should see them, only see them;
See them till I can’t think about them.

See them without time, without space,
To see, dispensing with everything but what you see.
And this is the science of seeing, which isn’t a science."

- Alberto Caeiro (1889 - 1915)
The Collected Poems of Alberto Caeiro

"There are many faiths, but the spirit is one
— in me, and in you, and in him. So that
 if everyone believes himself, all will be united;
everyone be himself and all will be as one."

- Leo Tolstoy (1828 - 1910)
Resurrection

Myriad Worlds of the Universe

"I consider the positions of kings and rulers as that of dust motes. I observe treasure of gold and gems as so many bricks and pebbles. I look upon the finest silken robes as tattered rags. I see myriad worlds of the universe as small seeds of fruit, and the greatest lake in India as a drop of oil on my foot. I perceive the teachings of the world to be the illusion of, magicians. I discern the highest conception of emancipation as golden brocade in a dream, and view the holy path of the illuminated one as flowers appearing in one's eyes. I see meditation as a pillar of a mountain, Nirvana as a nightmare of daytime. I look upon the judgment of right and wrong as the serpentine dance of a dragon, and the rise and fall of beliefs as but traces left by the four seasons."

- Siddhārtha Gautama (c. 563 or 480 BCE)

Inconceivable Dimensions

"We are like people drawn inside of a square on a piece of paper. We cannot get out of the black lines, we exhaust ourselves by examining every part of the square, hoping to find a fissure. Until one of us suddenly understands, because he was predestined to understand, that within the plane of the paper escape is impossible. That the exit, simple and open wide, is perpendicular to the paper, in a third dimension that up until that moment was inconceivable."

- Mircea Cărtărescu (1956 - )
Solenoid

Let Rilke's Mountains Be

 "I am so afraid of people's words.
They describe so distinctly everything:
And this they call dog and that they call house,
here the start and there the end.
I worry about their mockery with words,
they know everything, what will be, what was;
no mountain is still miraculous;
and their house and yard lead right up to God.
I want to warn and object: Let the things be!
I enjoy listening to the sound they are making.
But you always touch: and they hush and stand still.
That's how you kill."

- Rainer Maria Rilke (1875 - 1926)

Fossilized Marvin

"Sorry, did I say something wrong? said Marvin, dragging himself on regardless. Pardon me for breathing, which I never do anyway so I don't know why I bother to say it, oh God I'm so depressed. Here's another one of those self-satisfied doors. Life! Don't talk to me about life.

...

Having solved all the major mathematical, physical, chemical, biological, sociological, philosophical, etymological, meteorological and psychological problems of the Universe except for his own, three times over, [Marvin] was severely stuck for something to do, and had taken up composing short dolorous ditties of no tone, or indeed tune. The latest one was a lullaby. Marvin droned,

Now the world has gone to bed,

Darkness won't engulf my head,
I can see in infrared,
How I hate the night.
He paused to gather the artistic and
emotional strength to tackle the next verse.
Now I lay me down to sleep,
Try to count electric sheep,
Sweet dream wishes you can keep,
How I hate the night.
...

The first ten million years were the worst," said Marvin, "and the second ten million years, they were the worst too. The third ten million years I didn't enjoy at all. After that I went into a bit of a decline."

- Douglas Adams (1952 - 2001)
Hitchiker's Guide to The Galaxy

Photographer's note. This is an "old" image from a trip my wife I took to Niagara Falls, Canada a little over two years ago. I stumbled across it by accident while searching for something else on my hard drive, but now can't stop "seeing" it as some absurd Douglas-Adams-esque fossilization of Marvin-the-Robot - and I bet that now you won't be able to either 😊:

Original Realization

"Because earth, grass, trees, walls, tiles, and pebbles in the world of phenomena in the ten directions all engage in buddha activity, those who receive the benefits of the wind and water are inconceivably helped by the buddha's transformation, splendid and unthinkable, and intimately manifest enlightenment. Those who receive these benefits of water and fire widely engage in circulating the buddha's transformation based on original realization."

- Dogen (1200 - 1253)
 Treasury of the True Dharma Eye

Geometry Made Visible

"Architecture is geometry made visible
in the same sense that music
is number made audible."

- Claude F. Bragdon (1866 - 1946)

More Than the Mind Knows

"'Standing in the presence of' must be different than 'spirit taking over.' In the former I photograph my own blocks, veils, abstractions, etc. I know nothing of the latter. ... Be still with yourself. To establish condition - concentration heightened awareness with a still body and active mind ... To stand in the presence of... projection - empathy - to awareness of object and self ... Previsualization. (Become a camera. Let subject generate its own composition or impose, knowingly, yourself. when the subject presents itself as its own photograph.) Subject for what it is. Subject for what else it is ... [Written in upper margin: 'while holding firm to object and self-previsualizing its transformation as a photograph.] ... During a moment of rapport let recognition trigger exposure. Recognition of what? The thing for what it is (surface appearance and let the viewer go on if he wishes). Things for what else they are: A) inner truth or essence B) mirror of self. This means to do this at seeing prior [to] exposure and again at the instant of exposure ... The eye and the camera see more than the mind knows. Photo not understood fully at exposure. Sense of desiring of self and/or of world (by including heart and soul). Beyond verbal and visual, beyond this recognizable image rapport with spirit or depth [of] mind ... (Above delete this because it may become another Canon. Make each photograph a prayer.) ... Once a photo is a mirror of the man and man a mirror of the world, spirit may take over. Make each photo a prayer."

- Minor White (1908 - 1976)
Minor White, Memorable Fancies

Beyond Distinctions

Nishida Kitarō "...often sought to return (not reduce) oppositions and distinctions to the non-differentiated condition that underlies them, ultimately to the nothingness that gives rise to (or determines itself as) various distinctions. Although terms translating as 'ground' or 'foundation' are found throughout his works, this emphasis undermines any recourse to a founding principle or entity wholly transcendent to, and thus ultimately different from, the world or reality. 'Absolute nothingness' may be understood as the lack of any positively definable transcendent ground. When for example Nishida writes 'absolute nothingness transcends all that is, but at the same time all that is arises through it,' we may interpret him as pointing to an undifferentiated source beyond the distinctions it gives rise to, a source that is necessarily entailed by their being brought together precisely as distinct from one another."

- Stanford Encyclopedia of Philosophy
Entry on Nishida Kitarō (1870 - 1945)